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Moving into the IP based 4K UDTV camp


by Chuck MeyerIssue 84 - December 2013 There appear to be two parallel trains of inertia currently taking place in broadcast, one of course being the onset of 4K UDTV, the other being the transition to an IP-based content transport infrastructure. For many, the rapid changes and associated question are daunting, even for experienced professionals....

Submitted by Chuck Meyer
Published 01 January 2014

Supporting the transition to 4K


by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd
Published 01 January 2014

Dreamhack - Summer 2013


Issue 82 - October 2013 DreamHack is the worlds largest digital festival and holds the official world record as worlds largest LAN party in the Guinness Book of Records. DreamHack is focused on everything you can do with computers, Internet and digital entertainment and culture. DreamHack is a lot of gaming, communication, programming, designing, m...

Submitted by KitPlus
Published 01 November 2013

The joys of the outside broadcast!


by Barrie WilliamsIssue 81 - September 2013 When Michael Essien wanted to broadcast his charity football match from Ghana, the natural choice was In-5 Broadcast, who over recent years have become well- known for cost-effective outside broadcasts, writes Barrie Williams. However, with no HD broadcast equipment hire in Accra, it was necessary to take...

Submitted by Barrie Williams
Published 01 October 2013

From archival master to usable video with Mark Gray


by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray
Published 01 September 2013

A runaway success at Graduate Fashion Week with Blackmagi...


Issue 79 - July 2013 Encouraging and nurturing raw young talent, Graduate Fashion Week (GFW) is one of the largest international platforms of its kind. Showcasing the future of fashion, over 1,000 aspiring designers descended on London during June for Graduate Fashion Week 2013. Made up of 22 catwalk shows and an exhibition with more than 40 univer...

Submitted by KitPlus
Published 01 August 2013

Continuous power in the field


When on location whether in the depths of a jungle with reduced access to power or in a city centre with limited charging opportunities then good consideration to your kit bag is needed to remove those power hungry devices that could leave you running short for the final big shot of the day!The benefits of field recorders are well known, often doub...

Submitted by Raymond Burns
Published 01 July 2013

Multiviewers come along for the ride with Matrox


Mobile production truck converts to HD and Matrox MicroQuad multiviewers come along for the ride. Jones Mobile Television (JMTV) is a full-service location video production company located in Arkansas, USA, which serves a wide range of national sports, corporate, and entertainment clients. Recently they completed a $3 million USD conversion of thei...

Submitted by Catherine Overbury
Published 01 July 2013

Will Strauss captures some decent sound gear


Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#
Published 01 June 2013

Cameras, conversations and conversions at Camera Diner wi...


Every Thursday evening, around 500 viewers tune in online to Camera Diner’s live show getting a unique look at the latest in film and still camera technology, as well as exclusive interviews with some of the imaging world’s biggest names. The whole thing is streamed live from a basic set-up in Oxford, England. Shot on a 1950’s style diner set, the...

Submitted by Paul Genge
Published 01 May 2013

Live from the supermarket car park


What’s Cooking? is the new daily daytime TV show beamed from a temporary studio in the car park of a supermarket. As chefs prepare dishes live on air, a roving camera crew relays pictures from the aisles of the shop while Channel 4 viewers interact with the presenters and cooks via social media. Produced by Superhero TV, technical integration and i...

Submitted by Kieron Seth#
Published 01 May 2013

Life live beyond the Premier League


by Kieron SethIn Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. Across the Atlantic, small OB vans have been popular for years with niche, regional news crews beaming state pie eating competitions to eager viewers. With the advent of Local TV and low-cost fast turnaround producti...

Submitted by Kieron Seth#
Published 01 April 2013

Alex Fine: Following the Ravensbourne 3


A lot of young people studying film production such as myself are always looking to set up as a film production company. We do little jobs where we make studio diaries for young (or old on the rare occasion) musicians; low budget music video’s, [very] short film’s about nothing in particular, or corporate video’s with clich dolly- moves and scratch...

Submitted by Alex Fine
Published 01 March 2013

3D for Cinema, ProAV and Events


Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#
Published 01 January 2013

TV-BAY: Ask the Experts


Studio Technologies responds to typical booth visitor questions at NAB and IBCBy: Gordon Kapes, president, Studio TechnologiesStudio Technologies, the manufacturer of tailored, high-performance video, audio and fiber optic products for the professional audio and broadcast markets, has been building equipment to address the production needs of broad...

Submitted by Bob Pank#
Published 01 October 2012