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How the Cloud can be enabled as traditional broadcast wor...


The Cloud itself is fairly simple, but for broadcasters it can be difficult to leverage. It isnt technically complex but broadcast still overlaps requirements that need real time, high resolution and quick turnaround solutions. Plus, this is coupled with the need to connect with dispersed geographic locations, reduce costs and access multi-format a...

Submitted by David Schleifer
Published 02 November 2017

There is no where to hide from cybercrime


The media sector is an attractive target for cyber attacks of all kinds from malicious individuals who enjoy disrupting high profile shows, to organised criminals who are attracted by the value of content, to nation states aware that media is a way of conveying or distorting messages. Such attention is hardly surprising, given the pervasiveness of...

Submitted by Mark Harrison
Published 02 November 2017

Image processing with Ikegami


What do you see as the trend thats most impacting the image-processing sector at this moment in time? Audiences are moving towards a world where it is an expectation that when consuming content they want complete immersion. The explosion of virtual reality (VR) in to our market is testament to that. Progression has been a trend that has run through...

Submitted by Michael Latzch
Published 19 October 2017

Strays - Telling a dark tale


Independent filmmaker, Aaron Dunleavy, has used the backdrop of his hometown, Blackburn, to create a new short film as part of Channel 4 and Arts Council Englands Random Acts programme. The initiative - delivered by Tyneside Cinema (Newcastle), HOME (Manchester), and True North Productions (Leeds) - commissions bold, innovative expressions of creat...

Submitted by Aaron Dunleavy
Published 19 October 2017

Boradcast playout on-site and in the cloud


Broadcasters come in many shapes and sizes, each with their own unique set of ambitions and their own preferred route to success. Some are happy to innovate, particularly if it increases staff efficiency or reduces operating costs. Others prefer to let their competitors do the innovating and then follow whatever path appears to work best. Thus the...

Submitted by Don Ash
Published 19 October 2017

Cellular, Satellite or Fixed Link - how do you choose


Having a choice is a good thing. Take apples, for example. While one may look pretty much the same as the next, we know that the subtle differences between varieties can make a huge difference in how we choose to use them some are best for pies, some better for cider, and others just perfect for eating from the tree. Similarly, the subtleties betwe...

Submitted by Lorna Garrett
Published 19 October 2017

The importance of storage


In recent years, viewing habits have shifted dramatically; online video is becoming the preferred option for the younger generation. But its not just millennials who are cutting the cord with broadcasters and traditional platforms increasing numbers of people from all age groups are abandoning cable and instead enjoying TV online. In response to th...

Submitted by Jonathan Smith
Published 19 October 2017

Implementing an IP workflow


i The eventual move to incorporate IP into your infrastructures is an inevitability. However, with justified concerns about interoperability and uncertainty about which vendors are best placed to help organisations achieve their IP media networking and content delivery goals, is it any wonder there is hesitation about moving forward? Broadcasters v...

Submitted by John Smith -new
Published 07 September 2017

Canon CN-E 18-80mm T4.4 Review


i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff
Published 07 September 2017

Getting started with IMF


i Why is the Interoperable Master Format still exciting? Content is still King, but only if you can get it out to the consumer. I have just had the privilege of doing a live episode of Bruce\'s Shorts at the EBU IMF Workshop in Geneva. It was a privilege because I was able to talk about real world issues in making IMF compositions rather than talki...

Submitted by Bruce Devlin - new
Published 07 September 2017

Understanding the process of video production


i In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional resul...

Submitted by Joseph Adamson
Published 07 September 2017

Media Production Show and other news


i So, the 2nd Media Production Show has been and gone. Hands up who went to Islington by mistake? I know at least two people who did. Their secret is safe with me! For me, the sign of a great trade show is when I come away really enthused about an innovative use of existing technology or a brand new product. When I find something that combines both...

Submitted by Duncan Payne
Published 07 September 2017

360 degree video storage requirements


i Swim with bears, run with the bulls, get a pads-eye view of a rocket launch: 360 degree video production, also known as cinematic VR, makes these and many other bucket list-worthy events more accessible than ever. The format has evolved into a powerful storytelling tool, and one that changes not only the way in which visual experiences are shaped...

Submitted by Dave Frederick
Published 07 September 2017

The challenges of media workflow automation


i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark
Published 07 September 2017

Designing the correct workflow


Last year I took a year-long placement as a video editing support technician. The role exposed me to the common issues that students run into when editing their projects, and I developed an understanding as to why they might struggle understanding the complexities of video workflow. As a student myself I can understand why workflow can be a difficu...

Submitted by Harry Smith
Published 19 May 2017