KitPlus | Articles

Media acquisition and Archive Workflow

by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins

Published 21 January 2016

EXIT PLAN - Creating an indi SCI-FI for less than 3000 do...

with Richard Oakes Issue 108 - Decmeber 2015 The director behind new indie short "Exit Plan\" reveals just what it took to write, crowd fund, shoot and grade his very own proof of concept for a science fiction feature with DaVinci Resolve, a Pocket Cinema Camera, and only four crew members on set For founder of Dark Fable Media, Richard Oakes, film...

Submitted by exitplan

Published 15 December 2015

4k - is it really worth it

by Beth Zarkosh Issue 108 - December 2015 4K; the holy grail of modern digital filmmaking. Weve all heard of it, but perhaps not all of us are ready for the change. Here we look at the perceptions versus the realities of shooting in 4K. Ultra High Definition is something that has derived from 4K, but now it seems most filmmakers are pressured into...

Submitted by Beth Zarkhosh

Published 15 December 2015

Creating native looks in alien worlds: the making of The...

with Richard Baker Issue 107 - November 2015 Prime Focus Worlds Richard Baker explains how Mars was brought into stereo 3D with the help of Fusion Studio for Ridley Scotts new SciFi survival epic, The Martian Directed by SciFi master Ridley Scott, this years The Martian has all the makings of a space exploration epic to remember. The film stars Mat...

Submitted by Richard Baker

Published 01 December 2015

The key to stability

by Mark Scotton Issue 106 - October 2015 Moving shots dont just enhance video production, they bring it to life and allow the viewer to experience what they are watching. This isnt something new, but the options we now have available to bring productions to life are more varied and readily available than ever before. No longer do you need a Hollywo...

Submitted by Mark Scotton

Published 01 November 2015

Sony PXW-FS5 Review

by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015

McDonalds goes live multi-camera

Issue 105 - September 2015 Earlier in 2015 SIS LIVE was central to the London section of an ambitious 24-hour global entertainment campaign by McDonalds, involving a surprise open-top bus gig by Jessie J. Fans worldwide shared the excitement of the 24 continuous gifts of joy in synchronised public events, across 24 cities around the world over a 24...

Submitted by KitPlus

Published 01 October 2015

Keep memories safe at RWF

by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett

Published 01 August 2015

4k storm chasing

by Alister Chapman Issue 103 - July 2015 15 years ago I got my first big Broadcast Commission. It was to produce a 1 hour special on Tornado Chasing vacations. Yes, people pay to go on storm chasing holidays. In 1999 this was a new thing, today its a booming business. Ive always been fascinated by natural extremes and filming tornadoes seemed like...

Submitted by Alister Champman

Published 01 August 2015

Crossing the TV Divide

by Kieron Seth Issue 102 - June 2015 From corporate to TVFor years, Reels in Motion has been associated with producing high quality live events and corporate video. Its ongoing project with The Property Investors Network is typical of the kind of long term projects the midlands-based company is involved in. Tasked with recording all day training wo...

Submitted by Kieron Seth#

Published 01 July 2015

Every election counts

by Charlie Watts Issue 102 - June 2015 "We choose to go to the Moon in this decade and do the other things, not because they are easy but because they are hard.\" - JF KennedyThis may seem slightly overblown, but that is how we face things here in the University of Portsmouth. It\'s possibly because we have to try that little bit harder due to our...

Submitted by Charlie Watts

Published 01 July 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

REDucation - Real world RED camera training

by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff

Published 01 June 2015

Ten years is a long time...

by Peter Savage Issue 100 - April 2015 Ten years is a long time and 100 editions is a major milestone. I happily look back to the spring of 2005 as this was the start of my second life, much as it was for the team at tv-bay - a coincidence of dates which is probably why we have had such a long writing partnership. Matt and Simon were starting out o...

Submitted by Dylan Ellcome

Published 01 May 2015

DOPs discuss minicams, lenses, 4k and all

by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan

Published 01 May 2015