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An artist gets bored of the same colour palette


by Rob Tarrant Issue 95 - November 2014 So the wait is over. The brand new VariCam was launched at IBC in September. Above all else that means extra choice for high end episodic dramas, advertising and movies, where it has to be said the choice has been limited for far too long. Since the introduction of the original VariCam in 2002, the first high...

Submitted by Rob Tarrant
Published 01 December 2014

Capture and Produce


Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#
Published 01 November 2014

News


Issue 94 - October 2014The most complete, compact multimedia studio in the World NewTek™ have unveiled TriCaster Mini™––the world’s most complete and compact multimedia studio. The ultra-portable system allows anyone who doesn’t speak or understand the technical language of video production or broadcasting to transform an ordinary presentation into...

Submitted by Will Strauss#
Published 01 November 2014

Cooking Up A Creative Storm With Patrick And Kylie


Issue 94 - October 2014Three years ago, Patrick Drake, who had recently left a lucrative job working at Goldman Sachs in London to follow his true cooking passion, met Kylie Flavell, a young woman who had abandoned her career as a high-stakes fashion journalist in Australia to pursue her dream of one day hosting her own escapist travel and food sho...

Submitted by KitPlus
Published 01 November 2014

Everything you need to know about Anamorphic Lenses


by Les Zellan Issue 94 - October 2014 Back in the late 1940s and early 1950s, film studios and theatre owners panicked. Television was the emerging new technology and as it expanded in popularity they feared audiences would shun the theatre to stay home and watch TV instead. What could they do to beat that? They needed a competitive edge to draw au...

Submitted by Les Zellan
Published 01 November 2014

Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

Shooting Cinematically


by Ben Baldwin Issue 93 - September 2014 One Monday morning in July I headed to Pinewood Studios to spend an hour in the company of Den Lennie and Philip Bloom for a Sony Webinar - Shooting Cinematically. Both DOPs share a passion for helping aspiring filmmakers grow their skills and confidence and both have a wealth of knowledge when it comes to c...

Submitted by Ben Baldwin
Published 01 October 2014

How I shoot those Amazing Spaces


by Chris Smith Issue 93 - September 2014 Channel 4 has just finished showing series 3 of its popular ‘Amazing Spaces’, which is all about people building unusual living spaces. Watch it, and even after one viewing it could have you looking at your back garden in a new light, ready to start building that underground family space or cinema, or maybe...

Submitted by Chris Smith
Published 01 October 2014

Product Spotlighting


Issue 93 - September 2014The changing face of on-camera LED LightingIBC 2014, Europe’s largest and most anticipated Broadcast show will see the launch of the latest evolution of on-camera LED Lighting systems, in the form of the ROTOLIGHT NEO. IBC has previously seen the launch of the Multi-Award winning Rotolight RL48 Ring light, Rotolight ANOVA a...

Submitted by KitPlus
Published 01 October 2014

How to Sell a Film Before it is Made


by Beth Zarkosh Issue 93 - September 2014 Independent filmmakers can produce some of the most gripping, compelling and original cinematic works around, but without funding it’s a real struggle to piece together the requisite resources for such productions to get the backing that they deserve. So what’s the answer? Simple - sell the DVD before you’v...

Submitted by Beth Zarkhosh
Published 01 October 2014

6


Must have or just a dream? Either way these are our 6 of the best this month chosen by Larry Jordan, David Crossman and Jon Boast. Issue 93 - September 2014 DJI Ronin Handheld Gimbal SystemThe DJI Ronin Handheld Gimbal System has been developed for the cinematographer with pro-grade build quality keeping up with the demands of everyday use and aeri...

Submitted by Larry Jordan#
Published 01 October 2014

Keeping it real


by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#
Published 01 September 2014

What Directors do and dont do


by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman
Published 01 September 2014

Lighting for virtual sets


by Mike Perry Issue 92 - August 2014 We often get asked why lighting for a virtual set is not working well. The client has fitted a virtual studio painted with domestic green paint and fitted with presumably suitable lights, but the camera just can’t get a decent image. Where’s it all going wrong? Well, to answer questions about lighting a virtual...

Submitted by Mike Perry
Published 01 September 2014

KVM extenders and matrix switches in broadcast


by Enno Littmann Issue 92 - August 2014 How successful has exhibiting at IBC been in the past?IBC 2014 marks the fifth successive year that IHSE has exhibited at the exhibition. Each year since 2009 we have moved to a more prominent position, increased the size of the stand and generated greater levels of interest amongst visitors. Many of whom hav...

Submitted by Enno Littmann
Published 01 September 2014