KitPlus | Articles

IMF Adoption

The Interoperable Master Format isn’t new. It’s been around for more than six years. Despite this longevity, the broad adoption since the publication of SMPTE 2067 has been pretty slow. This is perhaps more because of the age old mantra “if it ain’t broke don’t fix it,” than the ease with which many could interpret the standard. However, it is safe...

Submitted by Howard Twine

Published 04 June 2019

Behind the Scenes of Wild rose

Financed by BFI Film Fund, Wild Rose tells the story of a musician from Glasgow who dreams of becoming a Nashville star. The only thing in the way: her own penchant for crime and violence. Starring Jessie Buckley, the film begins just as its talented antihero, Rose-Lynn, is first released on parole after having spent a year in jail on a drug charge...

Submitted by KitPlus

Published 04 June 2019

A Truly Mobile Fly On The Wall

A Truly Mobile Fly on the WallFly on the Wall Entertainment is responsible for over 2000 hours of programing that have aired on multiple networks. As the Executive Producers of CBS’s summer sensation Big Brother, going into its 20th season this summer, they have been the key to the growth and evolution of one of the most groundbreaking entertainmen...

Submitted by KitPlus

Published 04 June 2019

The way forward in a changing world

The broadcast and media industries are evolving in all areas to adapt to the challenges of competition from OTT, changing user viewing habits, technological advances in image resolution, dynamic range and colour rendition as well as embracing new video over IP infrastructures. Test and measurement equipment manufacturers also have to evolve to supp...

Submitted by Alan Wheable

Published 21 March 2019

Preserving the British Film Institute Archive

Today, the media and entertainment industry faces numerous challenges. To remain successful and competitive, these organisations must be ever innovative, agile and cost efficient in the way they produce, store, manage and distribute their digital assets. Content creators have traditionally relied upon outdated storage models, comprised of legacy in...

Submitted by David Feller

Published 21 March 2019

Looking for the Silver Lining

According to the World Meteorological Organisation, there are 10 different types of cloud, each of which can be divided further into sub-types. They range from the cirrus, the thin floaty clouds which generally serve only to make the sky look beautiful to the towering, all-embracing cumulonimbus which can deliver fearful quantities of rain – the bi...

Submitted by Harry Grinling

Published 21 March 2019

Remote Teams and Talent

If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with distributed production and post production. Bridging the distance not only allows you to find the best talent for the job anywhere in the world, it creates the potential for a diverse and globally-minded workforce that b...

Submitted by Megan Cater

Published 21 March 2019

Future proofing post production storage

Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynam...

Submitted by Josh Goldenhar

Published 25 January 2019

State of the Nation - January 2019

I’m writing these thoughts on the morning of 20 December. From my desk in Tunbridge Wells I am normally gently aware of air traffic at five thousand feet, lining up to land at Gatwick Airport. Today it is silent: since 9.00 last night some idiot has been flying drones across the runway. An airport is a finely tuned machine, with all the interconnec...

Submitted by Dick Hobbs - new

Published 24 January 2019

Filming behavioural sequences in tough environments

Three leading figures from the world of natural history production discuss their experiences with the Panasonic VariCam and EVA1 large sensor cameras, and offer advice for shooting in challenging environments including underwater, at high altitude and in extreme weather. Panasonic was proud to sponsor an exclusive seminar with three leading individ...

Submitted by KitPlus

Published 24 January 2019

NEP Student Day

The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus

Published 09 November 2018

Shedding Light on the Blackmagic Pocket Cinema Camera 4k...

“What is it about light that has us craving it?” Is the question asked in the opening seconds of Garth de Bruno Austin’s latest short, The Colour of Light. Exploring this natural, human need as well as our innate desire to control it, Garth’s film showcases everyday people going about their lives in differing degrees of luminance, whether that be a...

Submitted by Garth de Bruno Austin

Published 09 November 2018

Accelerated Workflows with eGPU

Customer:Creative BlokeIndustry: Media & EntertainmentChallenges:To enable a small independent visual effects facility, Creative Bloke, with a versatile GPU that contains a combination of portability and performance to cater to their wide and varied portfolio of clients. Solution:Creative Bloke utilized the AMD Radeon Pro WX 9100 graphics card in t...

Submitted by Mike Griggs

Published 09 November 2018

The brave new world of software based production

In today’s rapidly evolving broadcast industry, the only constant media organizations can truly count on is change — and the need to adapt as rapidly and cost-effectively as possible. One of the biggest agents of change is the IP revolution, driving broadcasters to migrate their operations to all-software solutions running on commodity, IT-based te...

Submitted by Boromy Ung

Published 09 November 2018

AI in Media and Entertainment

Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI?In virtually every industry, AI is claiming a growing stake in the supply chain, creating both operational enhancements and business efficie...

Submitted by David Candler

Published 09 November 2018