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Live sports and event production


i There is an overwhelming amount of content being recorded by sports broadcasters and digital services teams. A broadcaster might capture hundreds of hours of content over the course of, say, a golf tournament, yet only a fraction of that content makes it to air. But what about the rest of it, such as interviews, scenic shots, promos, and behind-t...

Submitted by Brian Eldredge
Published 07 September 2017

The 7 Steps to Saving Film


i We live in a world where - thanks to everything from smartphones to cheaper professional gear - more and more footage is being shot today than ever before. It\'s a little known fact, however, that as more movies are made, archived physical film works all over the world are in danger of being lost to the damage of time. The Library of Congress alo...

Submitted by KitPlus
Published 07 September 2017

Who really benefits from the Cloud?


The transition to "the cloud\" in our industry has been challenging. Why is it so important to have cloud technologies? What do customers really expect? The term "cloud\" has been used to such an extent that it has diminished the real and actual importance of what\'s really going on - off-premise compute power. With typical cloud adjectives still a...

Submitted by Jayson Tomlin - new
Published 04 April 2017

The FAQs on automated quality assurance


The transition from tape-based to file-based video and audio recording allowed a completely new approach to the business of checking that programmes and interstitials conform to broad-cast industry standards prior to transmission. The Vidcheck team designed the world\'s first au-tomated broadcast quality control product. We have been working on fil...

Submitted by Thomas Dove
Published 25 August 2016

The modern day media manager


As industry trends move towards all file-based workflows from production to post production, there are several concepts and traditional industry practices that need to be modified and adapted for the transition. This spans throughout the entire production process in order to ensure that all deliverables are being recorded, edited and stored within...

Submitted by Jonathan Aroesty
Published 22 July 2016

Bringing Realiability to the Unpredictability of Reality...


Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cam...

Submitted by Martin Bennett
Published 14 June 2016

A Marathon Filming Review


Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer
Published 20 May 2016

TVFutures: Student pitch


by Emma Cox Issue 106 - October 2015 Student Pitch - Our second article pitch comes from Emma Cox, third year student studying BSc Television and Broadcasting at the University of Portsmouth. Personally I think this months KitPlus theme of acquisition is a tricky one for students to write about, but Emmas approach displayed real insight, and it als...

Submitted by Emma Cox
Published 01 November 2015

Circles of Confusion


by Graham Reed Issue 106 - October 2015 We seemed to have gone from SD to HD to UHD in a very short time but has lens technology kept up?Most camera manufactures now produce 4K cameras but they often look very similar to HD cameras, are they just the same with a 4k chip and also have they added 4k lens? They publish very little information about th...

Submitted by graham reed
Published 01 November 2015

Three days to launch a TV station


by Neil Hutchins Issue 104 - August 2015 We go on-air in less than 100 hours is an alarming statement when the studio and control room in question contain no technical equipment whatsoever. But this was the situation that we faced upon arrival at the new Local TV channel in Manchester for the first time as we began to unload the van late on a Thurs...

Submitted by Neil Hutchins#
Published 01 September 2015

Open Source for Film and TV Production


by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan
Published 01 March 2015

The fast-moving business of providing pop-up editing suit...


by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri
Published 01 February 2015

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Vision for the future of TV


Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus
Published 01 September 2014

Modern movie finishing


by Alexa Maza Issue 85 - January 2014 Written and directed by Neill Blomkamp, Elysium is a new science fiction movie starring Matt Damon and Jodie Foster. Set in the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. Digit...

Submitted by Alexa Maza
Published 01 February 2014