KitPlus | Articles

The secret to global Gogglebox success

People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. \'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and...

Submitted by Chris Cooper

Published 15 February 2017

The future of post production

Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus

Published 15 February 2017

Grading Quantum Break

Developed by Remedy Entertainment, published by Microsoft Studios and produced by Lifeboat Productions, the sci-fi game Quantum Break is an interactive and integrated live-action TV show that features actual characters chosen by the players game choices. Available for Xbox One and Microsoft Windows users, Quantum Break follows protagonist Jack Joyc...

Submitted by Juan Ignacio

Published 15 February 2017

The eye in the sky

EVENT360 specialises in production and delivery of sport presentation, entertainment and stadium ceremonies, and, as such, we\'re always looking for new, interesting, and innovative crowd engagement tools. One of those engagement tools that we\'d been using for many years was a crowd-surfing ball - basically a sponsor-branded beach ball thrown into...

Submitted by Julian Marks

Published 13 January 2017

Blackmagic Design URSA Mini Reviewed

The yeti finally arrived earlier this year - I call it so, because for almost twelve months until BVE 2016 we\'d only seen it in pictures! So getting my hands on one in a real word environment was an absolute no brainer, when Simon Tillyer dropped me a line offering the opportunity to review the camera for KitPlus. I\'ll cut right to the chase with...

Submitted by Ben Sherriff

Published 07 December 2016

Top 10 Tips for Saving Time in Post

Whether you're working on a shoestring or with feature film budgets, every production is under pressure to save money. And while cutting back on crew and downgrading your gearlist are effective ways of reducing costs, they invariably also reduce production value. But you can make big savings simply by being organised. Time really is money in the ed...

Submitted by Max McGonigal

Published 14 June 2016

Bringing Realiability to the Unpredictability of Reality...

Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cam...

Submitted by Martin Bennett

Published 14 June 2016

SDI, IP, Uncompressed and Compressed

by Phil Adams Issue 112 - April 2016 Why did you decide to create a new platform for T&M? There\'s a lot of talk about hybrid in the industry and we recognised early on that there were some big changes in the pipeline to do with SDI, IP, uncompressed and compressed signals and we had a lot of our own end users asking for something specific for UHDT...

Submitted by Phillip Adams

Published 25 April 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

TVFutures: Student pitch

by Emma Cox Issue 106 - October 2015 Student Pitch - Our second article pitch comes from Emma Cox, third year student studying BSc Television and Broadcasting at the University of Portsmouth. Personally I think this months KitPlus theme of acquisition is a tricky one for students to write about, but Emmas approach displayed real insight, and it als...

Submitted by Emma Cox

Published 01 November 2015

Circles of Confusion

by Graham Reed Issue 106 - October 2015 We seemed to have gone from SD to HD to UHD in a very short time but has lens technology kept up?Most camera manufactures now produce 4K cameras but they often look very similar to HD cameras, are they just the same with a 4k chip and also have they added 4k lens? They publish very little information about th...

Submitted by graham reed

Published 01 November 2015

Wireless and satellite

by John Wastcoat Issue 105 - September 2015 Each day, clips and other promotional materials needed to be transferred from the shooting location in South Africa to Network Tens editors in Sydney, Australia. However, the shows distant and isolated filming location in the South African jungle posed some major challenges for the broadcaster. Editors we...

Submitted by John Wastcoat

Published 01 October 2015

Looking at the teleprompter

by Beth Zarkhosh Issue 104 - August 2015 Talking directly to the camera - a basic fundamental in the world of TV presenting. If youve dabbled, you\'ll probably know just how hard it is to remember an entire script word for word without taking your eyes away in order to keep things nice and smooth. So, (please excuse the pun) cue the teleprompter. A...

Submitted by Beth Zarkhosh

Published 01 September 2015

The production desk finally gets innovative

by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#

Published 01 September 2015

Keep memories safe at RWF

by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett

Published 01 August 2015