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BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

Broadcast Batteries, Today and Tomorrow

As consumers, we all have experience of being let down by batteries (think rusty Italian cars in the 1970s!). But thankfully the world of batteries has moved on: the global battery industry is today worth $71 billion and is estimated to be growing at nearly 5% a year. Of this, broadcast batteries make up a tiny fraction but the manufacturers that s...

Submitted by Bob Pank#

Published 01 February 2011

Synchronising the Shelf Stackers

The six-episode BBC Series “Shelf Stackers” brings audiences lots of laughs with its witty teenage commentary. Dom Bridges directed and helped edit the popular show as well as automating the synchronisation of audio clips for its dual-system sound productionBridges began his career as a graphic designer, which eventually led him to commercial desig...

Submitted by Bob Pank#

Published 01 February 2011

Lighting up Yorkshire

The Yorkshire town of Rawmarsh looks like an easy target. Its trolley buses have come and gone and its two train stations were both wrapped up more than 40 years ago. For many years, it was the home of potters and steel workers; it was a mining town from the 15th century, an industry that survived over 500 years until it was closed by a certain rut...

Submitted by Kieron Seth#

Published 01 January 2011

As a Videographer do I need a tripod and head

As you know, video has changed radically over the past few years, with even lighter and more compact cameras producing broadcast-quality HD footage. With new equipment opening up new ways to film and encouraging film-makers, videographers and former photographers to cross over their outdated boundaries, comes a need for new supports to match these...

Submitted by Bob Pank#

Published 01 December 2010

Eye to Eye at the Wildscreen International Film Festival

Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#

Published 01 December 2010

Meet Steadicam

1) What is Steadicam?Steadicam is a body-worn camera support systems that isolates the movement of the camera from that of the operator and allows the camera to travel with great freedom over almost any terrain without resorting to conventional track and dolly techniques. Invented by Garrett Brown, the first model was produced in 1976 primarily for...

Submitted by Bob Pank#

Published 01 December 2010

AF101 a first look

IBC saw the first working prototypes of the AF100 being shown to the public. Barry Green (some of you will be familiar with Barry from the US Forum DVXUSER) had the pleasure of working with the pre-production AF101 while at IBC. Incidentally the AF100 & AF101 are the same basic camera for different markets, all of them are NTSC/PAL switchable. At t...

Submitted by Bob Pank#

Published 01 November 2010

Television camera lenses

This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#

Published 01 November 2010

tv-bay IBC2010 double takes

Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#

Published 01 November 2010

Underwater DSLR Video Capture

Needless to say, DSLRs and their newly found HD video capability are a hot topic nowadays but many of us used to traditional video/film cameras are finding the transition a little vexing. The problem is that for years we’ve been able to immerse ourselves within that snug, comfortable viewfinder and get on with the job at hand. All of a sudden we ar...

Submitted by Bob Pank#

Published 01 November 2010

More than meets the eye

Synchronisation is not really a problem using two professional cameras. You just loop through your reference (black) to each and you are all done. In the old days, (well not that long ago), you had to worry about PAL SCH and accurate sync matching. Today, that complication does not matter because all digital inputs adjust for slight timing errors....

Submitted by Bob Pank#

Published 01 October 2010

Post Production Recipes

Multi-camera editing adds zest to any video production. It captures an event - a moment - from different angles, conveying a comprehensive and nuanced message. Often underrated, sound is a key ingredient in the mix. For the highest quality sound, separately recorded (dual-system) audio is the preferred technique. All leading non-linear editors (NLE...

Submitted by Bob Pank#

Published 01 September 2010

Precise panning for DSLR cameras

After buying a new DSLR camera with video function one usually works hard at getting good shots. It then becomes obvious that the selection of the proper tripod is crucial for clean horizontal and vertical panning. Sachtler, a brand of the Vitec Group, offers a variety of fluid heads in different weight classes that also fulfill the special require...

Submitted by Bob Pank#

Published 01 June 2010

Eye to Eye: Getting a grip

Getting a gripCameras and camcorders are shrinking at such a rapid rate that a lot of today's established support devices are looking completely out of scale. In some aisles of the NAB 2010 Central Hall, visitors were at perpetual risk of colliding with excited demonstrators nipping hither and yon with hand-held stabilisers for DSLRs. Most were onl...

Submitted by Bob Pank#

Published 01 June 2010