KitPlus | Articles

Andrew McLeans Guide to Lenses

Andrew McLean, an experienced cinematographer and now vice president of business development at broadcast equipment hire company HotCam, details some of the basic things to consider when it comes to choosing and using camera lenses. What’s the first thing you do when choosing lenses for a shoot?First I consider the creative direction – the aestheti...

Submitted by Bob Pank#

Published 01 March 2012

Raven from True Lens reviewed

Manufacturer: True Lens Services (TLS)Model: RavenDescription:Matte Box, designed for broadcast lenses; particularly for new super wide lenses with two independently rotating filter trays. Why was it needed and what did it replace?:I needed a second Matte Box with my kits, as my Vocas MB350 has been well used and needed replacing. What other system...

Submitted by Bob Pank#

Published 01 March 2012

Stereoscopic 3D legalisation

Since its foundation in 1989, ONSIGHT has expanded from a London-based broadcast hire business into a full-service production facilities company. Also located at Shepperton Studios, ONSIGHT specialises in film and television production, post production and distribution. ONSIGHT’s activity encompasses every link in the signal chain and is certainly...

Submitted by Bob Pank#

Published 01 February 2012

Reaching for 3D

From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#

Published 01 January 2012

tv-bay Questions

Name & Title?Doug Garside, Chief Engineer at Edit 19 Ltd. based in ManchesterWho are you? (about yourself and who you work for)?As a teenage performer, I attended Manchester Youth Theatre for two years running and appeared in numerous amateur and college productions, including once being naked on stage at a catholic college! Having completed my A l...

Submitted by Bob Pank#

Published 01 December 2011

The Red Epic has landed

Finally the Red Epic has started to appear in facilities companies around the world, S+O Media is one of the first in the UK to receive a handmade Epic-M. I’ve taken the camera out on a couple of shoots and I have to say I’m pretty impressed. I’m sure everyone is aware of the Red One, the first camera from Red. Billionaire Jim Jannard decided he co...

Submitted by Bob Pank#

Published 01 September 2011

How do you prepare for a curved ball

Peter Savage looks at the effect of the Japanese tsunami and considers whether it has changed our perception of acquisition formats and how we could have planned for itI was sitting with a client in Camden having a quiet lunch in a small Spanish caf. Very nice, very authentic and, as with all good cafs, Sky news was rolling (because no one was play...

Submitted by Bob Pank#

Published 01 September 2011

Ultra-slow motion in live broadcast

What is ultra-slow motion?Slow motion has been around since the beginnings of cinematography and broadcasting, but ultra-slow motion for broadcast is quite a recent development. It’s only been possible since the advent of super high-speed video cameras, which were initially developed for scientific use. Slow motion can be produced with conventional...

Submitted by Bob Pank#

Published 01 September 2011

Using Panasonic AG-AF101 HD Camera

Introduction When award winning film maker and photojournalist Fiona Lloyd-Davies announced her latest project to embark on a journey to The Democratic Republic of Congo, she described the place as “probably one of the toughest environments that a camera can work in - very hot and very, very dusty” but, this was to be just one rigor amongst many du...

Submitted by Bob Pank#

Published 01 August 2011

tv-bay questions

Who are you? (about yourself and who you work for)?I am a freelance colourist working mainly in London and LA. I am the founder of the UK’s first datalab MYTHERAPY. I am also working on behalf of several manufacturers in research and development of colour science for digital film cameras; I am a demo artist for Iridas and Master Colourist at ICA In...

Submitted by Bob Pank#

Published 01 August 2011

Cameras for streaming

I first saw true HD pictures years ago at IBC. OpTex had a camera focusing on some beautifully lit fruit. The image on the screen was extraordinary, hypnotising. Leap forward a decade and Amsterdam brought Europe its first taste of Ultra High Definition Television - not 720p, not 1080i, but 4320p. The enveloping cinematic pictures and the embrace o...

Submitted by Kieron Seth#

Published 01 August 2011

Reviewed DSC Labs Chroma Du Monde

Visual Impact were provided with a DSC Labs CamAlign CDM 28R Chroma Du Monde to test at their Teddington base this week, and unsurprisingly were impressed with what they found. Upon first impressions, the test chart seemed to employ a far too reflective surface which would inherently cause unwanted reflections and thus yield incorrect results. A br...

Submitted by Bob Pank#

Published 01 July 2011

tv-bay questions

Name & Title? Clive HunteWho are you? (about yourself and Band on the Wall)?I am an Archive Technician at Band on the Wall in Manchester. My role is a funded 5-year post through Heritage lottery fund, to archive current music, old music and photos for Band on the Wall. What do you do? What does Band on the Wall do?Band on the Wall is bespoke venue...

Submitted by Kieron Seth#

Published 01 July 2011

Always expect the unexpected

Peter Savage cautions against complacency – particularly as none of us knows what will happen now the Royal Wedding is over and before the Olympic Games provide new business opportunitiesWe’ve been through some real highs and lows in the broadcast industry over the last few months. In April the Royal Wedding created the ultimate live broadcast spec...

Submitted by Bob Pank#

Published 01 June 2011

3D Film-making Goes Independent

James Cameron and Sky TV have stolen the stereoscopic 3D limelight. Events such as football cup finals and royal weddings have seemingly been produced with no expense spared in order to show 3DTV at its best. The Ryder Cup, for example, employed an incredible 21 3D Polecam rigs, supplementing the main camera systems. Beyond the world of Hollywood a...

Submitted by Kieron Seth#

Published 01 June 2011