KitPlus | Articles

Archiving as a service at BBC Studios and Post Production

by Kevin Shaw Issue 97 - January 2015 BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production.\" Our services include digitization...

Submitted by Kevin Shaw

Published 01 February 2015

3sixtymedia implements Universal Videohub 288 with ITV

with Taig McNab Issue 97 - January 2015 Taig McNab joined ITV in the Spring of 2011 and was quickly thrown into project managing the move of 3sixtymedia, ITV\'s post facility, from Quay Street in Manchester to MediaCityUK. Brought onboard as technical manager, not only was Taig responsible for looking after all of the operational aspects of 3sixtym...

Submitted by Taig McNab

Published 01 February 2015

Studio furniture at the cutting edge

by Graham Buchanan Issue 97 - January 2015 Custom Consoles was established in 1996 to meet the market demand for efficient and robust studio furniture at accountant-friendly prices. That may sound trite but we were working in SI roles ourselves and knew from direct experience how difficult it was to commission third-party desks built to the high st...

Submitted by Graham Buchanan

Published 01 February 2015

Coffee and TV: Tracking the Samsung Galaxy Note 4 with mo...

by Jon Trussler Issue 97 - January 2015 When VFX artists are faced with tight deadlines, they rely on software to address particular pain points, helping them deliver the finished product in time. Such was the case when Soho-based VFX studio Coffee and TV was commissioned to hand off 70 VFX shots in just two weeks for three Samsung Galaxy Note 4 co...

Submitted by John Trussler

Published 01 February 2015

The Tour Revisited

Issue 96 - December 2014The November tour attracted over 1500 registrations visiting London and Manchester for one day in Shoreditch and the next in MediaCityUK. We asked people what they thought and there was simply too much to print. However here are the selected, together with our gallery and answers where there were issues, comments from visito...

Submitted by KitPlus

Published 01 January 2015

High Resolution graphics for 4k and beyond

by Jesper Gawell Issue 96 - December 2014 It seems like 4K is everywhere these days - it\'s the dominant topic at broadcasting trade shows. Is there substance behind the hype? Will it transform television the way HD broadcasting did? Clearly, one of the "next big things\" in the media and entertainment world is higher resolutions and 4K delivery o...

Submitted by Jesper Gawell

Published 01 January 2015

Making It Easy To Be In Two Places At Once

In these economically straitened times, all broadcast facilities are seeking ways to reduce cost without compromising quality. Equally, those equipment manufacturers that want to stay ahead of the game are responding by looking at how customers work and then seeing if there is a way to deliver the same results more simply and cost effectively. One...

Submitted by Bob Pank#

Published 01 January 2015

Confidence Monitoring in the Modern Broadcast Environment

by Graham Taylor Issue 95 - November 2014 Monitoring equipment is often the last element considered in a broadcast system build, and getting its deployment just right is not always a top priority. However, most operations managers and broadcast engineers readily acknowledge the critical role that effective monitoring plays in making their jobs easi...

Submitted by Graham Taylor

Published 01 December 2014

A quick guide to: Considerations for building monitor gal...

by Steve Hathaway Issue 95 - November 2014 There has been a trend in recent times towards using large screen systems in production galleries and monitor walls. This has been enabled by the wide-scale availability of affordable multi-viewer systems but has this trend really been of benefit to broadcasters? As a specialist in picture monitoring, work...

Submitted by Steve Hathaway

Published 01 December 2014

Rotolight ANOVA lights

Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus

Published 01 December 2014

Keeping up standards

by Dick Hobbs Issue 95 - November 2014 A couple of days ago, both the esteemed editor of this magazine and I were guests at an awards ceremony, in the romantic environs of the Wembley Hilton. The evening was a tribute to the democratising effect of the dinner suit. Receiving a lifetime achievement award richly deserved was Dr David Wood, who has de...

Submitted by Dick Hobbs.

Published 01 December 2014

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Manage and Monitor

Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#

Published 01 October 2014

Guaranteed Training?

by Mark Reed Issue 93 - September 2014 My dictionary says that training is “the action of teaching a person or animal a particular skill”. I’m not sure how many animals work in the TV industry but the point is, sound in the broadcast arena definitely requires taught skills. I consider myself one of the lucky ones. I went to a college recognised as...

Submitted by Mark Reed

Published 01 October 2014

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014