KitPlus | Articles

The Masters of Dirt - Extreme Production

On 22nd April 2017 Inside the Masters of Dirt, the world\'s wildest unscripted motocross reality series, will launch exclusively on INSIGHT TV in 4K UHD. Produced by Masters Of Dirt (M.O.D) and XTreme Video, the series follows the adrenaline-addicted crew that produces the popular freestyle motocross arena show of the same name. Boasting upwards of...

Submitted by Rian Bester

Published 19 May 2017

You need wave power if you are going surfing

Tim Bonython\'s association with surfing films began in 1978, when armed with a Super-8 camera he set off to Hawaii\'s infamous North Shore, to capture the big waves and their riders. From that moment he fell in love with the sport, and became obsessed with making it the subject of breathtaking and inspiring films. To spread the word, Tim began tou...

Submitted by Tim Bonython

Published 19 May 2017

Welcome to the world of filming The Island with Bear Gryl...

How do you make a polished television show worthy of broadcast on Channel 4 when the camera operators are starving, dehydrated and sleep deprived? Most of them also have no previous experience of professional filming and are more concerned with finding their next meal than making sure they\'ve got their cameras switched on ready to record. Welcome...

Submitted by Paul Scurrell

Published 19 May 2017

New workflows floating on the horizon

The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and e...

Submitted by Lee Sheppard - new

Published 04 April 2017

Not all power is created equal

Battery companies are quickly coming to realize that as new technologies continue to emerge, power solutions cannot be a one-size-fits-all commodity. There is no single battery for every situation, but instead a myriad of choices to accommodate even the most complex requirements. Below are five common videographer or photographer scenarios with the...

Submitted by Jose Flores

Published 15 March 2017

Assets in the air

People everywhere are talking about "the cloud", as if it is somehow something (1) new and (2) intrinsically exciting. It really is neither of those things. In the IT world, software as a service (SaaS) has been around since the 1960\'s when organisations bought the use of mainframe software on a time-sharing basis. The important part of SaaS is th...

Submitted by Paul Wilkins

Published 15 February 2017

5 top tips to getting the grade you want

Generally speaking, a grade session can be broken down into two distinct parts - managing the people involved and managing the grade itself. As colourists, we know that unless both of these criteria are satisfied, it is likely that the client will walk away from the project unhappy and not return to us with the next job. The first step is to manage...

Submitted by tom russell

Published 15 February 2017

The secret to global Gogglebox success

People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. \'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and...

Submitted by Chris Cooper

Published 15 February 2017

Small post houses delivering a big service

In today\'s fast-paced world of video production, the importance of a well-organized, responsive media asset management system cannot be overstated. After all, time is money, and the more quickly people can find and retrieve the exact content they need, the more quickly they can complete their video projects ¦ and capitalize on the content. This no...

Submitted by Jack Wenzinger

Published 15 February 2017

Challenges for MAM with varying production types

Many media asset management platforms are designed to handle the immense number of assets needed for today\'s fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ab...

Submitted by Jonathan Aroesty

Published 15 February 2017

Where university meets universe with Tim Peake

If you had told me last year that, going into my second year at the University of Portsmouth, I would have met and interviewed Tim Peake, then I would have probably laughed and said something along the lines of "I wish". Well, turns out I didn\'t have to wish, because I did just that. As a second year in Television and Broadcasting BSc I\'ve starte...

Submitted by Georgia Thirtle

Published 13 January 2017

80 years of broadcast and how far we have come

The BBC delivered its first continual public broadcast 80 years ago, that included coverage of the BBC Television Orchestra and famous musical comedy star Adle Dixon. This was a world first heralding the beginning of continuous broadcasting in the UK and kicking off the broadcast industry\'s constant search for new ways to improve the accessibility...

Submitted by Neil Maycock

Published 13 January 2017

The eye in the sky

EVENT360 specialises in production and delivery of sport presentation, entertainment and stadium ceremonies, and, as such, we\'re always looking for new, interesting, and innovative crowd engagement tools. One of those engagement tools that we\'d been using for many years was a crowd-surfing ball - basically a sponsor-branded beach ball thrown into...

Submitted by Julian Marks

Published 13 January 2017

IBC with the BBC

IBC is an exciting opportunity for us in BBC R&D to share with the world the work we've been doing on a range of technologies. Those attending the conference will be able see much of the work we are doing on new forms of content and workflows and get an understanding of the object based principles for broadcasting which we are working towards, enab...

Submitted by Jon Page

Published 26 September 2016

Make a scifi film in the Mexican Desert

British director Nicolas Roeg once said to me that making a film is like horse racing. To start with you give the horse a nudge to get him moving, then as you gather speed there's a point where you have to trust the horse. You hold on and the horse will carry you across the finish line. I've just returned home from shooting a Sci-fi proof-of-concep...

Submitted by Edward Andrews

Published 26 September 2016