KitPlus | Articles

Open Source for Film and TV Production

by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan

Published 01 March 2015

Sealife - Shooting 4k

by Kieron Seth Issue 98 - February 2015 Since the days of Jacques Cousteau and his Undersea World, marine habitats have fascinated television audiences. From 1972 to 1975 the French explorer and filmmaker brought his excitement and passion for sea life to our screens and have inspired documentary makers since. The films lay bare the lengths the cre...

Submitted by Kieron Seth#

Published 01 March 2015

The road to Sundance Film Festival

with Kivu Ruhorahoza Issue 98 - February 2015 Things of the Aimless Wanderer, the latest feature from Rwandese filmmaker Kivu Ruhorahoza (Grey Matter) is a beautifully crafted narrative about paranoia, mistrust and misunderstandings. Premiering at this year\'s Sundance Film Festival, audiences can expect an arresting film that reveals a series of c...

Submitted by Kivu Ruhorahoza

Published 01 March 2015

What is the future of media creation, salaries and conten...

by Thomas Urbye Issue 97 - January 2015 Often this very question is debated by experts in our industry, but many have their own agenda, whether that be advertising creation, media buying, low budget film-making, publicly funded television, subscription based services and beyond. But what is the real future for our viewing habits, those of us workin...

Submitted by Thomas Urbye

Published 01 February 2015

The fast-moving business of providing pop-up editing suit...

by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri

Published 01 February 2015

What does your perfect business look like?

by Den Lennie Issue 96 - December 2014 It\'s always a good idea to try and visualise what your ideal business looks like. Given you are about to (or are already) be spending a large proportion of your waking hours for the next 5-10 years working on or thinking about your business then you may as well make sure you know where you are going with it....

Submitted by Den Lennie

Published 01 January 2015

ITTP Conference

by Graham Reed Issue 96 - December 2014 Plans are coming along very well for the 2015 Conference of the Institute of Training in TV Production, ITTP. The conference held last January at Pinewood Studios was a great success with many high profile speakers and there was also much lively debate between session panel members and the delegates. Since th...

Submitted by graham reed

Published 01 January 2015

4k - fancy fad or future of broadcasting?

by John Halksworth Issue 96 - December 2014 Given the increasing popularity of 4K or Ultra High Definition (UHD) televisions, as well as 4K-capable video cameras, it is safe to say that 4K/UHD is here to stay. While filmmakers in all spheres have been shooting in 4K for some time, distribution of 4K is still in its infancy with very few cinemas sho...

Submitted by John Halksworth

Published 01 January 2015

Everything you need to know about Anamorphic Lenses

by Les Zellan Issue 94 - October 2014 Back in the late 1940s and early 1950s, film studios and theatre owners panicked. Television was the emerging new technology and as it expanded in popularity they feared audiences would shun the theatre to stay home and watch TV instead. What could they do to beat that? They needed a competitive edge to draw au...

Submitted by Les Zellan

Published 01 November 2014

Shooting Cinematically

by Ben Baldwin Issue 93 - September 2014 One Monday morning in July I headed to Pinewood Studios to spend an hour in the company of Den Lennie and Philip Bloom for a Sony Webinar - Shooting Cinematically. Both DOPs share a passion for helping aspiring filmmakers grow their skills and confidence and both have a wealth of knowledge when it comes to c...

Submitted by Ben Baldwin

Published 01 October 2014

Keeping it real

by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#

Published 01 September 2014

The First Musketeer

by Neil Oseman Issue 91 - July 2014 Based on The Three Musketeers by Alexandre Dumas, The First Musketeer is a brand new take on this famous adventure. Written and directed by Harriet Sams, director of photography Neil Oseman takes us behind the lens of this new gritty six part mini drama shot on the Blackmagic Cinema Camera. Set in the South of Fr...

Submitted by Neil Oseman

Published 01 August 2014

The 24 Hour Universtity Television Broadcast Challenge

by Charlie Watts Issue 90 - June 2014 By the time you read this, the University of Portsmouth will have completed a mammoth 24 hour live television broadcast. This television spectacular, beginning at 8pm on May the 29th, was conceived to help celebrate the opening of a new building, raise money for charity, break a Guinness World Record, and to ex...

Submitted by Charlie Watts

Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP

by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom

Published 01 July 2014

Music licensing for corporate video

by Kevin Cook Issue 89 - May 2014 Music copyright is a nightmare. Its an incredibly confusing subject and failing to understand it can be potentially ruinous. As a corporate video producer you simply cant skip around the subject as its something that youll have to deal with on a daily basis. Quite often clients will also ask for their favourite com...

Submitted by Kevin Cook

Published 01 June 2014