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Shooting the WRC Rally


Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway
Published 25 August 2016

Are you female and going to IBC


Trade shows within this industry can be hard enough to survive for anyone, let alone as a woman when women make up less than 10% of the general populace. There are undoubtedly some benefits to being the minority (as there are with many things); I\'ve never had to queue for the toilets for a start. However, feedback we have collated from our FBI dat...

Submitted by Sadie Groom
Published 25 August 2016

Comparing Stage and Screen


It can be a common misconception that all forms of acting are the same, if you are good at one then it must follow that you are good at another. This is not necessarily the case and is particularly true for the two disciplines of stage and screen acting. The biggest difference between of these two types of acting is the audience. On the stage audie...

Submitted by Jo Wickham
Published 25 August 2016

All about industry placements - tv futures


Eliana Lee-Gibbons, Industry Liaison Manager in the Creative and Cultural Industries Faculty at the University of Portsmouth, describes her experiences in setting up placements and short-term internships in the Creative Industries to help students gain relevant work-experience. www.port.ac.uk/creativecareers The theme of employability and career en...

Submitted by Eliana Lee Gibbons
Published 25 August 2016

FBI Interview


This issue we chat with Ann Charles, a freelance Broadcast Technology and radio production consultant. Give us your elevator pitch. Who are you and what do you do?Hello, I'm Ann Charles and I'm a Radio Production and Technology Consultant. I help individuals and companies get the most out of their station's technology so they can make the best prog...

Submitted by Ann Charles
Published 22 July 2016

Networking with the GTC


The annual Guild Of Television Cameramen ( GTC ) Open Day and AGM was held recently in the Oxfordshire countryside on a sunny Sunday. It's a while since I've attended one, and the welcome was as warm and friendly as it always has been. Organisations like these must be incredibly useful for freelance camera operators, most of whom do not attend NAB,...

Submitted by Duncan Payne
Published 14 June 2016

Content Security in the CLoud


Security is a difficult topic. There is no such thing a generic security. You always secure yourself against specific threats and hope the solution is generic enough to cover other similar classes of threat. For example - placing an expensive lock on the front door of your house prevents the specific threat of gaining access by using the door handl...

Submitted by Bruce Devlin
Published 14 June 2016

TVFutures looking back at the class of 2015


In a review of the academic year, KitPlus looks back over all of the contributions from students (and staff) and asks for one last comment 'with an eye to the future'Charlie Watts - Course Leader - TV and Broadcasting#TVFutures is a brilliant way for students to evaluate their current situation and really articulate important moments of learning an...

Submitted by Charlie Watts
Published 14 June 2016

OTT A Multiscreen Environment


Just when pay-TV operators and content providers seemed to be facing an insurmountable number of challenges related to OTT multiscreen delivery, the cloud has emerged as their saving grace. During this Q&A session, Sefy Ariely, EVP Americas at Viaccess-Orca, discusses the advantages of using a complete cloud-based TV Platform as a Service (PaaS) fo...

Submitted by Sefy Ariely
Published 14 June 2016

Top 10 Tips for Saving Time in Post


Whether you're working on a shoestring or with feature film budgets, every production is under pressure to save money. And while cutting back on crew and downgrading your gearlist are effective ways of reducing costs, they invariably also reduce production value. But you can make big savings simply by being organised. Time really is money in the ed...

Submitted by Max McGonigal
Published 14 June 2016

Canon C300 MkII Reviewed


The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff
Published 14 June 2016

Breakthrough


By Julia Belle Issue 113 - May 2016 How do you become a Hollywood Film Producer? Or a Second Assistant Director? Or a Gaffer?Truth is, they’re not particularly straight-forward questions to answer. But that doesn’t mean you should give up there and start working in a jam factory as your school careers advisor recommended. (Not that there’s anythin...

Submitted by Julia Belle
Published 20 May 2016

NAB Review


by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne
Published 13 May 2016

5 Things I Saw At NAB


by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2
Published 13 May 2016

Leaving Las Vegas


by John Smith Issue 112 - April 2016 What is it about Leaving Las Vegas? I\'ve had the privilege of being a regular visitor and exhibitor at NAB since the early 1980\'s. One memorable occasion, our flight home had been overbooked and so an alternative arrangement was made. We wondered why it would take four hours to fly from Vegas to LA? As the pil...

Submitted by John Smith
Published 25 April 2016