KitPlus | Articles

Accurate Ad Tracking with OTT

As viewers embrace and transition to OTT, the opportunities and flexibility provided to advertisers are growing fast. However, like all technology shifts, this transition hasn’t come without challenges. Some technology used to monetise video over the years has resulted in a less-than-ideal viewing experience, with disruptive transitions and bufferi...

Submitted by Tim Armstrong

Published 26 March 2020

The Value of Trade Shows

When you think of trade shows some might consider the relevance in today's digital world where, with the click of a button, you can research the latest technology and, with another click, someone will deliver said item to your door later that day. So on that note let's dispel the naysayers!It’s true that shows can come and go but those that have th...

Submitted by KitPlus

Published 27 January 2020

The Networking Revolution

We all seek greater flexibility in everything we do. Whether it is another app for your phone, checking for a faster route on your sat-nav, or a changeable hotel booking, the more options we have, the better! Flexibility is fantastic. It offers us choices that we may never want or need, but at least we know that they are there on the off-chance tha...

Submitted by Neil Vann

Published 27 January 2020

Gearing up for The Americas with Simon Reeve

For several years, it has been my honour to collaborate as director of photography with Simon Reeve, the well-known British author, adventurer, and TV presenter. Our latest partnership, the popular BBC Two program “The Americas With Simon Reeve,” is our most ambitious project yet, tracing Simon’s journey from the top to the toe of two continents. S...

Submitted by Jonathan Joung

Published 27 January 2020

New Year, New Decade, New Rig

Some time ago I was fortunate enough to take part in a track day at Oulton Park, driving a souped up BMW M4. It was completely insane. Literally the most powerful car I’ve ever driven. From 0-60 in 4 seconds or something like that. I’m not Jeremy Clarkson so I can’t remember the exact figure. Anyway it was a really great experience, and something I...

Submitted by Alex Macleod

Published 27 January 2020

More than just software - SaaS is a relationship

As cloud technology becomes mainstream in media, the highly customized applications deployed by early adopters are increasingly being retired in favor of off-the-shelf, multi-tenant SaaS (Software as a Service) solutions. Well-designed SaaS offers economic advantages in terms of much faster onboarding times, orders of magnitude lower TCO and the ab...

Submitted by Jon Finegold

Published 27 January 2020

MEDIAPRO leads across the audiovisual value chain

MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative services, our portfolio includes everything from content production, to post production, to media and digital asset management, to the acquisition of sports TV rights, and the distribution and broadcast of television...

Submitted by Marc Andreu Valls

Published 14 November 2019

Creating A Signature Look With Lighting

As an LA-based DP, I view my role as a narrative storyteller. For me, cinematography is not just about getting some nice images – it’s about telling truths. I love being able to weave a story with imagery and capture something that’s real, whether through performance or visual symbolism. Lighting is one of my most important mechanisms for capturing...

Submitted by William Hellmuth

Published 03 November 2019

Never Stop Learning....Or Spending

I’m over 75, and have been a member of the Bristol Film and Video Society (www.bristolvideo.org.uk) for several decades. Like the great majority of members, I am not and never have been a video professional but have video interests beyond the club and its productions. For some time I have been recording lectures (for other clubs) using a Panasonic...

Submitted by Peter Heaven

Published 03 November 2019

Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

Testing Hybrid Workflows

‘As hybrid workflows that bridge the IP and SDI worlds become the norm, test and measurement tools that support hybrid environments become increasingly more important’ says PHABRIX’s Martin Mulligan, SVP Sales and Operations. With the industry’s steady migration from traditional HD-SDI to IP and/or 12G-SDI infrastructures, broadcasters are now face...

Submitted by Martin Mulligan

Published 03 November 2019

IBC 2019 Question Time

The media and entertainment industry is in an exciting period of transformation and innovation, and Signiant is thrilled to be in the midst of it. Nowhere was this energy more apparent than at this year’s IBC conference, where we had the opportunity to speak with a wide range of organizations, vendors, and thought leaders to better understand where...

Submitted by Jon Finegold

Published 03 November 2019

To Remotely Go - TVFutures

Charlie Watts: "One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curriculum. The last few years have seen tremendous change in all sorts of technologies, and the broadcast industry is just one sector that has seen s...

Submitted by Michael Parsons

Published 10 September 2019

Undercover Remote Production

It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife...

Submitted by David Bradley

Published 10 September 2019

The Making of Zero

The Brothers Lynch explain how they created the sinister atmospheric world for their new sci-fi shortIn a post-apocalyptic world where humankind has emerged victorious in a war against artificial intelligent machines, a young girl dares to venture into the unknown. This is Zero, the new sci-fi short film from acclaimed British writer-director duo T...

Submitted by Keith and David Lynch

Published 10 September 2019