KitPlus | Articles

Where is the real source of digital creativity

The summit of Live music has always been dominated by large bands, filling arenas consisting of high production values, funded by record labels and advertisers looking to attain a huge audience. The opposite end of the music spectrum however, still holds a colossal circuit of unsigned bands, desperately promoting on the streets to get the crowds th...

Submitted by Bob Pank#

Published 01 April 2011

Eye to eye: The changing face of video displays

Video display technology is progressing so fast that the phrase 'More revolutions than a banana republic' inevitably comes to mind. No offence intended if you have just taken over as president. From the 1930s to the present century, television display was dominated almost entirely by cathode ray tubes. Competition then arrived in the form of plasma...

Submitted by Bob Pank#

Published 01 March 2011

Production Spotlight

On Friday 10th September, Fluidmoves Video Productions, filmed a new outfall pipe leaving Shoreham Harbour on the Sussex coast. The 1.8 kilometre pipe was towed out to sea through the open lock gates round to Newhaven Harbour, a distance of 15 nautical miles, on behalf of Southern Water and its contractor 4Delivery. The outfall is part of Southern...

Submitted by Bob Pank#

Published 01 March 2011

NFTS, the future of digital visionaries

The Confession, a film from The National Film and Television School (NFTS), has recently been nominated for an Academy Award, in the Live Action Short Film category - the second nomination for an NFTS graduation film in this category in the last five years. The success of the film comes days after more than 40 NFTS graduates worked on nominated fil...

Submitted by Bob Pank#

Published 01 March 2011

Tape goes West at UWE

Three years ago a convoy of white vans arrived at the Faculty of Arts at the University of West of England in Bristol. An hour later its entire stock of SVHS camcorders, linear editing decks and analog tape were history. In came Adobe Premiere, Final Cut Pro and Panasonic digital camcorders. Now 20 professional tapeless HD camcorders have taken up...

Submitted by Bob Pank#

Published 01 March 2011

Control and Monitoring with Snell

For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing,...

Submitted by Bob Pank#

Published 01 March 2011

3D camera mirror rigs

3D camera mirror rigs will be around for a long time to come and contrary to popular belief, shooting in 3D is very easy with the right equipment. Entry level 3D mirror rigs made in the UK are now available, such as the manual Hurricane Rig developed by Alistair Chapman and the fully automated 'BINORIG' developed by us at Teletest Ltd. The key to a...

Submitted by Bob Pank#

Published 01 March 2011

Challenging Loudness

Numerous definitions of the word loudness exist but to understand the relevance of the word in relation to the world of broadcast sound perhaps the statement that loudness is “our perceived impression of the intensity, frequency, and duration of a sound” fits closest. We all watch TV with the remote control close at hand; not just to change channel...

Submitted by Bob Pank#

Published 01 March 2011

Camp, ash, irritation and embarrassment

I am writing these words in the last days of December and you are reading them in the first days of January, so it seems like a good opportunity to look back on 2010 and see what we toilers in television have learnt. Against the odds there were some good programmes on the box. Astoundingly, ITV delivered a drama series that was just like the good o...

Submitted by Bob Pank#

Published 01 February 2011

Eye to Eye, Portable power supplies

The true portability of modern HD mini-cameras and flash-RAM video recorders is encouraging programme makers to go way beyond reach of tethered power supplies. But are the battery-makers living up to the demands being placed on them?Recommendation 1 in portable power supplies is so obvious it almost doesn't need stating: rechargeable batteries are...

Submitted by Bob Pank#

Published 01 February 2011

Bridging the divide between production and post productio...

In the last couple of years we have seen a considerable increase in the adoption of digital film cameras. This is not only fuelled by improvements in the technology and image quality but also by the adoption of 3D filmmaking, which significantly lends itself to the digital arena. Digital cameras have brought some wonderful benefits to the filming c...

Submitted by Bob Pank#

Published 01 February 2011

Synchronising the Shelf Stackers

The six-episode BBC Series “Shelf Stackers” brings audiences lots of laughs with its witty teenage commentary. Dom Bridges directed and helped edit the popular show as well as automating the synchronisation of audio clips for its dual-system sound productionBridges began his career as a graphic designer, which eventually led him to commercial desig...

Submitted by Bob Pank#

Published 01 February 2011

Seeing 3D or 2D

The press coverage of all angles of 3D continues unabated but the subjects are changing away from the technology and more towards the commercial aspects and how 3D should be shot. With some people saying there’s no extra money above an HD budget to make 3D, there’s a money problem. For a start there’s twice as many cameras and more people, specific...

Submitted by Bob Pank#

Published 01 January 2011

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

HotTips on how to be a better lighting cameraman.

First up, don’t worry too much about HDFor most of my early career I shot with film, not video, so I usually approach things from a film point-of-view. This means I don’t see an awful lot of difference between SD and HD. In my opinion, the extra definition has more of an impact on the make-up team and the set designers because, regardless of what l...

Submitted by Bob Pank#

Published 01 January 2011