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tv-bay questions

Name & Title?Eugene McCrystal, owner of EMC Post Production in DublinWho are you? (about yourself and who you work for)?I have been working in the broadcast and film industry for over 20 years. I started my career as an engineer with Carlton Television but quickly transitioned within Carlton to online editor. In 2004, I co-founded EGG Post Producti...

Submitted by Bob Pank#

Published 01 June 2011

Its good to talk

Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#

Published 01 June 2011

Its a MADI World

At this year’s NAB Show in Las Vegas, 3D solutions were still a hot topic — but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and wh...

Submitted by Kieron Seth#

Published 01 June 2011

tv-bay questions

Name & TitleChristopher Pitbladdo, Creative Director at DB Creative TVWho are you? (about yourself and DB Creative)?I'm an editor who's been cutting broadcast television documentaries and commercials since 1997. Having spent time living and working in London, I decided to make a lifestyle choice, and go back to my hometown of Edinburgh. DB Creative...

Submitted by Bob Pank#

Published 01 May 2011

Back to basics asset management

There are two things you should know before I start. One is that the strapline for my company’s product, Mediaflex, is “Beyond Media Asset Management”. And the second is that I hate the term “Media Asset Management” because it has come to be meaningless. Too many people have used it to mean too many different things. So what is Media Asset Manageme...

Submitted by Bob Pank#

Published 01 May 2011

What are the most important opportunities and challenges...

What are the most important opportunities and challenges facing the TV industry today?To answer this question we need to look more broadly at consumer behaviour and the changing way people are consuming content. Viewers no longer solely want a passive experience with a TV programme in their front room. They want to watch catch-up TV on a laptop, do...

Submitted by Bob Pank#

Published 01 May 2011

tv-bay questions

James Tonkin; Director of Hangman Studios, London UKWho are you? (about yourself and Hangman Studios?)I am a director/editor who over the last few years has also turned to DP'ing and producing. I trained originally in music technology for my degree at Rose Bruford College in London but I soon moved into editing and directing after graduating in 200...

Submitted by Bob Pank#

Published 01 April 2011

tv-bay Questions

Who are you?I have the pleasure of being CEO of two companies! First being the diRoom, which is boutique post-production facility for colour grading, digital intermediates and delivery masters. We are all filmmakers at diRoom, so we tailor every project workflow to be an entire picture post solution for filmmakers or a service that can fill the gap...

Submitted by Bob Pank#

Published 01 March 2011

Eye to eye: The changing face of video displays

Video display technology is progressing so fast that the phrase 'More revolutions than a banana republic' inevitably comes to mind. No offence intended if you have just taken over as president. From the 1930s to the present century, television display was dominated almost entirely by cathode ray tubes. Competition then arrived in the form of plasma...

Submitted by Bob Pank#

Published 01 March 2011

True Colours Shine Through With CCS

When you are a broadcast engineer working in front of a stack of LCD monitors, seeing a significant difference between the brightness and colour of each monitor can be both annoying and tiring on the eyes. Worse still, if you in a Master Control Room and the pictures have taken on a sickly green hue, how do you know that it is just the monitors at...

Submitted by Bob Pank#

Published 01 March 2011

The revolutionary PHABRIX SxA.

The revolution in screen technology has seen a massive miniaturisation of most test equipment in the last ten years, and this coupled with a large increase in the amount that can be fitted into a small package courtesy of VLSI has meant that a new breed of hand held test and measurement devices have come onto the market. The PHABRIX Sx range is jus...

Submitted by Bob Pank#

Published 01 March 2011

Control and Monitoring with Snell

For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing,...

Submitted by Bob Pank#

Published 01 March 2011

3D camera mirror rigs

3D camera mirror rigs will be around for a long time to come and contrary to popular belief, shooting in 3D is very easy with the right equipment. Entry level 3D mirror rigs made in the UK are now available, such as the manual Hurricane Rig developed by Alistair Chapman and the fully automated 'BINORIG' developed by us at Teletest Ltd. The key to a...

Submitted by Bob Pank#

Published 01 March 2011

Evaluating Video Monitors

Video monitors have always been a critical component in any broadcasting operation — but they have evolved significantly as the industry-wide migration from analog broadcast to digital SD and HD has placed new demands on the monitoring function. Current products include feature sets that mirror the complexity of today’s monitoring operations, with...

Submitted by Bob Pank#

Published 01 March 2011

Seeing 3D or 2D

The press coverage of all angles of 3D continues unabated but the subjects are changing away from the technology and more towards the commercial aspects and how 3D should be shot. With some people saying there’s no extra money above an HD budget to make 3D, there’s a money problem. For a start there’s twice as many cameras and more people, specific...

Submitted by Bob Pank#

Published 01 January 2011