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Industry Ready Broadcasting Students


Cardiff Metropolitan University traces its roots back to 1865, when they opened their first school in an old library. Now Cardiff Met is a global, practice-focused and professionally oriented institution, committed to ensure every student fulfills their potential to make outstanding contributions in their future industries. Cardiff Met is also one...

Submitted by KitPlus
Published 16 July 2019

Celebrating Chroma-Q with 15 Years in LED Lighting


LED lighting brand, Chroma-Q® recently held summer BBQ & open day events to celebrate with the industry reaching its 15th year in LED technology. Held at the Northern and Southern offices of the brand’s UK dealer, A.C. Entertainment Technologies, the informal gatherings were an opportunity for Chroma-Q users new and old – including lighting designe...

Submitted by Ian Muir
Published 16 July 2019

Lighting with Gurdip Mahal


Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to p...

Submitted by Ian Muir
Published 04 June 2019

A Truly Mobile Fly On The Wall


A Truly Mobile Fly on the WallFly on the Wall Entertainment is responsible for over 2000 hours of programing that have aired on multiple networks. As the Executive Producers of CBS’s summer sensation Big Brother, going into its 20th season this summer, they have been the key to the growth and evolution of one of the most groundbreaking entertainmen...

Submitted by KitPlus
Published 04 June 2019

State of the Nation - Drama


If you can remember as far back as the 1980s, then you probably remember a Saturday night drama called Hill Street Blues, written and developed by Steven Bochco. Made for NBC in the States, it was widely shown around the world, including in the UK. It was a pioneer ensemble drama, with no star characters but a lot of individuals – the police office...

Submitted by Dick Hobbs - new
Published 21 March 2019

Preserving the British Film Institute Archive


Today, the media and entertainment industry faces numerous challenges. To remain successful and competitive, these organisations must be ever innovative, agile and cost efficient in the way they produce, store, manage and distribute their digital assets. Content creators have traditionally relied upon outdated storage models, comprised of legacy in...

Submitted by David Feller
Published 21 March 2019

Remote Teams and Talent


If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with distributed production and post production. Bridging the distance not only allows you to find the best talent for the job anywhere in the world, it creates the potential for a diverse and globally-minded workforce that b...

Submitted by Megan Cater
Published 21 March 2019

Test, Measurement and Standards


Who are AIMS?The Alliance for IP Media Solutions (AIMS), is a non-profit trade alliance that fosters the adoption of one set of common, ubiquitous, standards-based protocols for interoperability over IP in the media and entertainment, and professional audio/video industries. The members of AIMS are a group of like-minded industry manufacturers who...

Submitted by Alan Wheable
Published 25 January 2019

Future proofing post production storage


Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynam...

Submitted by Josh Goldenhar
Published 25 January 2019

21st Century Technology for 20th Century Content


A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners h...

Submitted by James Hall
Published 25 January 2019

The making of The Heist


Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers. We make Hunted and The Island with Bear Grylls for Channel 4 and we’ve just made The Heist, this time working with Sky One. These are all huge, ambitiously for...

Submitted by Tom Hutchings
Published 25 January 2019

NEP Student Day


The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus
Published 09 November 2018

Using Wireless Transmission


Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam...

Submitted by Jeremy Benning
Published 09 November 2018

The Wireless Way to 4k


DTC’s AEON group of products have been specifically designed for the 4K market. We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link. So what makes this a leading idea in the 4K revolution?For a start, sport continues to drive technical innovatio...

Submitted by JP Delport
Published 09 November 2018

Accelerated Workflows with eGPU


Customer:Creative BlokeIndustry: Media & EntertainmentChallenges:To enable a small independent visual effects facility, Creative Bloke, with a versatile GPU that contains a combination of portability and performance to cater to their wide and varied portfolio of clients. Solution:Creative Bloke utilized the AMD Radeon Pro WX 9100 graphics card in t...

Submitted by Mike Griggs
Published 09 November 2018