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A virtual world but call it cloud if you must


I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity...

Submitted by Jan Weigner
Published 01 April 2016

Ask The Expert- Post Production Supervisor at BBC Studios...


by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman
Published 21 January 2016

New Upmixing Challenges and Strategies for Audio Post-pro...


by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah
Published 21 January 2016

Law Enforcement - Live, Mobile Video Surveillance


by Eric Chang Issue 108 - December 2015 Law enforcement, homeland security, surveillance, emergency response and military operations may span a range of operations, but they all share a crucial need for a detailed, real-time picture of rapidly changing events from various field locations. Leading law enforcement agencies have learned that there\'s...

Submitted by Eric Chang
Published 15 December 2015

Test & Measurement: Ask the expert


by Alan Wheable Issue 107 - November 2015 What should an Eye diagram look like?There are basically two different approaches to capturing the Eye Diagram from an SDI signal. These are real-time capture (employed by Real Time oscilloscopes) and signal subsampling (employed by Sampling oscilloscopes such as the Omnitek Ultra 4k Tool Box). All broadcas...

Submitted by Alan Wheable
Published 01 December 2015

Monitoring Q & A


Issue 107 - November 2015 What elements of modern console technology has made a large impact on your craft?Rob Wolifson: Historically, shows were set up differently, you had more time to prepare. For example, if a show was on at noon in one studio, the breakfast show would be done in a different studio, so transitioning from one show to the next wa...

Submitted by KitPlus
Published 01 December 2015

A brief history of time


by Dick Hobbs Issue 106 - October 2015 And another IBC is written into the annals of history. Another week in Amsterdam, sharing knowledge and experience. Say what you like about IBC: it is a great chance to meet, talk and learn. Now at IBC I actually perform a number of tasks behind the scenes which keep me largely occupied and out of trouble. And...

Submitted by Dick Hobbs.
Published 01 November 2015

Lessons Learnt - Webcasting live to the web


by Larry Jordan Issue 105 - September 2015 When I first started in this industry, more than 40 years ago, live television broadcasts were plentiful and popular. In fact, I got my start as a director in live television. However, the only way to create a live broadcast was with lots of equipment, large crews and plenty of money. Today, the paradigm h...

Submitted by Larry Jordan#
Published 01 October 2015

Introduction to FM Single Frequency Networks


by Werner Drews Issue 103 - July 2015 Single Frequency Networks (SFNs) are a form of broadcast network design where several transmitters use the same frequency channel to send the same signal. SFNs are usually used for radio and digital TV broadcasting FM, AM and digital radio can be transmitted over SFNs while analog television is more problematic...

Submitted by Werner Drews
Published 01 August 2015

SDV - Shaping the Next Generation of Linear TV Service Of...


by Lionel Bringuier Issue 103 - July 2015 Software-defined video (SDV) solutions are shaping the next generation of linear TV service offerings for both content distributors and content programmers. Live-to-VOD services such as catch-up TV, start-over TV, nPVR and delay TV offer new ways to enrich live TV experiences and package live content alongs...

Submitted by Lionel Bringuier
Published 01 August 2015

Why fast production storage is just not enough


by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett
Published 01 July 2015

Overcoming complexity in remote production leads to more...


by Henry Goodman Issue 101 - May 2015 Despite the instant accessibility of recorded media content, there are many events that are still best enjoyed as a live broadcast. At the same time, such broadcasts are becoming increasingly complex, and with increased complexity comes increased cost. It\'s a fact that limits the number of events broadcasters...

Submitted by Henry Goodman
Published 01 June 2015

Fiber Transport for the future


by Lars Hohmann Issue 101 - May 2015 Broadcasters have access to numerous fiber-based signal transport solutions today. From the simplest point-to-point throw-down boxes to more elaborate optical rings, products come in at a variety of performance and price levels. In most cases, the broadcaster that wants a mix of signals will purchase signal-spec...

Submitted by Lars Hohmann
Published 01 June 2015

Big rush with little fuss at new Birmingham broadcaster


by Neil Hutchins Issue 99 - March 2015 Big Centre TV is the latest of the new wave of UK Local TV stations, having launched on 28th February. But behind the calm and successful appearance was a frenzied period of activity, as Ofcom had only confirmed their licence just three months earlier. To get from nothing to on-air in such a short timescale wa...

Submitted by Neil Hutchins#
Published 01 April 2015

Cloud Editing at BVE


Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus
Published 01 April 2015