KitPlus | Articles

The production desk finally gets innovative

by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#

Published 01 September 2015

Dynamic display revolution!

Issue 104 - August 2015 Projection mapping and dynamic video displays have transformed live events and performance art. Blended projection and massive video walls have given event directors the ability to deliver a whole new level of creativity to theatre, music and outdoor events. One of the companies at the forefront of this revolution is SNP Pro...

Submitted by KitPlus

Published 01 September 2015

How we got live streaming to work for us

by Larry Jordan & Megan Paulos Issue 103 - July 2015 We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited nu...

Submitted by Larry Jordan#

Published 01 August 2015

Distribution in the UHD Era

by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe

Published 01 August 2015

An end-to-end solution

by Kevin Shaw Issue 102 - June 2015 BBC Studios and Post Production (BBC S&PP), a commercial subsidiary of the BBC, provides an end-to-end solution for what we refer to as post-post-production. Our services include preservation of media in our Front Porch DIVArchive and an end to end service that includes digitization of film and tape, quality cont...

Submitted by Kevin Shaw

Published 01 July 2015

The importance of storage

by Larry Jordan Issue 102 - June 2015 "What\'s the best computer to edit video?\" It\'s a great question - it\'s just the wrong question. Yes, CPU speed is important and the Internet is buzzing with the latest specs on GPUs. But, today, virtually any currently shipping computer is more than adequate to edit video; even 4K. The critical component th...

Submitted by Larry Jordan#

Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster

by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough

Published 01 June 2015

Audio basics

by Larry Jordan Issue 101 - May 2015 It is an absolutely true statement that the best way to improve the quality of your image is to improve the quality of your sound. Viewers will happily watch grainy, black-and-white images and consider it "art.\" However, nothing you can say will keep them in their seats if the audio is too loud or unintelligibl...

Submitted by Larry Jordan#

Published 01 June 2015

Back in the day

by Larry Jordan Issue 100 - April 2015 Congratulations, TV-Bay, on your tenth anniversary; as well as the 100th issue of TV-Bay/KitPlus magazine. Very cool!Ten years ago seems like forever. Some of us were editing with Final Cut Pro 5. LiveType was still with us. Others were using Adobe Premiere Pro 1.5 (CS3 was still two years in the future). Stil...

Submitted by Larry Jordan#

Published 01 May 2015

Why video codecs matter

by Larry Jordan Issue 99 - March 2015 Video codecs confuse a lot of people. But understanding codecs is critical to just about every element of video production, editing and distribution. Codec is an acronym that stands for "COmpressor/DECompressor.\" It is easy to get intimidated by all the technical jargon surrounding codecs, but, at their core,...

Submitted by Larry Jordan#

Published 01 April 2015

Big rush with little fuss at new Birmingham broadcaster

by Neil Hutchins Issue 99 - March 2015 Big Centre TV is the latest of the new wave of UK Local TV stations, having launched on 28th February. But behind the calm and successful appearance was a frenzied period of activity, as Ofcom had only confirmed their licence just three months earlier. To get from nothing to on-air in such a short timescale wa...

Submitted by Neil Hutchins#

Published 01 April 2015

What is the future of media creation, salaries and conten...

by Thomas Urbye Issue 97 - January 2015 Often this very question is debated by experts in our industry, but many have their own agenda, whether that be advertising creation, media buying, low budget film-making, publicly funded television, subscription based services and beyond. But what is the real future for our viewing habits, those of us workin...

Submitted by Thomas Urbye

Published 01 February 2015

Post Production gear guide - what new products to watch o...

by Beth Zarkhosh Issue 97 - January 2015 With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year. So what\'s new for 2015 in the world of...

Submitted by Beth Zarkhosh

Published 01 February 2015

Dialog-based search accelerates content discovery for any...

by Drew Lanham Issue 97 - January 2015 If you can\'t find it, then you can\'t reuse it. Those are a broadcaster\'s words to live by as media libraries grow at exponential rates. But the need to find and reuse media assets is not confined to large, traditional broadcasters. Organizations of all types and sizes are finding that the ability to uncover...

Submitted by Drew Lanham

Published 01 February 2015

Increase productivity while editing

by Terry Goyette Issue 97 - January 2015 Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools...

Submitted by Terry Goyette

Published 01 February 2015