KitPlus | Articles

Audio at 750mph

i London-based 750mph has recently completed the finishing touches to a massive refit and upgrade of this audio post stalwart\'s Soho HQ which will bring even more, newly immersive, audio online. Following its expansion, 750mph now occupies around 10,000 square feet of studio space and is equipped with nine Fairlight\'s EVO modular console consoles...

Submitted by Sam Ashwell

Published 01 August 2017

Is everyone a journalist these days

i Today\'s content consumers have endless viewing and streaming possibilities thanks to the advent of smart phones and tablets that allow them to watch pretty much anything they want, on the go, and away from the confines of a television screen. Those very same smartphones and tablets have also brought another revolution to the broadcast industry -...

Submitted by Rene Morch

Published 01 August 2017

Designing the correct workflow

Last year I took a year-long placement as a video editing support technician. The role exposed me to the common issues that students run into when editing their projects, and I developed an understanding as to why they might struggle understanding the complexities of video workflow. As a student myself I can understand why workflow can be a difficu...

Submitted by Harry Smith

Published 19 May 2017

Why is drone training even an option

It\'s fair to say that one of the most disruptive, liberating and inventive technological advances for independent filmmakers in recent years has been the incredible leaps made in the world of Drones. Things we never thought possible are now completely within our reach and what is more they are easy and cheap to achieve. An operator can majesticall...

Submitted by Tim Bearder

Published 19 May 2017

The Masters of Dirt - Extreme Production

On 22nd April 2017 Inside the Masters of Dirt, the world\'s wildest unscripted motocross reality series, will launch exclusively on INSIGHT TV in 4K UHD. Produced by Masters Of Dirt (M.O.D) and XTreme Video, the series follows the adrenaline-addicted crew that produces the popular freestyle motocross arena show of the same name. Boasting upwards of...

Submitted by Rian Bester

Published 19 May 2017

You need wave power if you are going surfing

Tim Bonython\'s association with surfing films began in 1978, when armed with a Super-8 camera he set off to Hawaii\'s infamous North Shore, to capture the big waves and their riders. From that moment he fell in love with the sport, and became obsessed with making it the subject of breathtaking and inspiring films. To spread the word, Tim began tou...

Submitted by Tim Bonython

Published 19 May 2017

Welcome to the world of filming The Island with Bear Gryl...

How do you make a polished television show worthy of broadcast on Channel 4 when the camera operators are starving, dehydrated and sleep deprived? Most of them also have no previous experience of professional filming and are more concerned with finding their next meal than making sure they\'ve got their cameras switched on ready to record. Welcome...

Submitted by Paul Scurrell

Published 19 May 2017

Being a Content Creator

When I began the Television and Broadcasting course at the University of Portsmouth, I had my mind dead-set on what I wanted to do in the world of television. More than anything, I wanted to work for Children\'s BBC, ideally as a presenter, and as I come towards the end of my second year, I am still very much in pursuit of this dream. However, it h...

Submitted by Josh Round

Published 04 April 2017

DaVinci Resolve Mini Panel from Blackmagic Design - Revie...

Blackmagic\'s new, more affordable control surface for professionals is probably the most perfect panel I\'ve ever used. By Rebecca Goodeve I\'ve been a colourist for a number of years now. I\'ve worked on everything from Pan to the latest Lurpak commercial, and, in that time, I\'ve also had the chance to work with a variety of grading solutions cu...

Submitted by Rebecca Goodeve - new

Published 04 April 2017

A transformation in aquisition technology

KitPlus spoke with Malcolm Harland of Garland Partners to find out how the requirements and capabilities of acquisition technologies have changed since the early 2000s and what the state of play now is. Back in 2004, when you launched Garland Partners, the market was focused on SD and ASI. Since then the pace of change has been immense. Is growth d...

Submitted by Malcolm Harland

Published 15 March 2017

The Benefits of LED Lighting in Broadcast

The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast...

Submitted by Rod Aaron Gammons

Published 15 March 2017

Libec TH-X Tripod review

It is worth highlighting that I am primarily an Editor. Like many of us, over the years I have regularly been involved in the entire creative process in some capacity but increasingly I am asked to go out and film the simpler corporate jobs such as exhibition stands or a \'piece to camera\' for YouTube, Vimeo etc. and embedded into the customer\'s...

Submitted by Nick Robbins

Published 15 March 2017

Polecam user review

When it comes to filming from above, drones have dominated in recent years. But restrictions on where and when they can be used means there is still a demand for traditional style jibs. Polecam has been a major player in the crane market for nearly two decades and its rigs have captured everything from interesting perspectives of major sporting eve...

Submitted by Phil Vinter

Published 15 March 2017

How to illuminate a better shot

LED (Light Emitting Diode) technology built for the general lighting market is designed to meet very different criteria than the critical lighting requirements for image capture. While LEDs may be a suitable lighting option for some photography and videography, critical applications, such as feature film, production requires users to understand the...

Submitted by Chuck Edwards

Published 15 March 2017

Outside the fixed curriculum

If you\'re wondering whether or not to do some extracurricular work outside of your timetabled course, the answer should always be yes. The more you further your experience and skills the brighter your future will look. As a third year student, studying Television and Broadcasting, I\'m lucky enough to have hands on experience with filming equipmen...

Submitted by Emma Benson

Published 15 February 2017