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5 must haves for sound recordists


by Paul Zanders Issue 101 - May 2015 Every location has a different set of challenges and you have to deal with whatever sound your environment throws at you as best you can whilst looking after your gear and yourself. Here are 5 non-technical things that make my life on location easier. 1. Sound BlanketA lot of studios are big empty spaces that bo...

Submitted by Paul Zanders
Published 01 June 2015

Transmitting love...live


by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#
Published 01 June 2015

Cloud Editing at BVE


Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus
Published 01 April 2015

Open Source for Film and TV Production


by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan
Published 01 March 2015

Studio furniture at the cutting edge


by Graham Buchanan Issue 97 - January 2015 Custom Consoles was established in 1996 to meet the market demand for efficient and robust studio furniture at accountant-friendly prices. That may sound trite but we were working in SI roles ourselves and knew from direct experience how difficult it was to commission third-party desks built to the high st...

Submitted by Graham Buchanan
Published 01 February 2015

Time out


by Dick Hobbs Issue 97 - January 2015 Charles Holland Duell, United States Commissioner of Patents from 1898 to 1901, is supposed to have said "Everything that can be invented has been invented". It is pretty certain that this is a completely apocryphal story, of course, but it sticks in the memory. In fact, we have a verified quotation from him wh...

Submitted by Dick Hobbs.
Published 01 February 2015

Emphasising Television in streaming television


by James Gilbert Issue 96 - December 2014 There have been all sorts of doom and gloom stories, over a decade or more, about how television is changing. Budgets are being slashed, workflows are becoming automated, and standard IT hardware is taking over from bespoke broadcast kit. But despite all this, television still looks good. If you watch telev...

Submitted by James Gilbert
Published 01 January 2015

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

How to Produce and Stream a Live Production Part One


by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington
Published 01 October 2014

Vision for the future of TV


Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus
Published 01 September 2014

At the forefront of digital asset management and publishi...


by Ian Mottashed Issue 91 - July 2014 Endemol is the largest independent television and digital production company in the world. Within 30 countries it has a global network of around 90 companies which produce over 350 multi genre series a year. Across the 90 companies there are currently around 29,000 hours of content being distributed. The produc...

Submitted by Ian Mottashed
Published 01 August 2014

Teletest Telesend HD LCD receiver Review


by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast
Published 01 July 2014

Game Set Match


by Nico Lewis & Jon Ridel Issue 89 - May 2014 Sports events such as the Super Bowl, the Winter Games in Sochi and the Wimbledon Championships are among the most prestigious jobs for broadcast companies. The larger the event, the more viewers it reaches and consequentially, the more complicated and important the communication system becomes. Without...

Submitted by Nico Lewis
Published 01 June 2014

Ask the experts: Life behind the rate card


by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome
Published 01 May 2014

Looking to the Cloud for broadcast business success


by Tom Donoghue Issue 87 - March 2014 More and more, todays highly competitive and rapidly evolving marketplace is ruled by consumer demand for seamless anywhere, anytime, any-device access to high-quality content. Broadcasters are learning quickly that competitive advantage is all about finding new ways to engage audiences and attract advertisers...

Submitted by Tom Donoghue
Published 01 April 2014