KitPlus | Articles

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

SDI, IP, Uncompressed and Compressed

by Phil Adams Issue 112 - April 2016 Why did you decide to create a new platform for T&M? There\'s a lot of talk about hybrid in the industry and we recognised early on that there were some big changes in the pipeline to do with SDI, IP, uncompressed and compressed signals and we had a lot of our own end users asking for something specific for UHDT...

Submitted by Phillip Adams

Published 25 April 2016

The importance of maintaining digital audio paths

A portable, handheld, digital audio stream analyzer/generator is an essential piece of test equipment in the broadcast environment. It allows engineers and system integrators to quickly monitor and verify the composition, and integrity of, audio signals at any point from production all the way through the distribution chain. While the process of te...

Submitted by Larry Schindel

Published 01 April 2016

4k is a reality for live production

Some aspects of the broadcast industry move exceedingly quickly; new cameras are launched seemingly daily, shows are commissioned and shows are axed but the overall pace of the industry remains pretty steady. Would it shock you to hear that NHK in Japan first built its own 4K prototype camera in 2003? (At this point, it's worth clarifying that we'r...

Submitted by Liam Laminman

Published 01 April 2016

Troubleshooting - Top Tips to Make Files Work

by Bruce Devlin Issue 110 - February 2016 Troubleshooting - Top Tips to Make Files WorkSo, you built yourself the world's most perfect, IT-based file workflow and you have a state-of-the-art media facility? Congratulations, have a beer, but at some point it's going to go wrong!Given that fewer than 50% of support cases in any company that I have wo...

Submitted by Bruce Devlin

Published 16 March 2016

Square-division versus two-sample interleave

by Kevin Salvidge Issue 110 - February 2016 Square-division versus two-sample interleaveFollowing on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluat...

Submitted by Kevin Salvidge

Published 16 March 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Broadcast Playout Over IP and in The Cloud

with Don Ash Issue 109 - January 2016 Simon Tillyer: Before we get heavy about IP and the cloud, what is the current state of the broadcast playout business? Don Ash: The transition to server-based systems in recent years has made the entire process of broadcast playout much easier to operate and automate than the tape-based equipment which precede...

Submitted by Don Ash

Published 21 January 2016

Making remote production over IP a reality

by John Smith Issue 107 - November 2015 Live sports broadcasting is one of the most technically challenging tasks for any production team. Multiple signals in multiple formats need to be transmitted around the sports facility. In addition, signals need to be integrated with feeds from other locations to create a complete broadcast stream. As a resu...

Submitted by John Smith

Published 01 December 2015

Monitoring Q & A

Issue 107 - November 2015 What elements of modern console technology has made a large impact on your craft?Rob Wolifson: Historically, shows were set up differently, you had more time to prepare. For example, if a show was on at noon in one studio, the breakfast show would be done in a different studio, so transitioning from one show to the next wa...

Submitted by KitPlus

Published 01 December 2015

In media monitoring, as in medicine, a quick fix is not a...

by Simen Frostad Issue 107 - November 2015 A man is rushed to hospital with a suspected heart attack. The priorities of the medical team that treats him are clear: keep the patient alive, contain the damage to the heart as far as possible, stabilise the situation until the patient is out of danger. They work under the pressure of these immediate pr...

Submitted by Simen Frostad

Published 01 December 2015

AERO.soft - Bringing audio monitoring and processing into...

by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster

Published 01 December 2015

An alternative power solution

Issue 106 - October 2015 OVERVIEWChuck Walior, Aldis Systems VP & Chief Engineer, attends NAB each year in search of creative, forward-looking solutions to wrap around and support the custom systems he designs for each integration project. He wasnt really looking for an alternative power source when he was introduced to Video Ghost at NAB 2015, but...

Submitted by KitPlus

Published 01 November 2015

The future is smaller, more powerful batteries

by Steve Emmett Issue 106 - October 2015 High-quality cameras are getting smaller and lighter all the time, making them suitable for new applications. Nearly every production we see today includes shots acquired by drone and gimbal mounted cameras. The batteries required to power these cameras have to meet new criteria. They must be able to withsta...

Submitted by Steve Emmett

Published 01 November 2015

Lessons Learnt - Webcasting live to the web

by Larry Jordan Issue 105 - September 2015 When I first started in this industry, more than 40 years ago, live television broadcasts were plentiful and popular. In fact, I got my start as a director in live television. However, the only way to create a live broadcast was with lots of equipment, large crews and plenty of money. Today, the paradigm h...

Submitted by Larry Jordan#

Published 01 October 2015