KitPlus | Articles

Living LIVE at BVE with Ross Video

KitPlus’ Jon Pratchett chats to Stuart Russell, Ross Video, in the BVE studio. Covering customer partnerships and loyalty, pain points, growth, industry trends, pace of IP adoption, 12g SDI technologies, UHD / HDR, 8k, AI and we try to get a hint of new products on the horizon... Well I’m here at BVE with Stuart Russel. Stuart, is Ross Video a bit...

Submitted by Jon Pratchett

Published 21 March 2019

4k and HDR Wireless Camera Transmitters

Across the globe, live events represented over 50 percent of the most watched TV programs last year. However, big budget episodic shows are impacting live TV and the way viewers want to see their content. Viewers are demanding the same quality of production for live event broadcasts as they see in pre-recorded TV series and films. Producers of live...

Submitted by David Edwards

Published 21 March 2019

Preserving the British Film Institute Archive

Today, the media and entertainment industry faces numerous challenges. To remain successful and competitive, these organisations must be ever innovative, agile and cost efficient in the way they produce, store, manage and distribute their digital assets. Content creators have traditionally relied upon outdated storage models, comprised of legacy in...

Submitted by David Feller

Published 21 March 2019

Remote Teams and Talent

If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with distributed production and post production. Bridging the distance not only allows you to find the best talent for the job anywhere in the world, it creates the potential for a diverse and globally-minded workforce that b...

Submitted by Megan Cater

Published 21 March 2019

Streaming - Shut up and Sit Down

Twilight Imperium is a board game all about strategy and backstabbing. Known for its length of gameplay, the team behind Shut Up and Sit Down decided to deliver a mammoth 10-hour live broadcast, streamed to Twitch. Matt Lees is here to tell us how it went down. Having recently begun streaming live to Twitch, our audience naturally asked us to play...

Submitted by Matt Lees

Published 21 March 2019

Grading BBC Sounds

The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus. BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists. BBC...

Submitted by Simone Grattarola

Published 25 January 2019

TVFutures - Location Assistant

Hi, my name is Maddison Young and I am an undergraduate on BSc (Hons) Television and Broadcasting at the University of Portsmouth. If there is one consistent message being given to students these days it is ‘move out of your comfort zone, and get real industry work and experience’! It’s a scary message, and my first year saw me take mostly internal...

Submitted by Maddison Young

Published 24 January 2019

Bringing creative ideas to life

While the start of a new year is all about looking forward to the new possibilities and exciting opportunities ahead, indulge me for a moment in looking back to this time last year. CVP had just completed a management buyout and were planning how to take the company forward. We had an excellent foundation, a great team with the right skillsets and...

Submitted by Jon Fry

Published 24 January 2019

New developments in remote broadcast cameras

Small, specialist broadcast cameras are doing more work than ever before. David Bradley of BR Remote explains how the operation of cameras is changing to deliver much greater volumes of content, and outlines some of the creative possibilities that next wave of remote technology will bring. Perhaps the greatest challenge facing broadcasters and prod...

Submitted by David Bradley

Published 24 January 2019

NEP Student Day

The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus

Published 09 November 2018

Accelerated Workflows with eGPU

Customer:Creative BlokeIndustry: Media & EntertainmentChallenges:To enable a small independent visual effects facility, Creative Bloke, with a versatile GPU that contains a combination of portability and performance to cater to their wide and varied portfolio of clients. Solution:Creative Bloke utilized the AMD Radeon Pro WX 9100 graphics card in t...

Submitted by Mike Griggs

Published 09 November 2018

Taking on a self employed placement year

The idea of being self-employed or freelancing has always been somewhat terrifying for me. There is a level of uncertainty and responsibility that comes with the freedom of being self-employed, the likes of which makes me wonder why I chose to give it a go for my placement year as part of my university course - (BSc) Television and Broadcasting. I...

Submitted by Joshua Round

Published 08 September 2018

Why are trade shows still important

First, the disclaimer: as the CEO of a rather large trade show, my opinion is likely to be skewed. However, I wouldn’t be here – now in my eighth year at IBC - if I didn’t truly believe that well-curated trade shows like IBC are a hugely important resource for our industry. Firstly, successful workflows are complex. We are not working in a world wh...

Submitted by Mike Crimp

Published 08 September 2018

Smashing the WTA Tour

The Women’s Tennis Association (WTA) is the global leader in women’s professional sport with more than 2500 players representing nearly 100 nations competing for a record $146 million in prize money. The 2018 WTA competitive season includes 54 events and four Grand Slams in 30 countries. In 2017, the WTA was watched around the world by a total TV a...

Submitted by Danny Ridler

Published 08 September 2018

Creating Authentic Content That Counts

We’re deep into the 2010’s and the way in which we consume content has changed forever. Broadcasters and content owners are fighting for eyeballs in a saturated market where consumers are watching their favourite shows on different devices across a number of platforms. To target millennials and younger generations, who generally consume short burst...

Submitted by Frank le Mair

Published 08 September 2018