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The beat goes on... 4k, 8k and the continual need for T&a...


by Adam Schadle Issue 107 - November 2015 Just a few short years ago, 4k was the future, but now that 4k televisions and other screens are becoming more widely available, the format is careening toward the present. 4k is still an emerging delivery format, to be sure. After all, there are still places in the world that have yet to transition from SD...

Submitted by Adam Schadle
Published 01 December 2015

Taming the 12Gbs beast and how to T&M it with the Qx


by Philip Adams and Paul Nicholls Issue 107 - November 2015 The one thing you can say about working in the broadcast industry is that there isnt time to get bored! Hesitant, perhaps even frightened these days might be more accurate but bored, certainly not. Such is the case with the planned UHDTV roll out and the need for customers to invest in tec...

Submitted by Phillip Adams
Published 01 December 2015

CLASS - Why ingest to the Cloud?


by Matthieu Fasani Issue 105 - September 2015 With Cloud storage becoming cheaper and the data transfer to services such as Amazon S3 storage being free of charge, there are numerous reasons why ingesting to the Cloud should be part of any media organizations workflow. So, stop trying to calculate how much storage your organization consumes by day,...

Submitted by Matthieu Fasani
Published 01 October 2015

Lessons Learnt - Webcasting live to the web


by Larry Jordan Issue 105 - September 2015 When I first started in this industry, more than 40 years ago, live television broadcasts were plentiful and popular. In fact, I got my start as a director in live television. However, the only way to create a live broadcast was with lots of equipment, large crews and plenty of money. Today, the paradigm h...

Submitted by Larry Jordan#
Published 01 October 2015

5 broadcast trends at IBC 2015


by Peter Savage Issue 105 - September 2015 Azule CEO Peter Savage gazes into his crystal ball to make predictions about the technology trends that could emerge from IBC 2015. 4k acquisition will go mainstreamOf course, 4k has been a hot topic for several shows but this year will see it move into the mainstream. Alongside the plethora of camera intr...

Submitted by Bernard Newnham
Published 01 October 2015

Wireless and satellite


by John Wastcoat Issue 105 - September 2015 Each day, clips and other promotional materials needed to be transferred from the shooting location in South Africa to Network Tens editors in Sydney, Australia. However, the shows distant and isolated filming location in the South African jungle posed some major challenges for the broadcaster. Editors we...

Submitted by John Wastcoat
Published 01 October 2015

Streaming graduation


by Charlie Watts Issue 104 - August 2015 Graduation is a big deal for students, families and for the degree awarding institutions, and so it has been this way in Portsmouth since 1995. Now twenty years later it should come as no surprise that the University of Portsmouth has elevated the Graduation Ceremony Broadcasting Operation into something so...

Submitted by Charlie Watts
Published 01 September 2015

The production desk finally gets innovative


by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#
Published 01 September 2015

The evolution of vision mixers


by Liam Laminman Issue 104 - August 2015 At the heart of any multi-camera production is a vision mixer or production switcher as some people call them. Its core role is the switching of different sources, primarily cameras, often VTs and sometimes incoming external sources such as remote feeds from broadcasters. Even for non-TV types, thats relativ...

Submitted by Liam Laminman
Published 01 September 2015

How we got live streaming to work for us


by Larry Jordan & Megan Paulos Issue 103 - July 2015 We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited nu...

Submitted by Larry Jordan#
Published 01 August 2015

SDV - Shaping the Next Generation of Linear TV Service Of...


by Lionel Bringuier Issue 103 - July 2015 Software-defined video (SDV) solutions are shaping the next generation of linear TV service offerings for both content distributors and content programmers. Live-to-VOD services such as catch-up TV, start-over TV, nPVR and delay TV offer new ways to enrich live TV experiences and package live content alongs...

Submitted by Lionel Bringuier
Published 01 August 2015

Tapeless Workflows, MAM and Archive: Back to Basics


by Mike Shore Issue 103 - July 2015 The broadcast industrys appetite for file-based workflows existed long before the technology required to implement them was available. With the emergence of cheap capture hardware, the continually decreasing cost of storage and the ever-increasing capabilities of inexpensive computing power, the transition from t...

Submitted by Michael Shore
Published 01 August 2015

Distribution in the UHD Era


by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe
Published 01 August 2015

How HEVC technology is revolutionizing field-based broadc...


by Eli Garten Issue 103 - July 2015 High-Efficiency Video Encoding (HEVC), also known as H.265, is the subsequent generation of H.264 and tapped to be the next widely adopted standard for video compression. As with any MPEG evolution, the new standards goal is to make compression more efficient and allow for reducing OPEX and CAPEX in various video...

Submitted by Eli Garten
Published 01 August 2015

UHD: a long road travelled


by Julian Fernandez Issue 103 - July 2015 Theres no denying it, Ultra HD (UHD) is impressive and the clarity of image is captivating, but its going to take a while for UHD to become mainstream in the home. A fairly expensive large screen TV is a must to get the best picture quality and since the majority of the world isnt yet watching television in...

Submitted by Julian Fernandez
Published 01 August 2015