KitPlus | Articles

Centralised tapeless workflow at BT sport studios

by Steve Montgomery Issue 88 - April 2014 Part of the former International Broadcast Centre at the Queen Elizabeth Olympic Park in London has been transformed into the new home of BT Sport with state-of-the-art production and broadcasting systems for BTs new television broadcast operations. BT sport is a broadcasting station with 24-7 operational c...

Submitted by steve montgomery

Published 01 May 2014

Mildred: The next generation of OB vans

by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs

Published 01 April 2014

Collaboration and flexibility in post production workflow

Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus

Published 01 April 2014

Cutting the cord

by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#

Published 01 April 2014

In the Flesh: On set with the BBC

by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready

Published 01 March 2014

Will Strauss looks at post production in 2014

by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#

Published 01 February 2014

Embracing the 4K future with next generation encoding tec...

by Kevin CookIssue 83 - November 2013 Whats keeping todays media and broadcast operators up at night? To find out, just walk the floor of any 2013 broadcast industry trade show. Only a few short years ago we were obsessed with the digital transition and migrating to HD operations, followed by adoption of 3-D technologies. And now, todays big challe...

Submitted by Ludovic Pertuisel#

Published 01 December 2013

Streaming Downtown Showdown

by Kate PhibbsIssue 82 - October 2013 With summer well and truly on its way out, what better way to send it off than a trip to Paris to produce and live stream the Vans Downtown Showdown 2013. After the success of producing and broadcasting the Vans Spring Classic in Italy in April, we here at 3xScreen Media knew that Downtown Showdown, Europes lar...

Submitted by Kate Phibbs

Published 01 November 2013

Wireless cameras at live events

by Scott WalkerIssue 81 - September 2013 While wireless cameras have been used in high end broadcast for years, prices have dropped and there are now a variety of products on the market to suit lower cost broadcasts, and the technology is creeping into events with live outdoor screens and lower budgets, where it adds a creative angle to the show. I...

Submitted by Scott Walker

Published 01 October 2013

Ask the experts: your questions on wireless camera system...

by Stuart BrownIssue 81 - September 2013 tv-bay talks to Stuart Brown, Broadcast Systems Director at Cobham Broadcast about your questions on wireless camera systems. What makes wireless camera systems a viable option now as opposed to only a few years ago?When the COFDM modulation scheme was introduced over a decade ago, it revolutionised event c...

Submitted by Stuart Brown

Published 01 October 2013

KFX Aurora LT remote head

Issue 81 - September 2013 Released just over one year ago the KFX Aurora LT remote head has rapidly become a very popular on set tool for long run shows and day playing alike. Camera Operators and grips love how easy it is to get ready and rental houses love the ease of maintenance and the quick return on investment that they are getting. The key t...

Submitted by KitPlus

Published 01 October 2013

Monitoring Image and Signal Degradation

by Peter LampelIssue 79 - July 2013 OmniTeks latest waveform analysis software focused on assessing the degradation in video and audio quality and timing suffered by images as they are transmitted or stored. What approach has OmniTek taken to measuring these effects? In an ideal world, all broadcasters would love to have a piece of equipment that s...

Submitted by Mike Hodson

Published 01 August 2013

Product update with Swit - travel safe power solutions

Swit Electronics is a high-tech enterprise that manufacture power solutions and accessories for the professional broadcast and video industry. Products include batteries and chargers, on-camera lights, monitors and more. Swit design and manufacture their products to the smallest detail and therefore the end result is a high performing, high quality...

Submitted by KitPlus

Published 01 July 2013

Loudness: What happens now if my work is not compliant?

Now that loudness is a mandatory requirement in the United States, Europe, and much of the rest of the world, it’s not so much a question of when organizations will begin to comply, but how?1. Now the standards are in place, what happens now if my work is not compliant?There are varying repercussions for noncompliance, depending where you work and...

Submitted by Jon Schorah

Published 01 June 2013

LiveU Buyers guide to cellular uplinking

With Ronen Artman, LiveUCellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activities or anything in between. It has also delivered high quality li...

Submitted by Ronen Artman

Published 01 May 2013