KitPlus | Articles

Location: Seychelles with the Canon C300PL

by Kieron Seth Issue 86 - February 2014 The idea that the Seychelles are all about palm-lined beaches underplays the scale and diversity of this geologically rich group of islands. Unlike many other tropical paradise destinations, a beautiful seascape is only part of the picture for this gem of the Indian Ocean. From the 900 metre peak of Morne Sey...

Submitted by Kieron Seth#

Published 01 March 2014

Training the next generation

by Dick Hobbs Issue 86 - February 2014 At the end of January a new body the Institute for Training in Television Production (ITTP) held its first conference, organised by the publishers of TV-Bay magazine and chaired by former broadcaster Roz Morris, MD of TV News London Ltd. A packed room debated sometimes hotly the issues. Chair of ITTP is freela...

Submitted by Dick Hobbs.

Published 01 March 2014

The BroadcastShow Tour: a visitors view

by Derek Halls Issue 86 - February 2014 It\'s that time of year again and BroadcastShow-the tour registration is now open and I shall certainly be attending. In October last year my Production Assistant and I went to the London event held within the grounds of Pinewood Studios and wow, what a great time we had. Not only was there a great mix of pro...

Submitted by Derek Halls

Published 01 March 2014

Ask the experts: What is MAM?

by Rino Petricola Issue 85 - January 2014 Media asset management: what exactly is it?While the precise definition varies from person to person, a common description tends to emerge. Media asset management (MAM) is a solution that allows media content including audio, video, and graphics to be ingested, annotated, cataloged, managed, protected, sear...

Submitted by Rino Petricola

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Why is mediocrity such a powerful force?

by Thomas Urbye Issue 85 - January 2014 Ive hit the decade mark!Yes, Im now in to my second ten years working in Sohos post production world. Not only that, Im ten years working with some great Directors, DoPs, Producers and Exec Producers (not to mention the great people that are hired by these people). In that time Ive met all sorts of characters...

Submitted by Thomas Urbye

Published 01 February 2014

Peter Savage writes his Christmas wishlist

by Peter Savage Issue 84 - December 2013 This year has been a funny one, with a lot being promised and not a lot happening in the TV world. As I sit down and reminisce on 2013, for once I have little to really write about in technology terms, so I thought I would write my Christmas list to Santa and see if that throws up any thoughts. Dear Santa,Ca...

Submitted by KitPlus

Published 01 January 2014

Leaping over the top

by Bob LambIssue 84 - December 2013 Around the world, consumers are becoming addicted to viewing over-the-top (OTT) video on the device or screen of their choice, anywhere and at any time. For broadcasters, content owners, and service providers, the ability to deliver broadcast-quality media over the open Internet presents a tremendous opportunity...

Submitted by Bob Lamb

Published 01 January 2014

Ooh ahh.. just a little DIT with Will Strauss

by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#

Published 01 January 2014

The impact of depreciation with Peter Savage

by Peter SavageIssue 83 - November 2013 I spent last Thursday evening with a longstanding friend discussing depreciation. I can see you all sitting up and taking note, thinking, Wow! This man Savage has a really exciting life ¦. But, hard as it might be to believe, it was a very interesting conversation and one that demonstrates how the market has...

Submitted by Dick Hobbs.

Published 01 December 2013

Rising to the occasion

by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook

Published 01 December 2013

The UKs PTZ explosion

by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#

Published 01 December 2013

Flying Pictures and the importance of a monitor

Issue 82 - October 2013 Hampshire based filming specialist Flying Pictures is the world leader in the provision of aerial & helicopter filming services for feature films, commercials, television, live broadcast events and surveillance. Based in the UK, the company nevertheless operates worldwide, so if you need something done in the air; they do it...

Submitted by KitPlus

Published 01 November 2013

Peter Savage asks: Is the 1980s vision still relevant tod...

by Peter SavageIssue 82 - October 2013 The focus of this issue of tv-bay acquisition takes me back to the very beginning of my involvement in broadcast. In the late 1980s, the whole of the broadcast world changed for what, I believe, was the better. The BBC introduced Producer Choice, which meant that commissioners of programmes were for the first...

Submitted by Dick Hobbs.

Published 01 November 2013

Revealing the real-lives behind 999 responses

by Jonathan BoltonIssue 82 - October 2013 Jonathan Bolton, head of PROCAMS Manchester operation discusses the challenges of capturing real time footage when following emergency services on call. Factual programming has seen a revolution. Viewers want more from factual programmes: they no longer want traditional, staid documentaries, but want to se...

Submitted by Jonathan Bolton

Published 01 November 2013