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TV Futures

by Gemma Frith Issue 113 - May 2016 I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn\'t understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio mo...

Submitted by Gemma Frith

Published 13 May 2016

VR and 3D Audio - Ask The Experts

by Pieter Schillebeeckx Issue 113 - May 2016 What\'s the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we\'re thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height informati...

Submitted by Pieter Schillebeeckx

Published 13 May 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

Loudness Measurement and Control Strategies For The UK Br...

by Manik Gupta Issue 113 - May 2016 A common issue that today\'s broadcast ,cable, and satellite operators face is inconsistent loudness. Over the years, the loudness levels of some commercials have been deliberately increased to catch audiences\' attention. Ultimately, inconsistent loudness between regular programming and advertisements has discou...

Submitted by Manik Gupta

Published 13 May 2016

Measurement and Visualization of Loudness

by Michael Kahsnitz Issue 113 - May 2016 Today\'s audio engineers and editors have to fight various battles, including constantly shrinking production budgets, less time to create the final program content and more tech specs to match than ever. For this compilation, we take a deeper look at the required major indicators common to all the standards...

Submitted by Michael Kahsnitz

Published 13 May 2016

Fact from Fiction - IP transport

by Bruce Devlin Issue 112 - April 2016 Wandering around the endless corridors of NAB in 2016, you\'ll hear much more talk of IP transport than in previous years. If you\'re lucky then you\'ll see a few GUIs that might show Software Defined Network (SDN) routings or channel allocations. You might see a GUI that shows the flows of essence, grains, pa...

Submitted by Bruce Devlin

Published 25 April 2016

A virtual world but call it cloud if you must

I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity...

Submitted by Jan Weigner

Published 01 April 2016

Object Audio - whats all the noise about

We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it. Remember the good old days of mono audio on TV? Mono audio gives a single channe...

Submitted by Bruce Devlin

Published 01 April 2016

The fushion of content and big data

Today's television viewers have a different set of expectations than they did even just a few years ago. The emergence of smartphones, tablets, and other Internet-connected devices and the subsequent improvements in user-experience has driven viewers to want a more engaging, rich, and interactive television experience, just like they get on their m...

Submitted by Yoav Gaziel

Published 01 April 2016

The work of five viewers with no transcoders

I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills

Published 01 April 2016

Must haves for wireless camera transmission

1. How has OB technology and workflow evolved over the years?In the days of analog, camera operators were basically tethered to the camera via cable. Additionally, when doing a remote transmission the production required line-of-sight to the receive site or to a satellite. It took a small army and lots of hardware to make an on-location shoot happe...

Submitted by John Payne

Published 01 April 2016

Audio Streaming with Larry Jordan

My wife is addicted to audio podcasts; they are constantly playing throughout the house. In this day of YouTube and Vimeo it is easy to overlook the immense popularity - and ubiquity - of audio podcasts. If you are thinking about creating your own streaming video podcast or channel, a great place to start is with a live audio podcast because, as yo...

Submitted by Larry Jordan#

Published 01 April 2016

The importance of maintaining digital audio paths

A portable, handheld, digital audio stream analyzer/generator is an essential piece of test equipment in the broadcast environment. It allows engineers and system integrators to quickly monitor and verify the composition, and integrity of, audio signals at any point from production all the way through the distribution chain. While the process of te...

Submitted by Larry Schindel

Published 01 April 2016

TV Futures - Streaming

by Danielle Wiltshire and Oliver Ray Issue 111 - March 2016 Hello I\'m Danielle Wiltshire and I am currently in my final year at the University of Portsmouth studying on the specialist course BSc Television and Broadcasting. One of the things I love about my course is that the academics involved are always striving to be ahead of the curve with tea...

Submitted by Danielle Wiltshire

Published 01 April 2016

Educating with Robots

by Sian Roberts, Online Editor Issue 110 - February 2016 Educating with RobotsTimeline North's post production director, colorist and VFX artist reveal how they used DaVinci Resolve and Fusion to complete 140 sketches for upcoming CBeebies children's series, Spot BotsMade up of a series of funny live action sketches, new CBeebies - a popular BBC ch...

Submitted by Sian Roberts

Published 16 March 2016