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Lighting Q and A

I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

Getting the basics right

In this column in the last issue of TV-Bay I wrote that, thanks to technology, some jobs in broadcast are now more suited to people who have no broadcast training. It was, in the way of columns at the backs of magazines, more a call for comment than a reasoned argument. As it happened, the same issue also included an article by the admirable Freddi...

Submitted by Kieron Seth#

Published 01 January 2011

Eye to Eye at the Wildscreen International Film Festival

Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#

Published 01 December 2010

Eye to Eye: Acquisition and Production

Back in the days of the Audio Fair which annually graced London's Russell Hotel, my co-hack Frank Jones of Hi-Fi News put his head into the KEF Electronics demonstration room and bellowed the time-honoured question "What's new?"KEF was showing established products that year so its founder, the avuncular Raymond Cooke, responded with his own questio...

Submitted by Bob Pank#

Published 01 March 2010

The best job in the Met

If you have ever wondered “How did they do that?” when you watch the car chase in Spooks or the gun fight in Ashes to Ashes or even the thrilling gun shot scene at Waterloo Station in Bourne Ultimatum, then you may want to talk to the Metropolitan Police Service Film Unit (MPS FU). “COPS FORM A LUVVY SQUAD” was how one red-top newspaper commented o...

Submitted by Dennis Lennie

Published 01 February 2010

Broadcasting Audio in 5.1 Format

One of the positive consequences of digital television transmission is the ability to include fully embedded multi channel audio with suitable metadata to control both channel displacement and even sound levels within the domestic environment. While at the receiving end of the transmission chain there are many innovations and protocols to make life...

Submitted by Dennis Lennie

Published 01 January 2010

LED lighting for image creators

Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie

Published 01 December 2009

New Light in the Forbidden City

IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie

Published 01 December 2009

Brand New School Makes the Move to Uncompressed HD

What did you do over Christmas 2008? I spent the whole two-week break rebuilding the post production workflow at Brand New School, the prestigious commercial production and design firm in Santa Monica, CA, and the experience let me stretch every technology muscle I had built up in 10 years as a video engineer. At the time, Brand New School was usin...

Submitted by Dennis Lennie

Published 01 August 2009

Holophone H2-PRO used on Slumdog Millionaire

As far as independent films go, Slumdog Millionaire has certainly hit the jackpot, garnering eight Oscars including one for “Best Sound Mixing”. Contributing to the movie’s triumphant soundscape is Holophone’s H2-PRO surround microphone, which award-winning Sound Mixer Resul Pookutty used to capture ambient sounds for some of the film’s most essent...

Submitted by Dennis Lennie

Published 01 June 2009

Filters for HD Cinematography

The availability of low-cost HD camcorders with film-style tools, like 24 frame-per-second imaging and quality lenses, has put filmmaking capability in the hands of many. To achieve a film-style look, a director of photography can add a compliment of optical filters. Such filters can not only make color and other corrections to the image as it is s...

Submitted by Dennis Lennie

Published 01 April 2009

HD Camera Measurements Getting the most out of your camer...

Recap Part 1:In part 1 of this knowledge series we discussed the requirements for making correct white shading measurements in terms of the equipment used. Part 2 now will focus on performing the actual measurements and making sure that we achieve optimum linearity and dynamic range. White shading measurementPower up the camera, waveform monitor an...

Submitted by Dennis Lennie

Published 01 April 2009

Lighting and Grip.

Lighting and Grip are often spoken as if they are one item, inseparable and complete. However the clue is in the phrase lighting AND grip. So let’s start by separating them. Lighting covers the instruments that provide the light. Grip covers the instruments we use to hold and control the light. LightingThere is a huge range of lights, luminaires, p...

Submitted by Dennis Lennie

Published 01 January 2009

Is it cool to use cool lighting

Is it cool to use cool ?The term ‘cold lighting’ is used within the film & TV lighting industry as a generic term for energy efficient, Fluorescent, LED, and Plasma (panel) lighting sources which emit little or no radiant heat. HistoryThe technology is not so new; Evidence exists of neon lighting being used on a film set in Teddington Studios Engla...

Submitted by Dennis Lennie

Published 01 August 2008