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Social Media... a filmmakers new best friend?


by Beth Zarkhosh Issue 96 - December 2014 Social media platforms can be extremely helpful the mediums such as Facebook, Twitter, Instagram, LinkedIn and Youtube can be utilised for everything from generating interest in a project and sourcing ideas, getting feedback to getting funding. Sifting through my own personal Facebook and Twitter feeds I am...

Submitted by Beth Zarkhosh
Published 01 January 2015

News - A New Beginning


by Kieron Seth Issue 96 - December 2014 As voting ended, political analysts eagerly awaited the result from the Rochester and Stroud by-election. Commentators expected a dramatic shift in the Westminster landscape and with it the overturning of the political status quo stretching back 100 years. Yet the headlines that evening were nothing to do wit...

Submitted by Kieron Seth#
Published 01 January 2015

EPG: Guiding content discovery


by Keith Bedford Issue 95 - November 2014 Digital TV is something that we\'ve become accustomed to, we don\'t think about how we search and select the vast volume of content that\'s now available to us, we just know that with the press of a button we can see what\'s on, record our favourite shows, series link them, select recommendations based on o...

Submitted by Keith Bedford
Published 01 December 2014

A quick guide to: Considerations for building monitor gal...


by Steve Hathaway Issue 95 - November 2014 There has been a trend in recent times towards using large screen systems in production galleries and monitor walls. This has been enabled by the wide-scale availability of affordable multi-viewer systems but has this trend really been of benefit to broadcasters? As a specialist in picture monitoring, work...

Submitted by Steve Hathaway
Published 01 December 2014

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Do Not Be Cheap With Your Data


by Kieron Seth Issue 94 - October 2014 Everyone used to leave a Betacam or DVCPro tape on the shelf for years. It would probably work fine a decade later (as long as the VTR still worked). Now production companies are stacked high with external hard drives full of archived video projects and media files. It\'s a recipe for catastrophe - apparently...

Submitted by Kieron Seth#
Published 01 November 2014

The Power of the Rebrand


by Peter Savage Issue 93 - September 2014 This month as a change from the normal finance article the editor asked me to voice my views on rebranding as this is something the magazine is undergoing as I write. Rebranding is for businesses looking to revamp their image, customer base, or offerings. When done correctly, it offers a multitude of benefi...

Submitted by Ben Baldwin
Published 01 October 2014

Flying a Drone part 1


by Jon Pratchett Issue 93 - September 2014 Drones! The word imparts a sense of fear into the hearts of many. You immediately think of US spy planes, covert missions to attack forces deep in enemy territory. Yet it’s also the word that many now use to describe those little flying multi rotor things with GoPro’s on that seem to be popping up everywhe...

Submitted by John Pratchett
Published 01 October 2014

The brains behind a no brainer


by Thomas Dove Issue 92 - August 2014 It’s perhaps not surprising that a lot of professional video and audio editors don’t fully grasp the minutia of file-based media formats and delivery specifications such as those established by the Digital Production Partnership (DPP). After all, an editor’s job is to is to make compelling content, whether for...

Submitted by Thomas Dove
Published 01 September 2014

At the forefront of digital asset management and publishi...


by Ian Mottashed Issue 91 - July 2014 Endemol is the largest independent television and digital production company in the world. Within 30 countries it has a global network of around 90 companies which produce over 350 multi genre series a year. Across the 90 companies there are currently around 29,000 hours of content being distributed. The produc...

Submitted by Ian Mottashed
Published 01 August 2014

Object of desire


by Will Strauss Issue 89 - May 2014 If NAB is a decent yardstick, 2014 is all about 4k and why, when and how it might become a mainstream TV proposition. But in amongst all this pixel counting and discussion about higher frame rates, there is a subject that often gets forgotten but definitely deserves a mention, one that is closely linked to the in...

Submitted by Will Strauss#
Published 01 June 2014

4K Streaming and the Future of 8K


by Keith Wymbs Issue 87 - March 2014 There is little doubt that 4K and Ultra HD video will take hold over the next three years. These higher-resolution video types are a genuine advance from traditional HD and they likely will progress more quickly than their HD predecessor given the solid digital foundation now in place and advances such as high-e...

Submitted by Keith Wymbs
Published 01 April 2014

Training the next generation


by Dick Hobbs Issue 86 - February 2014 At the end of January a new body the Institute for Training in Television Production (ITTP) held its first conference, organised by the publishers of TV-Bay magazine and chaired by former broadcaster Roz Morris, MD of TV News London Ltd. A packed room debated sometimes hotly the issues. Chair of ITTP is freela...

Submitted by Dick Hobbs.
Published 01 March 2014

The Digital Production Partnership


by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg
Published 01 March 2014

A new 4k year with Bob Pank


by Bob Pank Issue 85 - January 2014 Throughout 2013 manufacturers were popping up with solutions for 4K which together could take the format all the way from scene to screen. It has been an amazing experience to watch all the technical bricks being developed to complete, well almost, the 4K wall. This rate of progress shows just how fast digital te...

Submitted by Bob Pank#
Published 01 February 2014