KitPlus | Articles

Monitoring in the file-based environment

One of the major challenges facing broadcasters and content producers today is quality control. In the traditional model QC was performed by skilled viewers in real time, watching the content on a good monitor alongside a waveform monitor and audio meters to ensure the technical parameters were optimised. That is still critical, although the onus f...

Submitted by Bob Pank#

Published 01 December 2011

LIGHTS, CAMERA, PROMPTING

Prompting equipment may seem to be one of the most standard, reliable and commonplace pieces of a workflow but that doesn’t mean provision should be treated with complacency. Thinking ahead and selecting best of breed is as applicable in this case as it is for a supposedly more mission-critical asset management, newsroom or production system. In re...

Submitted by Bob Pank#

Published 01 October 2011

Operating at the cellular level

The live coverage of outside broadcast events, news or sports has always been an expensive and logistically cumbersome business. The need to invest millions of pounds in specialist satellite trucks can take years to recoup, putting the ability to service live sports contracts beyond the economy of a very few suppliers. Even the live presentation of...

Submitted by Bob Pank#

Published 01 September 2011

KVM enterprise and video matrix switchers in broadcast ap...

KVM enterprise and video matrix switchers in broadcast applicationsEngineers within the professional broadcast world are comfortably familiar with video routers for the control of uncompressed video and audio signals within live studio and editing locations. However there is less familiarity with the use of KVM enterprise and video matrix switchers...

Submitted by Kieron Seth#

Published 01 August 2011

So what is Digital Television. Part 2 - Back to Basics

Component digital videoThe designers of early analogue special effects equipment recognized the advantage of keeping the red, green, and blue video channels separate as much as possible during any processing. The PAL and NTSC encoding/decoding process is not transparent and multiple generations of encoding and decoding progressively degrade the sig...

Submitted by Kieron Seth#

Published 01 August 2011

Question and Answer with Trilogy

Question 1: What bandwidth would I need to allow on my network to reliably support IP communications and what other issues would I need to take into consideration?The bandwidth required to support IP based intercom or talkback communications really depends on the quality of audio you want to achieve. Therefore the higher the quality, the greater th...

Submitted by Kieron Seth#

Published 01 August 2011

Post Production Ask The Experts

IntroductionIt’s a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs...

Submitted by Bob Pank#

Published 01 May 2011

Transforming Post Production With Content Supply Chain Ma...

These are challenging times for post-production companies and operations. Even the most sophisticated post houses are scrambling to evolve their content chains in the face of game-changing trends: the move from tape- to file-based workflows, the growth of new distribution outlets and windows, and the drive towards same-day-and-date release of major...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Why do broadcasters need to take an interest in connected...

Why do broadcasters need to take an interest in connected TV?With ever-increasing amounts of content available, we’re heading towards a world where catch-up TV will enable you to access last week’s content as easily as today’s. This doesn’t mean to say that linear broadcasts are over; I would expect broadcast delivery to continue to dominate and fo...

Submitted by Bob Pank#

Published 01 April 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

The 4 Golden Rules of Streaming

In November 2009 a Florida-based web design company ran a series of tests on their website. Their bounce rate (the % of visitors to their site that hit their home page but go no further on a site) started at 45% - a barely acceptable rate. Over the course of a month, they added graphic after graphic to their site. The effect was catastrophic with a...

Submitted by Bob Pank#

Published 01 April 2011

Production Spotlight

On Friday 10th September, Fluidmoves Video Productions, filmed a new outfall pipe leaving Shoreham Harbour on the Sussex coast. The 1.8 kilometre pipe was towed out to sea through the open lock gates round to Newhaven Harbour, a distance of 15 nautical miles, on behalf of Southern Water and its contractor 4Delivery. The outfall is part of Southern...

Submitted by Bob Pank#

Published 01 March 2011

Using Multipoint Monitoring to Ensure Reliable Digital Vi...

Because the quality and bandwidth-efficiency advantages of digital over analog methods have made digital transport preferred, the world continues its migration to an all-digital approach to delivering video signals – from the studio through distribution networks to the end-viewer. As with any new technology, adopting and integrating digital video d...

Submitted by Bob Pank#

Published 01 March 2011

Launching Call of Duty Black Ops

So, how do you get the feed from 8 full HD camera's, games console screen captures, and a remote camera feed from 6 miles away to over 180,000 live game junkies all waiting to see the release of what is likely to be the world’s fastest selling and most anticipated Console/PC Game to date?That was the question posed to us at Mediakinetic by the digi...

Submitted by Kieron Seth#

Published 01 January 2011