KitPlus | Articles

Sony HDC-4800 Review

First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern spor...

Submitted by Andy McKenzie

Published 09 November 2018

What content providers need to know about OTT

1.) What are the key elements involved in OTT monitoring? Why is it critical today?As OTT (Over-The-Top) technology has gotten more mature and established robust standards over the years, the concept of OTT monitoring is gaining popularity. With customer expectations soaring, it’s vital for OTT providers to deliver superior quality content. To deli...

Submitted by Hiren Hindocha

Published 09 November 2018

Smashing the WTA Tour

The Women’s Tennis Association (WTA) is the global leader in women’s professional sport with more than 2500 players representing nearly 100 nations competing for a record $146 million in prize money. The 2018 WTA competitive season includes 54 events and four Grand Slams in 30 countries. In 2017, the WTA was watched around the world by a total TV a...

Submitted by Danny Ridler

Published 08 September 2018

Ride along on the Tour de Tech at IBC

Finding your way through the halls and aisles of the massive IBC can feel a bit like attempting to complete all 21 stages of the Tour de France — but in far fewer days. But have no fear; your team at Garland is all geared up and ready to show you the best on show at this year's exhibition. Consistently breaking away from the pack is LiveU (stand 3....

Submitted by Lorna Garrett

Published 08 September 2018

The Biggest Toy Shop in the World

When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film hist...

Submitted by Emma Morrison

Published 08 September 2018

Investing in the Future of Broadcast Media

At the time of writing, the summer World Cup is providing its usual challenge to camera crews trying to televise the bright sunlight of the stadium without losing detail in shaded areas such as the covered terraces. It is a perfect demonstration of the need for high dynamic range. Several broadcasters are experimentally covering this year's tournam...

Submitted by Clive Northen

Published 18 July 2018

Opting In or Opting Out

Peter Savage, CEO of Azule, explains whether you should opt in or opt out of the current red tape nightmare facing businesses large and small. No, this isn’t another Brexit referendum but I doubt whether any of you reading this are not affected, in some way, by the new European General Data Protection Regulation, commonly known as GDPR or, as I li...

Submitted by Peter Savage 2

Published 07 June 2018

Slow Motion Video Techniques

Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) wi...

Submitted by Phil

Published 07 June 2018

Broadcasting Indoor Sky Diving

When you say you’re broadcasting skydiving, there are two types of reactions. One is the creative, who’ll say something along the lines of “Wow. Those shots must look great” and other is the engineer who’ll say “That must be a real hassle to get all the infrastructure in and secure.”When you say you work on indoor skydiving, both people will think...

Submitted by Daniel Harker Barnes

Published 07 June 2018

Somewhere down the latency river

Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality. But they’re not...

Submitted by Ben Hawker

Published 12 February 2018

Taking the lead in the HEVC and 4k revolution

There’s probably a good reason that BVE is held in late February — it offers you a few weeks to set your annual plans in place. Then, once you’ve decided on the opportunities you want to take advantage of and improvements you want to make, you have a chance to visit this massive exhibition to see the latest technological innovations that will help...

Submitted by Malcolm Harland

Published 12 February 2018

Innovation in cameras moving to 4k

For a number of reasons, wireless camera links needed time to migrate to 4K. However Broadcast Sports International, BSI, designs their own cameras and builds their own hardware and their transition to 4K is already complete. In an industry where innovation is key, hire companies buy what is on offer from the manufacturers, however BSI has taken a...

Submitted by Tony Valentino

Published 12 February 2018

2018: A Changing of the Guard

The guys at KitPlus asked me if I could write about what I think is going to happen in 2018 – a feel, or mood, piece of what we might see this year. I’m not sure why they asked me but perhaps it’s because I’ve been around the industry a long time. Anyway, to look forward I think sometimes it’s best to look back as history has a habit of repeating i...

Submitted by Peter Savage 2

Published 12 February 2018

The Outlook for 2018

January has arrived…and the New Year promises great opportunities for those prepared to seek them out, with the one certainty that change is constant. Let’s start with London studio space, and the lack thereof. The issue is finally being addressed with fortuitous timing (or maybe some expert planning) as Riverside Studios in Hammersmith opens its s...

Submitted by Duncan Payne

Published 12 February 2018

The dangers of live streaming without a license

The entertainment industry is visual and sound driven. Without these two elements there would be no such a thing as entertainment. Its obvious that there are people who create sound/s and visuals. Copyright laws were created to protect the industry and these artists. Many organisations have been created to look after musician, writers, poets and fi...

Submitted by Joseph Adamson

Published 02 November 2017