KitPlus | Articles

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014

In the Field

by Robin Brown Issue 93 - September 2014 Traditionally teleprompters were seen solely as a studio staple, but for more than two decades they have been consistently supporting talent in the field in a variety of locations around the globe. The numerous step changes in technology, which have had such a dramatic impact on all types of television equip...

Submitted by Robin Brown

Published 01 October 2014

A new age of teleprompting?

by Jon Hilton Issue 92 - August 2014 Whilst it may not be the first thing on the production agenda, one could argue it is an essential production tool today delivering at least two fundamental production values. Firstly it can save you money by reducing the time required to get that perfect take and secondly it means that your presenter will be wor...

Submitted by Jon Hilton#

Published 01 September 2014

Is bingeing the new black?

by Dick Hobbs Issue 92 - August 2014 Recently BBC4 has been showing the classic 1985 television drama Edge of Darkness. Troy Kennedy Martin masterfully captured the nuclear paranoia of the era, at a time when the Thatcher government was making a virtue out of secrecy. The idea that global forces were casually trading in weapons-grade material and w...

Submitted by Dick Hobbs.

Published 01 September 2014

At the forefront of digital asset management and publishi...

by Ian Mottashed Issue 91 - July 2014 Endemol is the largest independent television and digital production company in the world. Within 30 countries it has a global network of around 90 companies which produce over 350 multi genre series a year. Across the 90 companies there are currently around 29,000 hours of content being distributed. The produc...

Submitted by Ian Mottashed

Published 01 August 2014

The Challenges of streaming media

by Larry Jordan Issue 91 - July 2014 Internet streaming. It sounds easy, but doing it is surprisingly difficult. I know, Ive been streaming live audio every week for the last seven years for my podcast Digital Production Buzz. And Im streaming video from my website for the last three years as part of my on-going software training. If everything is...

Submitted by Larry Jordan#

Published 01 August 2014

The Evolution of TV to the Bus Train and Park Bench

by John Mills Issue 90 - June 2014 A Digital RevolutionSince the not-quite-fully-electric late nineteenth century, Television has been evolving. The first major, modern change to the way people experienced TV was when technology enabled them to decide when they were going to watch the programmes they wanted to watch. VHS recorders and then DVD play...

Submitted by John Mills

Published 01 July 2014

Changing expectations

by Dick Hobbs Issue 90 - June 2014 I can remember when Ericsson made mobile phones. Now they are a major player in television playout or, as we now have to call it, delivering content. Interestingly, they also carry out extensive research, and have their own forecasting group which is looking at the way the business is changing. They have published...

Submitted by Dick Hobbs.

Published 01 July 2014

Music licensing for corporate video

by Kevin Cook Issue 89 - May 2014 Music copyright is a nightmare. Its an incredibly confusing subject and failing to understand it can be potentially ruinous. As a corporate video producer you simply cant skip around the subject as its something that youll have to deal with on a daily basis. Quite often clients will also ask for their favourite com...

Submitted by Kevin Cook

Published 01 June 2014

Automation...

by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman

Published 01 April 2014

Todays media business needs SaaS

by Barrett Coakley Issue 87 - March 2014 In the field of media production, TV and broadcast organisations have yet to fully realise the benefits of Software as a Service (SaaS) especially as part of their day-to-day operations. However, there is no reason media professionals should have to settle for using outmoded or inefficient technology to get...

Submitted by Barrett Coakley

Published 01 April 2014

In the Flesh: On set with the BBC

by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready

Published 01 March 2014

Bob is up in the air with 4K

by Bob Pank Issue 84 - December 2013 The closer you look at 4K UHD the more you see what needs to be done to make it work from scene to screen. Until that pipe is complete no practical service can flow to the consumer. The parts that are working and available now are the cameras, recorders and post production. Beyond those there are a few satellite...

Submitted by Bob Pank#

Published 01 January 2014

Driving customer loyalty with OTT

by Jakub KabourekIssue 84 - December 2013 The multi-screen revolution is being driven by the consumer and is developing quickly. It offers huge potential and a bright future for operators adopting OTT across multiple devices. By delivering quality television services operators are expanding their market potential and thereby significantly increasin...

Submitted by Jakub Kabourek

Published 01 January 2014

Leaping over the top

by Bob LambIssue 84 - December 2013 Around the world, consumers are becoming addicted to viewing over-the-top (OTT) video on the device or screen of their choice, anywhere and at any time. For broadcasters, content owners, and service providers, the ability to deliver broadcast-quality media over the open Internet presents a tremendous opportunity...

Submitted by Bob Lamb

Published 01 January 2014