KitPlus | Articles

Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

Filters for HD Cinematography

The availability of low-cost HD camcorders with film-style tools, like 24 frame-per-second imaging and quality lenses, has put filmmaking capability in the hands of many. To achieve a film-style look, a director of photography can add a compliment of optical filters. Such filters can not only make color and other corrections to the image as it is s...

Submitted by Dennis Lennie

Published 01 April 2009

HD Camera Measurements Getting the most out of your camer...

Recap Part 1:In part 1 of this knowledge series we discussed the requirements for making correct white shading measurements in terms of the equipment used. Part 2 now will focus on performing the actual measurements and making sure that we achieve optimum linearity and dynamic range. White shading measurementPower up the camera, waveform monitor an...

Submitted by Dennis Lennie

Published 01 April 2009

HD Camera Measurements and getting the most out of your c...

IntroductionImage quality all starts with the correct alignment of the camera which is used to capture the scene either on location or in the studio. The conversion of light into electrical signals involves many processes which can affect the quality of the image. Understanding these various adjustments that are necessary, using a suitable camera c...

Submitted by Dennis Lennie

Published 01 March 2009

Mobile communications Eye to Eye

Point to point communication via satellite is one of the most useful tools available to television and radio reporters in a world of fast news distribution. This short summary looks first at some of the newest SNG link kit and then at broadcast-related telecoms. Advent Communications has introduced an enhanced version of its 1.5m and 1.8m NewSwift...

Submitted by Dennis Lennie

Published 01 March 2009

How The SADiE LRX2 Is Making Location Multitrack Recordin...

Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009

Audio acquisition and production

Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie

Published 01 February 2009

The Fairlight Time Machine

Just over fifty years ago, the then Soviet Union launched the first satellite into orbit around our planet. At that time the USA and USSR were in the depths of the cold war and the launch of Sputnik 1 on the 4th October 1957 was the starting gun for the space race. The winner would be the country to successfully land the first human being on the Mo...

Submitted by Dennis Lennie

Published 01 February 2009

How to choose a Microphone

The microphone is probably the most important tool we use when recording sound. Plugging it into the best pre-amplifier will optimise the quality of the signal but no amount of processing will fix the wrong sound coming from your microphone. The device for turning movements in the air into an electrical signal is a creative instrument and should be...

Submitted by Dennis Lennie

Published 01 February 2009

Audio Technology Spotlight

In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

Choosing the right tripod

Camera support equipment is constantly changing as technological advances influence what can be created in the viewfinder. New generations of ultra compact cameras are enabling the camera operator to explore and get into the action as never before and longer lenses allow close-up views previously unobtainable. But with so much choice, how do you se...

Submitted by Dennis Lennie

Published 01 January 2009

Camera rigs and lighting

The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Everything you ever wanted to know about TV lighting Part...

Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009

Lighting and Grip.

Lighting and Grip are often spoken as if they are one item, inseparable and complete. However the clue is in the phrase lighting AND grip. So let’s start by separating them. Lighting covers the instruments that provide the light. Grip covers the instruments we use to hold and control the light. LightingThere is a huge range of lights, luminaires, p...

Submitted by Dennis Lennie

Published 01 January 2009