KitPlus | Articles

Digital and analog in harmony at Pama Studios

Issue 105 - September 2015 Pama Studios in south east Sweden is a leading example of a facility that fully embraces the power, flexibility and ease of use of digital technology, while also harnessing analog technology to bring something different to its recordings. Founded in 1988 by managing director Magnus Maxe Axelsson, Pama is a long-time Avid...

Submitted by KitPlus

Published 01 October 2015

CLASS - Where do captions & subtitles live?

by Bruce Devlin Issue 104 - August 2015 Its not uncommon to see ability to insert/extract captions/subtitles as part of a tender requirement or product specification. But in a file-based world, what does this mean and where are we inserting/extracting to/from?For this article, well define captions and subtitles as text overlay that the user turns o...

Submitted by Bruce Devlin

Published 01 September 2015

The evolution of vision mixers

by Liam Laminman Issue 104 - August 2015 At the heart of any multi-camera production is a vision mixer or production switcher as some people call them. Its core role is the switching of different sources, primarily cameras, often VTs and sometimes incoming external sources such as remote feeds from broadcasters. Even for non-TV types, thats relativ...

Submitted by Liam Laminman

Published 01 September 2015

Distribution in the UHD Era

by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe

Published 01 August 2015

Advantages of SSD Hybrid Solutions in Post Production Env...

by James McKenna Issue 102 - June 2015 There\'s a plan for everything in life. Think on it, scope it out, ask around and come up with a consensus, you\'ll be prepared when it happens. Like post production for example - you\'re bidding on a job that\'s acquiring in 6K for a UHD DPX deliverable, and you want the whole deal, edit through delivery, so...

Submitted by James McKenna

Published 01 July 2015

A soft shift in Monitoring Solutions

by Craig Newbury Issue 102 - June 2015 The technology supporting the media industry is evolving at a furious pace, making system flexibility a critical characteristic of any new equipment or infrastructure investment. Broadcasters and other media companies must adapt quickly if they are to benefit from changing content creation, management, and del...

Submitted by Craig Newbury

Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster

by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough

Published 01 June 2015

Overcoming complexity in remote production leads to more...

by Henry Goodman Issue 101 - May 2015 Despite the instant accessibility of recorded media content, there are many events that are still best enjoyed as a live broadcast. At the same time, such broadcasts are becoming increasingly complex, and with increased complexity comes increased cost. It\'s a fact that limits the number of events broadcasters...

Submitted by Henry Goodman

Published 01 June 2015

The IP Solution - intercom systems without extensive new...

by Manuel Brico Issue 101 - May 2015 When a broadcasting or TV station wants to install a new intercom system in its broadcast centre or headquarters - or wishes to replace its entire intercom system - it is faced with two big investments. One concerns the capital investment in terms of hardware and software. This will include investment in equipme...

Submitted by Manuel Brico

Published 01 June 2015

REDucation - Real world RED camera training

by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff

Published 01 June 2015

Ten years is a long time...

by Peter Savage Issue 100 - April 2015 Ten years is a long time and 100 editions is a major milestone. I happily look back to the spring of 2005 as this was the start of my second life, much as it was for the team at tv-bay - a coincidence of dates which is probably why we have had such a long writing partnership. Matt and Simon were starting out o...

Submitted by Dylan Ellcome

Published 01 May 2015

SiS Live

Issue 99 - March 2015SIS LIVE is well-established as Europe\'s largest supplier of satellite uplinks, but considerable investment in a wide-ranging fibre network is positioning it as a major connectivity provider to UK Live events. Many major broadcasters now have resilient fibre links to broadcast teleports at SIS LIVE\'s headquarters in MediaCity...

Submitted by KitPlus

Published 01 April 2015

Kit Protection - the professionals choice

Issue 98 - February 2015More than 30 years of product development has ensured Peli Cases are the market leader in essential protection for broadcast and photographic equipment. Offering watertight, dustproof and crushproof security, Peli cases are backed by legendary "You break it, we replace it\" lifetime guarantee. Professionals choose Peli cases...

Submitted by KitPlus

Published 01 March 2015

What is the future of media creation, salaries and conten...

by Thomas Urbye Issue 97 - January 2015 Often this very question is debated by experts in our industry, but many have their own agenda, whether that be advertising creation, media buying, low budget film-making, publicly funded television, subscription based services and beyond. But what is the real future for our viewing habits, those of us workin...

Submitted by Thomas Urbye

Published 01 February 2015

The fast-moving business of providing pop-up editing suit...

by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri

Published 01 February 2015