KitPlus | Articles

Loudness normalisation for podcast streaming

by Jon Schorah Issue 99 - March 2015 For media companies steeped in traditional workflows, the exploding demand for over-the-top (OTT) content on many different devices is offering up significant new opportunities as well as challenges. If content owners can re-purpose their assets effectively, they can reach existing and new audiences through chan...

Submitted by Jon Schorah

Published 01 April 2015

Capturing the action : Ocean Communications

Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus

Published 01 April 2015

Eye to Eye: Video Post-production

Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#

Published 01 January 2015

A quick guide to: Considerations for building monitor gal...

by Steve Hathaway Issue 95 - November 2014 There has been a trend in recent times towards using large screen systems in production galleries and monitor walls. This has been enabled by the wide-scale availability of affordable multi-viewer systems but has this trend really been of benefit to broadcasters? As a specialist in picture monitoring, work...

Submitted by Steve Hathaway

Published 01 December 2014

Keeping up standards

by Dick Hobbs Issue 95 - November 2014 A couple of days ago, both the esteemed editor of this magazine and I were guests at an awards ceremony, in the romantic environs of the Wembley Hilton. The evening was a tribute to the democratising effect of the dinner suit. Receiving a lifetime achievement award richly deserved was Dr David Wood, who has de...

Submitted by Dick Hobbs.

Published 01 December 2014

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Manage and Monitor

Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#

Published 01 November 2014

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Manage and Monitor

Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#

Published 01 October 2014

Communicating via IP

by Andy Covey Issue 93 - September 2014 At the turn of the 21st century the concept of IP-based systems first started to emerge, and with all things new, there were those who said it couldn’t be done with intercom systems. Communication, some reasoned, was simply too important to trust to perceived IT infrastructure issues of bandwidth and latency...

Submitted by Andy Covey

Published 01 October 2014

Disaster Recovery the broadcast emergancy service

by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard

Published 01 July 2014

QSC Sound Reinforcement System Supports Daft Punk, Michae...

Over the past 12 months, London-based audio and lighting equipment supply and rental business Podd Sound has increasingly turned to a QSC WideLine-8 line array for sound reinforcement at the PAs, live webcasts, launch parties and live performances that form a major part of its business. Since last year, founder Mat Pod has worked for some of the ho...

Submitted by KitPlus

Published 01 June 2014

Assuring loudness compliance for international content di...

by Samuele Tezza Issue 89 - May 2014 At SAMPLE, sound is our business. An up-and-coming digital recording studio and post-production house based in Verona, Italy with offices in Milan and Rome, SAMPLE offers a full range of high-end services including voice recording for television and radio, dubbing for cinema and television, original soundtracks,...

Submitted by Samuele Tezza

Published 01 June 2014

Fixing that inhospitable location shoot

by Harry Amies Issue 88 - April 2014 Say Iran. What do most people think of? Hostage-taking, nuclear programmes, angry mobs, CGI outsourcing, VFX, a multi-million dollar movie industry? If Harry Amies and Amir Rezazadeh of UK based co-producers HarryAmir have anything to do with it itll be the last three. HarryAmir is a UK-based company, that helps...

Submitted by Harry Amies

Published 01 May 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014