KitPlus | Articles

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

Lighting up Yorkshire

The Yorkshire town of Rawmarsh looks like an easy target. Its trolley buses have come and gone and its two train stations were both wrapped up more than 40 years ago. For many years, it was the home of potters and steel workers; it was a mining town from the 15th century, an industry that survived over 500 years until it was closed by a certain rut...

Submitted by Kieron Seth#

Published 01 January 2011

Putting Your Sports Announcers in the Best Light

Sports event remote crews have long fought the challenge of matching light on announce booth talent to the ambient light on the field below. Light on the playing surface during a single event can range from bright sunlight, ducking in and out of clouds, to minimal level artificial light. During daylight hours, without additional light on the talent...

Submitted by Kieron Seth#

Published 01 January 2011

Ask the experts on cable

Digital, server-based systems in production, post-production, news gathering and playout bring increased efficiencies and productivity. Nonlinear editing and news gathering allow users to access the same material across a data network. Digits are here and are now dictating the form of cables and connectors, from camera through to playout. What qual...

Submitted by Bob Pank#

Published 01 May 2010

Eye to Eye: Lighting and lighting control

In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie

Published 01 December 2009

Lighting series

So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie

Published 01 October 2009

NAB 2009 report

By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were...

Submitted by Dennis Lennie

Published 01 July 2009

Camera rigs and lighting

The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Everything you ever wanted to know about TV lighting Part...

Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

Lighting and Grip.

Lighting and Grip are often spoken as if they are one item, inseparable and complete. However the clue is in the phrase lighting AND grip. So let’s start by separating them. Lighting covers the instruments that provide the light. Grip covers the instruments we use to hold and control the light. LightingThere is a huge range of lights, luminaires, p...

Submitted by Dennis Lennie

Published 01 January 2009