KitPlus | Articles

TSL PAM1-3G8 Review

This unit from TSL has been in use by us for nearly a year. Its small and sleek and certainly looks professional, as you would expect from TSL. It sits at just 1U high, is not too deep and enables monitoring of 2x analogue, Embedded AES (16 channels) and Dolby E , however the Dolby E comes at a price due to it being an added option – I hate that, d...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Mobile Cameraman Extraordinaire

I had wanted to work in television since my teens and, at 20, started as a trainee assistant cameraman at Mersey Television on 'Brookside' in Liverpool and then joining Thorn-EMI Facilities in London. Thorn-EMI put me in charge of a studio used to shoot links for companies like Children's Channel using very bulky early tubed Betacams. Five years la...

Submitted by Bob Pank#

Published 01 April 2011

Will Youview and IPTV change the face of TV Broadcasting

Youview, and the evolution of Internet Protocol TV (IPTV), are set to have a major impact on the UK broadcasting industry. Youview is the latest evolution of Freeview and Freesat, the Set Top Boxes (STB) that give access to additional channels without a monthly subscription. Freeview gives viewers access to terrestrial broadcasts, while Freesat ena...

Submitted by Bob Pank#

Published 01 April 2011

Realising the full benefits of hybrid broadcast and broad...

We are all clear that there is a great deal of momentum in pay television at the moment. Alongside that driver, though, there are others which are dramatically changing the way consumers watch television. These include the desire to watch programmes at a time of their choice not that of the broadcaster (and in the room of their choice), and the use...

Submitted by Bob Pank#

Published 01 April 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011

Lighting Q and A

I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

Lighting up Yorkshire

The Yorkshire town of Rawmarsh looks like an easy target. Its trolley buses have come and gone and its two train stations were both wrapped up more than 40 years ago. For many years, it was the home of potters and steel workers; it was a mining town from the 15th century, an industry that survived over 500 years until it was closed by a certain rut...

Submitted by Kieron Seth#

Published 01 January 2011

Launching Call of Duty Black Ops

So, how do you get the feed from 8 full HD camera's, games console screen captures, and a remote camera feed from 6 miles away to over 180,000 live game junkies all waiting to see the release of what is likely to be the world’s fastest selling and most anticipated Console/PC Game to date?That was the question posed to us at Mediakinetic by the digi...

Submitted by Kieron Seth#

Published 01 January 2011

Commonwealth Games Will Be All Right On The Night

Fans of Bollywood films will be familiar with the classic Indian wedding storyline in which complete chaos usually engulfs the event right up to the moment when the groom arrives, at which point everything comes together and everyone has a whale of a time and puts behind them the dramas that preceded the ceremony. The XIX Commonwealth Games (CWG) i...

Submitted by Bob Pank#

Published 01 December 2010

Redefining Mobile, High Definition Recording With Cinedec...

IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#

Published 01 November 2010

tv-bay IBC2010 double takes

Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#

Published 01 November 2010

More than meets the eye

Synchronisation is not really a problem using two professional cameras. You just loop through your reference (black) to each and you are all done. In the old days, (well not that long ago), you had to worry about PAL SCH and accurate sync matching. Today, that complication does not matter because all digital inputs adjust for slight timing errors....

Submitted by Bob Pank#

Published 01 October 2010

Digital Archiving in Media Workflows

Why is there a growing need for digital archiving in the broadcast and post-production industry?Across all segments of the media and entertainment industry, the past decade has seen a fundamental transformation, where virtually the entire industry moved from tape or film to digital media. This change required investing in digital equipment and proc...

Submitted by Bob Pank#

Published 01 October 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010