KitPlus | Articles

Posting Rovers on DaVinci Resolve

Managing director at Core Post Matt Brown reveals how he used DaVinci Resolve\'s 3D tracker, key lighting, and color tools to complete the final grade for new Sky 1 football comedy drama series, "Rovers.\" Set in the run down clubhouse of fictional non league team Redbridge Rovers FC, brand new Sky 1 football comedy "Rovers\" reunites "The Royle Fa...

Submitted by Matt Brown

Published 25 August 2016

The future of timing and timecode

It is SMPTE\'s 100th anniversary! I hope that all readers have had a chance to view the Centennial Video (https://www.youtube.com/watch?v=jN2yYrEFMFQ) and to contemplate that 100 years ago we were in the dawn of the cinema era, where different equipment used different frame rates, different sprocket sizes, different frame sizes and the concept of d...

Submitted by Bruce Devlin

Published 24 August 2016

The Pros and Cons of Archiving in the Cloud

Archiving content in the cloud provides a number of key benefits. However, many media companies and content owners are still hesitant to store their assets that way due to content security implications and cost concerns. So what are the pros and cons of storing content in the cloud?There are a number of key drivers including: access to content from...

Submitted by Lee Sheppard

Published 14 June 2016

Smaller, Lighter, High-Capacity Batteries

Issue 113 - May 2016 The desire for longer run-times from smaller and lighter batteries, has always been keenly felt by users of high power consumption digital cinema style cameras. The new generation of cameras is smaller but the power consumption, in most cases, has increased. High-capacity Li-Ion batteries of 150Wh or more provide longer run-tim...

Submitted by Steve Emmett

Published 20 May 2016

VR and 3D Audio - Ask The Experts

by Pieter Schillebeeckx Issue 113 - May 2016 What\'s the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we\'re thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height informati...

Submitted by Pieter Schillebeeckx

Published 13 May 2016

The Search For The Coastal Wolf

by Bertie Gregory Issue 112 - April 2016 Bertie Gregory, 2012 Youth Outdoor Photographer Of The Year and 2015 Scientific Exploration Society Zenith Explorer, is a professional wildlife photographer, filmmaker and presenter whose first solo assignment for National Geographic will debut in Spring 2016 on their new online platform. This 24 part series...

Submitted by Bertie Gregory

Published 25 April 2016

Recreating a Masterpiece

by Stuart Harris Issue 112 - April 2016 Tell us a bit about yourself Stuart. At the moment I am the acting head of cinematography here at the National Film and Television School. I have been a cinematographer from around 1980 and I have done commercials, music videos, feature films, sort of everything really. I think a creative career was what I wa...

Submitted by Stuart Harris

Published 25 April 2016

The Danish Girl

by Adam Glasman Issue 112 - April 2016 Colorist Adam Glasman reveals how he was inspired by the classics to grade Oscar nominated transgender pioneer biopic, "The Danish Girl". Based on the book by David Ebershoff, "The Danish Girl", which has received four Oscar nominations this year, is the remarkable love story inspired by the lives of Lili Elbe...

Submitted by Adam Glasman

Published 25 April 2016

Object Audio - whats all the noise about

We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it. Remember the good old days of mono audio on TV? Mono audio gives a single channe...

Submitted by Bruce Devlin

Published 01 April 2016

4k is a reality for live production

Some aspects of the broadcast industry move exceedingly quickly; new cameras are launched seemingly daily, shows are commissioned and shows are axed but the overall pace of the industry remains pretty steady. Would it shock you to hear that NHK in Japan first built its own 4K prototype camera in 2003? (At this point, it's worth clarifying that we'r...

Submitted by Liam Laminman

Published 01 April 2016

Square-division versus two-sample interleave

by Kevin Salvidge Issue 110 - February 2016 Square-division versus two-sample interleaveFollowing on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluat...

Submitted by Kevin Salvidge

Published 16 March 2016

Focus Technology in 2016 and Beyond

by Lisa J. Whelan Issue 110 - February 2016 With the advance of larger camera sensors, faster lenses and complex lighting systems, the role of the 1st AC (Assistant Camera) is more demanding than ever. Fortunately, the world of focus technology is developing new and innovative ways to step up and meet these demands head-on. Out of FocusHistorically...

Submitted by Lisa J Whelan

Published 16 March 2016

Traveling Safely with Lithium Ion - Tips and Tricks

by Mike Dolan Issue 110 - February 2016 For any location production, organization and pre-planning is key. This mantra goes beyond thinking of shoots and equipment placement to actually how your equipment will get from point A to B. This is particularly crucial when selecting batteries for air travel due to the set limit on lithium ion (Li-Ion) bat...

Submitted by Mike Dolan

Published 16 March 2016

BVE and London Entertainment Week

BVE NewsIssue 109 - January 2016 BVE, the premier event for the UK broadcast, media and entertainment industries, is thrilled to announce its schedule for 2016, a year that proves to be the most all-encompassing show yet. BVE 2016 welcomes the launch of London Entertainment Week reflecting the expansion into the Pro AV and Live Entertainment Techno...

Submitted by KitPlus

Published 21 January 2016

New Upmixing Challenges and Strategies for Audio Post-pro...

by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah

Published 21 January 2016