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News production with an IP workflow


Broadcast workflow used to be all about tapes. Shooting on tapes, putting tapes into machines, copying from one tape to another, using very expensive gear and costly workflows, with scarce resources and high skill levels. But as broadcast technology evolved tape was mostly replaced by hard drives, and the revolution in editing made it possible to w...

Submitted by Helge Hoibraaten
Published 22 July 2016

The secrets behind live streaming


I made my on air debut at BVE 2016, taking alongside industry legend Larry Jordan. We explored the challenges and benefits of streaming online video and audio. You can find the discussion online, where we cover:When to choose streaming your video and offering it for download When to consider streaming video live? How to monetize your online vide...

Submitted by Thom Holliday
Published 01 April 2016

Mobility drives more powerful automation solutions


by Philippe Fort Issue 89 - May 2014 The emergence of new distribution platforms presents challenges to radio broadcasters, which must establish the tools and flexibility to offer constantly renewed content on an increasing number of distribution channels. Those broadcasters that find a cost-effective way to meet this demand and effectively deliver...

Submitted by Phillippe Fort
Published 01 June 2014

Addressing challenges in multiformat signal management an...


by Brian PeterssonIssue 79 - July 2013 One of the many demands broadcasters face today is establishing effective multiformat signal management and confidence monitoring, which have become critically required capabilities, and there are several reasons behind this. The first is the broadcast industrys progressive evolution slow at first, but acceler...

Submitted by Brian Petersson
Published 01 August 2013

Creating a feature-rich subscriber-based OTT entertainmen...


TV Everywhere has become a way of life in the Nordic market, where every major broadcaster has succeeded in taking its services over the top and into the online video space. One of those broadcasters – pan-Nordic pay-TV channel provider C More Entertainment – has offered Web TV services for years through its online video portal. Competition for vie...

Submitted by Helge Hoibraaten
Published 01 May 2013

So you think you know Flash?


So you think you know Flash?It is becoming widely accepted that HTML5 will eventually replace Flash as the platform for rich content and video on connected devices, but how can video publishers make the leap and avoid the pitfalls?David Springall, YospaceBack in the early nineties, when what few websites existed were almost completely static, a com...

Submitted by Bob Pank#
Published 01 July 2012

HTML5 and H.264. Friends United....


H.264 - The Success StorySome technologies like DVD, CD, TV and the PC prove themselves over time. They are practical, flexible, reliable - even universal. Is H.264 one of those magic bullet technologies?H.264, also known as MPEG-4 Part 10 or AVC, is the video codec that has taken the broadcast and consumer world by storm. In 2008, Anthony Rose, fo...

Submitted by Kieron Seth#
Published 01 August 2011

The 4 Golden Rules of Streaming


In November 2009 a Florida-based web design company ran a series of tests on their website. Their bounce rate (the % of visitors to their site that hit their home page but go no further on a site) started at 45% - a barely acceptable rate. Over the course of a month, they added graphic after graphic to their site. The effect was catastrophic with a...

Submitted by Bob Pank#
Published 01 April 2011

Launching Call of Duty Black Ops


So, how do you get the feed from 8 full HD camera's, games console screen captures, and a remote camera feed from 6 miles away to over 180,000 live game junkies all waiting to see the release of what is likely to be the world’s fastest selling and most anticipated Console/PC Game to date?That was the question posed to us at Mediakinetic by the digi...

Submitted by Kieron Seth#
Published 01 January 2011