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Sony PXW-FS7


by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman
Published 01 November 2014

Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

Manage and Monitor


Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#
Published 01 October 2014

Green storage Fat wallets


by Ben Pearce Issue 91 - July 2014 Its not just eco campaigners that want to reduce their carbon footprint. Its also the financial director. Whether youre a small company or a transnational enterprise, you run the risk of losing control of your data and buying more and more disk space. You may be storing many copies of each file on multiple externa...

Submitted by Ben Pearce
Published 01 August 2014

The right MAM solution


by Michael Shore Issue 91 - July 2014 The best way to determine what features you need in a media asset management system (MAM) is to start at the end. So, when trying to decide what goes IN to your asset management system, you need to first establish what it is that you are trying to get OUT. Several factors need to be considered, including: the p...

Submitted by Michael Shore
Published 01 August 2014

Disaster Recovery the broadcast emergancy service


by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard
Published 01 July 2014

Ask the Experts


by Matthew Rehrer Issue 90 - June 2014 What trends are you seeing with respect to investment in archiving solutions?Investment in archiving solutions has been shaped by several major trends, all fundamentally driven by the desire to store and manage media content in such a way that it can better support effective and/or profitable use of those asse...

Submitted by Matthew Rehrer
Published 01 July 2014

Mildred: The next generation of OB vans


by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs
Published 01 April 2014

How the cloud is changing the post production landscape


by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater
Published 01 February 2014

Speed and accuracy in post


by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli
Published 01 February 2014

Near-live production with Softrons multicam logger


by Alastair Owen Issue 85 - January 2014 Berlin-based edelbytes works with German broadcasters for channels such as ZDFkultur, tape.tv and 3sat to deliver coverage of live events music concerts, arts shows with a live audience, comedy and cabaret. But its coverage with a twist. Side-stepping the big-budget satellite van template for live event broa...

Submitted by Alastair Owen
Published 01 February 2014

Flawless fencing technology


by Susan KanwarIssue 83 - November 2013 KABCOM is a leading organiser of competitive fencing events worldwide. Since 1992 they have organised several Olympic Games, many regional competitions such as the Asian, African and Pan-American Games, and a number of World Championships. In addition, they arrange both the Fencing Grand Prix and World Cups a...

Submitted by Susan Kanwar
Published 01 December 2013

From archival master to usable video with Mark Gray


by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray
Published 01 September 2013

Storage news: Space 4K Duo, the facility goes on location


Issue 80 - August 2013 The 4K location shoot is now commonplace, particularly in film, music video and drama production. However, for digital imaging technicians (DITs) working in the field, UltraHD is extremely problematic. Once data is ingested, replicating the material for insurance purposes can be taxing and the process of offloading files onto...

Submitted by KitPlus
Published 01 September 2013

Redefining the archive with Raj Patel


by Raj PatelIssue 80 - August 2013 The entire broadcast workflow has changed dramatically in recent years. Predictably, its been a slow-process. The enormity of transitioning from an analogue to a digital workflow is huge for a variety of reasons - planning, testing, implementation and budget, can mean some installations taking up to two years to c...

Submitted by Raj Patel
Published 01 September 2013