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The future of post production


Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus
Published 15 February 2017

MAM needs to adapt or die


The media landscape has shifted dramatically over recent years. Content providers are under increasing pressure to deliver compelling content to multiple platforms. Also, the production and distribution of video is no longer limited to traditional broadcasters, which face rising competition from a range of media providers. We are also seeing a mass...

Submitted by Tim Child
Published 15 February 2017

Rethinking standards in the media world


It\'s actually a more difficult question than you think. When I ask the majority of engineers this question, I will get a technical answer. It will be something like "to be sure we meet the specification\" or "to be sure we don\'t put bad signals on air\" or "so that I don\'t get fired for getting loudness wrong\" The reality of course is that moni...

Submitted by Bruce Devlin
Published 07 December 2016

The value of an industry placement


"Do a placement after the second year of your degree they said, it\'ll be fun they said!\" You know what, they were right! Hello there, my name is Abbie Smith and I have just returned from my placement year to conclude my third and final year studying BA Film and Television Studies. Undertaking a placement within your university degree is heavily p...

Submitted by Abbie Smith
Published 07 December 2016

The importance of a low noise floor


The Noise Floor of a piece of T&M equipment is the inherent noise (or intrinsic jitter) introduced by the equipment itself. The level of inherent noise affects the accuracy and repeatability of jitter measurements that can be made, especially when measuring low levels of jitter. With the permitted 100KHz jitter on a 12G-SDI signal being only 0.3UI,...

Submitted by Alan Wheable
Published 07 December 2016

Television is dead, long live television


After decades of operating within the same fundamental model, the walls around our world - what was the broadcast world, or "vertical", in marketing terms - are crumbling. NAB 2016 clearly showed this and IBC 2016 took it one step further: momentum is strengthening as we push towards an IP future. The TVB2020 conference earlier this year also refle...

Submitted by Ephraim Barrett
Published 07 December 2016

Cause and effect of jitter in an operational IP video net...


What are the advantages of moving to an IP infrastructure? The most commonly cited advantage of deploying IP Video networks in production and other operational applications is the ability to use Commercial Off-The-Shelf (COTS) IT-based infrastructure, which takes advantage of the economies of scale of the IT industry when compared with the relative...

Submitted by Paul Robinson
Published 07 December 2016

Streamlining operations at BFBS


British Armed Forces around the world rely on British Forces Broadcasting Service (BFBS) to provide them with entertainment and information via their TVs and radios. Operating from studios in Buckinghamshire, BFBS is part of Services Sound and Vision Corporation (SSVC), a not-for-profit charitable organization that makes a considerable contribution...

Submitted by Adrian Richmond
Published 07 December 2016

Taking a hybrid approach to the SDI/IP transistion


Broadcasters are not newcomers to technological transitions. As an industry, we\'ve survived analogue to digital, baseband to file-based workflows, SDTV to HDTV and now 4KUHD resolution, not to mention weathering a barrage of new compression formats. Today, we\'re facing one of the most dramatic transformations we\'ve ever undergone: SDI to IP. Unl...

Submitted by Matthew Coleman
Published 07 December 2016

Heading towards brightness regulations


I like IBC in the same way that I find NAB grating. Maybe I have been living in the UK for too long, but the bright morning Amsterdam sun breaking through clouds and reflecting off the canal while fit young things on bicycles pedal to college; snapchatting with their friends and avoiding collisions with practised ease has a certain charm. You just...

Submitted by Bruce Devlin
Published 10 November 2016

The true benefits of the media factory ideal


As an industry we know that to be successful in the new multi-platform, multi-format environment there are hurdles that broadcasters and other content owners must overcome. These include: the introduction of non-linear offerings, which require different services to be managed in parallel; the reduction of revenues from conventional linear channels,...

Submitted by Julian Fernandez-Campon
Published 22 July 2016

Making OTT monitoring and compliance manageable and econo...


Consumers today regularly use their smartphones, tablets, and other connected devices to view Internet-delivered content. While their widespread embrace of over-the-top (OTT) services via an array of distribution outlets present today's video program owners and distributors with tremendous opportunity, it also presents new challenges in ensuring no...

Submitted by Gary Learner
Published 22 July 2016

High throughput satellite meets the challenge of IP media


For some time, many people in the media industry have been wondering how much longer satellite could remain a major player now that the era of 4K is upon us and there is such a rapid proliferation of channels. There just isn't the throughput for these new services on the current generation of satellites, so the argument goes, and the costs per giga...

Submitted by Simen Frostad
Published 22 July 2016

News production with an IP workflow


Broadcast workflow used to be all about tapes. Shooting on tapes, putting tapes into machines, copying from one tape to another, using very expensive gear and costly workflows, with scarce resources and high skill levels. But as broadcast technology evolved tape was mostly replaced by hard drives, and the revolution in editing made it possible to w...

Submitted by Helge Hoibraaten
Published 22 July 2016

OTT - is it over the top or business as usual


OTT is a term that is casually bandied about as though everyone knows what it is, but is there really a single definition? Hopefully this little guide will have you speaking the jargon like a native!OTT stands for Over The Top. If you're into linguistics, then the first question that comes to mind is "What are A & B in the sentence: A is going over...

Submitted by Bruce Devlin
Published 22 July 2016