KitPlus | Articles

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015

The IP Solution - intercom systems without extensive new...

by Manuel Brico Issue 101 - May 2015 When a broadcasting or TV station wants to install a new intercom system in its broadcast centre or headquarters - or wishes to replace its entire intercom system - it is faced with two big investments. One concerns the capital investment in terms of hardware and software. This will include investment in equipme...

Submitted by Manuel Brico

Published 01 June 2015

Big rush with little fuss at new Birmingham broadcaster

by Neil Hutchins Issue 99 - March 2015 Big Centre TV is the latest of the new wave of UK Local TV stations, having launched on 28th February. But behind the calm and successful appearance was a frenzied period of activity, as Ofcom had only confirmed their licence just three months earlier. To get from nothing to on-air in such a short timescale wa...

Submitted by Neil Hutchins#

Published 01 April 2015

Outside broadcast gets a breath of fresh air

Issue 99 - March 2015Capturing what\'s happening remote from the studio has moved beyond the broadcast truck parked street-side. Your audiences are hungry. While they have the ability to bring the world of news, entertainment, sports and information to their doorsteps - wherever that may be and on whatever device they choose - someone still needs t...

Submitted by KitPlus

Published 01 April 2015

Cellular Wireless Networks

by Erwan Gasc Issue 99 - March 2015 1. What advantage do 3G/4G cellular wireless networks provide to broadcasters over satellite networks?For many years, satellite was the primary approach for real-time video delivery within the broadcast industry. That changed with the explosion of the Internet and second-screen devices like smartphones and tablet...

Submitted by Erwan Gasc

Published 01 April 2015

Visualising the future of digital media business

by Simen Frostad Issue 99 - March 2015 More and more, successful delivery of digital media services is all about data management. Data about how well the services are performing can come from many sources - from market research and customer satisfaction responses, from analysis of customer support and maintenance activity, and from monitoring syste...

Submitted by Simen Frostad

Published 01 April 2015

SiS Live

Issue 99 - March 2015SIS LIVE is well-established as Europe\'s largest supplier of satellite uplinks, but considerable investment in a wide-ranging fibre network is positioning it as a major connectivity provider to UK Live events. Many major broadcasters now have resilient fibre links to broadcast teleports at SIS LIVE\'s headquarters in MediaCity...

Submitted by KitPlus

Published 01 April 2015

Venice live productions tools go to the consumer

by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead

Published 01 March 2015

Archiving as a service at BBC Studios and Post Production

by Kevin Shaw Issue 97 - January 2015 BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production.\" Our services include digitization...

Submitted by Kevin Shaw

Published 01 February 2015

3sixtymedia implements Universal Videohub 288 with ITV

with Taig McNab Issue 97 - January 2015 Taig McNab joined ITV in the Spring of 2011 and was quickly thrown into project managing the move of 3sixtymedia, ITV\'s post facility, from Quay Street in Manchester to MediaCityUK. Brought onboard as technical manager, not only was Taig responsible for looking after all of the operational aspects of 3sixtym...

Submitted by Taig McNab

Published 01 February 2015

Four must-haves for modern media workflows: Enhancing you...

by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet

Published 01 February 2015

Expanding Arqiva into HD playout

ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#

Published 01 January 2015

High Resolution graphics for 4k and beyond

by Jesper Gawell Issue 96 - December 2014 It seems like 4K is everywhere these days - it\'s the dominant topic at broadcasting trade shows. Is there substance behind the hype? Will it transform television the way HD broadcasting did? Clearly, one of the "next big things\" in the media and entertainment world is higher resolutions and 4K delivery o...

Submitted by Jesper Gawell

Published 01 January 2015

4k - fancy fad or future of broadcasting?

by John Halksworth Issue 96 - December 2014 Given the increasing popularity of 4K or Ultra High Definition (UHD) televisions, as well as 4K-capable video cameras, it is safe to say that 4K/UHD is here to stay. While filmmakers in all spheres have been shooting in 4K for some time, distribution of 4K is still in its infancy with very few cinemas sho...

Submitted by John Halksworth

Published 01 January 2015

4k Streaming: a Key OTT Differentiator

by Keith Wymbs Issue 96 - December 2014 OTT streaming providers are amongst the first to offer 4K UHD TV services. In fact, 4K UHD may be seen as a key differentiator for OTT services such as Netflix and M-GO as they compete with pay TV operators according to a recent report from ABI Research. Netflix has launched 4K video streaming of shows such a...

Submitted by Keith Wymbs

Published 01 January 2015