KitPlus | Articles

How the cloud is changing the post production landscape

by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater

Published 01 February 2014

Ask the experts: What is MAM?

by Rino Petricola Issue 85 - January 2014 Media asset management: what exactly is it?While the precise definition varies from person to person, a common description tends to emerge. Media asset management (MAM) is a solution that allows media content including audio, video, and graphics to be ingested, annotated, cataloged, managed, protected, sear...

Submitted by Rino Petricola

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

Will Strauss looks at post production in 2014

by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#

Published 01 February 2014

Three big questions on OTT

by Simen FrostadIssue 84 - December 2013 Every media operator wants to deliver OTT services, or is already doing so. Growth over the past 18 months has been phenomenal, and a media operation without OTT is almost inconceivable now. But for many coming from a broadcast background, the technical side of OTT is terra incognita, and a mixture of fear a...

Submitted by Simen Frostad

Published 01 January 2014

Taking legacy content into the 4K world

by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc

Published 01 January 2014

Moving into the IP based 4K UDTV camp

by Chuck MeyerIssue 84 - December 2013 There appear to be two parallel trains of inertia currently taking place in broadcast, one of course being the onset of 4K UDTV, the other being the transition to an IP-based content transport infrastructure. For many, the rapid changes and associated question are daunting, even for experienced professionals....

Submitted by Chuck Meyer

Published 01 January 2014

The circle of life with Dick Hobbs

by Dick HobbsIssue 84 - December 2013 Being a simple soul, I am endlessly fascinated by ideas which are the great new thing one day, rubbished the next, and resurface the day after as the next great thing. In the 1960s, the BBC decided that it was wrong to concentrate all its radio and television production in London, and established national and r...

Submitted by Dick Hobbs.

Published 01 January 2014

Get the lowdown on HEVC compression

by Keith WymbsIssue 84 - December 2013 The high-efficiency video coding (HEVC/H.265) compression codec, which was standardized earlier this year, brings broadcasters and other content distributors multiple opportunities, including:- Decreased bandwidth enabling the addition of more channels and increased quality while lowering bitrates. - Improved...

Submitted by Keith Wymbs

Published 01 January 2014

Leaping over the top

by Bob LambIssue 84 - December 2013 Around the world, consumers are becoming addicted to viewing over-the-top (OTT) video on the device or screen of their choice, anywhere and at any time. For broadcasters, content owners, and service providers, the ability to deliver broadcast-quality media over the open Internet presents a tremendous opportunity...

Submitted by Bob Lamb

Published 01 January 2014

The future of linear TV

Issue 84 - December 2013Thames Valley centre continued a successful run of events with a panel discussion on linear television. Joss Armitage, Bob Lamb of Pilat Media and MobiTV’s Paul Scanlan discussed what the future might hold for traditional methods of consuming content and how it may be influenced by the new generation of multi-screen, cross-...

Submitted by KitPlus

Published 01 January 2014

A testing 4K future...

by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney

Published 01 December 2013

QOS - Its time to take a more objective approach

by Simen FrostadIssue 83 - November 2013 Any business that fails to satisfy its customers is almost certain to fail if theres significant competition to it. Digital media businesses are very definitely competing in a market where the customer can switch quickly if not satisfied, so its vital for providers to know when their customers are getting a...

Submitted by Simen Frostad

Published 01 December 2013

Embracing the 4K future with next generation encoding tec...

by Kevin CookIssue 83 - November 2013 Whats keeping todays media and broadcast operators up at night? To find out, just walk the floor of any 2013 broadcast industry trade show. Only a few short years ago we were obsessed with the digital transition and migrating to HD operations, followed by adoption of 3-D technologies. And now, todays big challe...

Submitted by Ludovic Pertuisel#

Published 01 December 2013

Why broadcasters need to be aware of the advent of HEVC

by Kanaan JemiliIssue 82 - October 2013 High-Efficiency Video Coding (HEVC), or H.265, has been the talk of the industry since gaining international standards approval earlier this year. HEVC is a new video compression standard and the successor to H.264/MPEG-4 AVC (Advanced Video Coding). Developed by the ISO/IEC Moving Picture Experts Group and I...

Submitted by Kanaan Jemili

Published 01 November 2013