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Rotolight ANOVA from the eyes of a DoP


by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom
Published 01 July 2014

Audio monitoring: critical to visual media services


by Simen Frostad Issue 89 - May 2014 Its a fact of TV broadcasting that audiences will tolerate reduced visual quality much more readily than any impairment to the audio. So long as the audio continues and is intelligible, viewers tend to put up with glitches in the video or even temporary loss of picture. But if a broadcaster lets the audio qualit...

Submitted by Simen Frostad
Published 01 June 2014

Head in the cloud


by Dick Hobbs Issue 89 - May 2014 Ive just had a look back through the archives, and I am pretty certain that this was my 25th NAB: a couple in the eighties and every year since 1992. In many peoples eyes this makes me just a beginner, I know. In the past I have spent the week on a stand, trying to sell something. My first ever NAB in Dallas, Texas...

Submitted by Dick Hobbs.
Published 01 June 2014

Packing a real punch for Bangshock


by John Milkovich and Jamie Milkovich Issue 88 - April 2014 Headed up by Creative Director and DP John Milkovich, and Chief Post Production Editor Jamie Milkovich, Vancouver-based media company Bangshock recently took their Ninja 2 on a shoot to capture the Thailand Superfight Thepprasit Pattaya. The Ninja 2s feather weight and rugged build proved...

Submitted by John Milkovich
Published 01 May 2014

When the going gets tough


by Will Strauss Issue 88 - April 2014 When working in the field, the kit we use has to withstand a fair old battering. And Im not just talking about the cameras, viewfinders and those expensive lenses. While glass still needs protecting, these days so does your laptop, your storage, your memory cards: the lot. They all need bags, cases and toughene...

Submitted by Will Strauss#
Published 01 May 2014

Where no satellite truck has gone before


by Bogdan Frusina Issue 87 - March 2014 For several weeks last year, the world was focused on Rome. Broadcasters from around the world converged on the city to cover the events surrounding the resignation of Pope Benedict XVI and the selection of his successor. Existing cellular towers were overwhelmed with traffic on the key celebration days, when...

Submitted by Bogdan Frusina
Published 01 April 2014

Dick Hobbs reaches for the remote


by Dick Hobbs Issue 87 - March 2014 I spent two weeks of February working in South Africa. I tell you this not to make you jealous although temperatures were around the 30 degree mark in glorious sunshine while those I left behind in England were forming local action committees to watch puddles. Neither am I trying to suggest some sort of superiori...

Submitted by Dick Hobbs.
Published 01 April 2014

How to work without batteries


by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns
Published 01 March 2014

Bob Pank looks at the size of 4k


by Bob Pank Issue 86 - February 2014 The television industry has had many new technological eras in recent years. Only two years ago we were still a 3D era; the latest of the many that have surfaced and sunk over the years of cinema, making it recurring fad. Now 4K / UHD is firmly grabbing the attention of equipment manufacturers as well as product...

Submitted by Bob Pank#
Published 01 March 2014

Dick Hobbs is Counting Pixels


by Dick Hobbs Issue 86 - February 2014 At the start of each year you hear the sound and fury as the technology correspondents of broadcasters and the popular press head off to Las Vegas for CES, the annual exhibition of the Consumer Electronics Association. I have never been: I feel that two trips to Las Vegas a year would count as cruel and unusua...

Submitted by Dick Hobbs.
Published 01 March 2014

Training the next generation


by Dick Hobbs Issue 86 - February 2014 At the end of January a new body the Institute for Training in Television Production (ITTP) held its first conference, organised by the publishers of TV-Bay magazine and chaired by former broadcaster Roz Morris, MD of TV News London Ltd. A packed room debated sometimes hotly the issues. Chair of ITTP is freela...

Submitted by Dick Hobbs.
Published 01 March 2014

In the Flesh: On set with the BBC


by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready
Published 01 March 2014

Three big questions on OTT


by Simen FrostadIssue 84 - December 2013 Every media operator wants to deliver OTT services, or is already doing so. Growth over the past 18 months has been phenomenal, and a media operation without OTT is almost inconceivable now. But for many coming from a broadcast background, the technical side of OTT is terra incognita, and a mixture of fear a...

Submitted by Simen Frostad
Published 01 January 2014

Taking legacy content into the 4K world


by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc
Published 01 January 2014

Moving into the IP based 4K UDTV camp


by Chuck MeyerIssue 84 - December 2013 There appear to be two parallel trains of inertia currently taking place in broadcast, one of course being the onset of 4K UDTV, the other being the transition to an IP-based content transport infrastructure. For many, the rapid changes and associated question are daunting, even for experienced professionals....

Submitted by Chuck Meyer
Published 01 January 2014