KitPlus | Articles

Capturing awesome audio

Paul Sargeant, Director of Operations at Procam discusses the challenges facing sound recordists using the latest broadcast technology If you look at the industry as a whole, the rapid evolution of camera technology is drifting away from audio, despite the importance of compatibility between the two. Meaning it’s becoming harder to plug straight in...

Submitted by Oliver Masciarotte

Published 01 June 2013

TV-Bay takes BroadcastShow on tour!

TV-Bay’s BroadcastShow goes on tour... Where & When?London (Pinewood Studios) 9th May 2013Glasgow 14th May 2013Manchester 16th May 2013Cardiff 21st May 2013Bristol 23rd May 2013Who’s exhibiting?A growing band of leading manufacuters and distributors are coming on the tour and (at time of going to print) we are pleased to say Panasonic, NewTek, Blac...

Submitted by KitPlus

Published 01 May 2013

Delivering in all conditions with a Petrol Bags raincover

Autumn in the Czech Republic is damp and foggy, and the higher the altitude, the more piercing and rainy the climate becomes. At an old, remote mill 40 km (25 miles) away from Prague, sludge and mud are everywhere while moisture penetrates the bones. These are the filming conditions on the main set of the psychological thriller Cold Sunday. The oth...

Submitted by Raymond Burns

Published 01 May 2013

Adventure Filmmaking with Ian Burton

What exactly is it that you do now/ what do you specialise in? How did you get started in filmmaking?I'm an independent adventure filmmaker, specialising in shooting in remote and ‘vertical’ locations. I shoot my own projects as well as commercial projects for a huge range of companies, and I love filming world class extreme athletes pushing themse...

Submitted by KitPlus

Published 01 April 2013

A very useful tool: Atomos Samurai reviewed

By Stephen J. BrandInternational cameraman Stephen J. Brand’s work takes him to some far-flung places. As well as work for BBC Channel 5, ITV and Channel 4, Stephen recently spent 6 weeks in the Middle East filming a wildlife commercial for Qatar TV using a Sony EX3 and an Atomos Samurai, which he describes as a ‘‘very useful little tool”. Here, he...

Submitted by Stephen J. Brand

Published 01 April 2013

Ask the experts: What lens?

Ask the Expert with Paul Sargeant, Procam TVWhen choosing the right lens for your project, there are a huge range of options to choose from that depend entirely on your individual project and your needs. You need to think about the quality of filming you require, where the content will be placed, what camera you will be using to shoot it and how yo...

Submitted by Peter Daffarn

Published 01 March 2013

Lights Camera Action for Silverstone F1

Rotolight ANOVA, the world’s most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative). MAKE Television produced the two-day shoot capturing six of the UK’s best future Formula 1 stars, competing head to head...

Submitted by Rod Aaron Gammons

Published 01 March 2013

Ruth Matos: Part 4 of following the Ravensbourne 3

Balancing studying and working…. I have always been very dedicated to any projects and ambitions in life. When I started my studies at university I was fully focused on achieving the best grades possible and my coursework was my main priority in life. This was the frame of mind I had during my first and second years at university until an opportuni...

Submitted by Ruth Matos

Published 01 February 2013

Off Trax interview for TV-Bay

TV-Bay interviews Off Trax partners Crispin Kyle, Jonathan Dennis and Doug Urquhart. Tell me about Off Trax:Off Trax was set up in 1995 to fill a gap in the market as a specialist light grip company offering a unique dry and wet equipment hire service to the television and film industries. We are three partners, Crispin Kyle. Doug Urquhart and myse...

Submitted by KitPlus

Published 01 February 2013

Ask the Experts - 3d with BSkyB

This month we had an exclusive opportunity to talk to Cara Cheeseman, Post Production Supervisor for all 3D content, both internally and externally, at BSkyB. The 21 questions are gathered from a variety of industry professionals with an interest, some sceptical and some fanatical, in 3DWhen it comes to 3D conversion... creating 3D images from 2D s...

Submitted by Bob Pank#

Published 01 January 2013

Zoom lenses and minicams

Finding a quality tracking zoom lens for the minicams made for the likes of Toshiba/Iconix/Hitachi/Sony has been an uphill battle. The cameras have been made primarily for the medical imaging market for microscopes and endoscopes but adopted by the broadcast industry as a high end minicam. However lenses were always a problem. Fujinon made the TF r...

Submitted by Bob Pank#

Published 01 November 2012

tv-bay Questions

Name & Title?Giles Harvey DoPWho are you? (about yourself and who you work for)?With a degree in photography and BBC trained I run my own camera agency LUTTRELL PRODUCTIONS LTD providing crew for TV and film, documentaries and advertising. I tend to do most of my work for the terrestrial broadcasters as well as some of the largest ad agencies but a...

Submitted by Will Strauss#

Published 01 October 2012

Pushing remote broadcast boundaries

Film and TV coverage as varied as the London 2012 Olympics and the BBC’s Springwatch are raising the bar where viewer expectations are concerned. Bradley Engineering (BradEng) is a remote camera technology pioneer that has been at the forefront of meeting these expectations. TV Bay spoke to Bradley Engineering founder, David Bradley, about the late...

Submitted by Bob Pank#

Published 01 October 2012

Issues facing broadcasters of outdoor sporting events

Keeping Cool under PressureOne of the major issues facing Broadcasters using temporary structures for major sporting events is keeping the studios cool and quiet enough for presenters to work comfortably and effectively under the host of lights. Keeping cool often involved the use of air conditioning which historically would be turned off when film...

Submitted by Bob Pank#

Published 01 September 2012

The Modern Solution - Just Add Carbon!

Problem. Traditionally, getting in and among the action and seeing the true grit, determination and suffering of sporting competitors - be it filming something such as International Ironman competitions with cross terrain transitions from land through to water and back to land - speeds from a sprint, to a swim to a high speed cycle, Formula One pit...

Submitted by Bob Pank#

Published 01 July 2012