KitPlus | Articles

PSSI Global Services deploys Appear X Platform for REMI c...

Appear, the global leader in media processing and delivery technology, has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC®). PSSI Global Services will launch Appear’s X Platform for its global distribution of UFC coverage, beginning in May 2023. Appear’...

Submitted by Katya Pristiyanti

Published 17 April 2023

Accelerated Workflows with eGPU

Customer:Creative BlokeIndustry: Media & EntertainmentChallenges:To enable a small independent visual effects facility, Creative Bloke, with a versatile GPU that contains a combination of portability and performance to cater to their wide and varied portfolio of clients. Solution:Creative Bloke utilized the AMD Radeon Pro WX 9100 graphics card in t...

Submitted by Mike Griggs

Published 09 November 2018

When a lens is more than just a lens

Matching shots between different cameras can be tricky at the best of times. But how do you match lens characteristics between a live action shoot and a CGI composition? The CP.3 XD lenses from Zeiss offer an efficient solution to this with their frame accurate meta-data. The ZEISS CP.3 Cinema Primes have all the characteristics that have made ZEIS...

Submitted by KitPlus

Published 02 November 2017

Soho shaking all over Manchester

with Alan Bradbury Issue 108 - December 2015 It was a busy time for my colleagues and I here at Soho Editors last month, but quite a telling one too. The relentless thrust northward of post-production, film, TV and broadcast services in the UK, saw us - and indeed many other companies - exhibiting at the Kitplus Tour, hosted at the MediaCityUK comp...

Submitted by Alan Bradbury

Published 15 December 2015

BAH! Humbug

by Dick Hobbs Issue 96 - December 2014 Yes, it's that time of year again. When, if you are a commercial broadcaster, you start coining it in with the Christmas commercials. Presumably if you are a director or a post house, you are already pitching for next year's blockbusters. They never have the look of something that has been knocked up on the sp...

Submitted by Dick Hobbs.

Published 01 January 2015

KVM extenders and matrix switches in broadcast

by Enno Littmann Issue 92 - August 2014 How successful has exhibiting at IBC been in the past?IBC 2014 marks the fifth successive year that IHSE has exhibited at the exhibition. Each year since 2009 we have moved to a more prominent position, increased the size of the stand and generated greater levels of interest amongst visitors. Many of whom hav...

Submitted by Enno Littmann

Published 01 September 2014

Fixing that inhospitable location shoot

by Harry Amies Issue 88 - April 2014 Say Iran. What do most people think of? Hostage-taking, nuclear programmes, angry mobs, CGI outsourcing, VFX, a multi-million dollar movie industry? If Harry Amies and Amir Rezazadeh of UK based co-producers HarryAmir have anything to do with it itll be the last three. HarryAmir is a UK-based company, that helps...

Submitted by Harry Amies

Published 01 May 2014

Televising Swan Lake in live 3D from St Petersburg

by Tim HighmoorIssue 79 - July 2013 Stereoscopic television may still be in its infancy as a home entertainment medium but it is thriving in the cinema world. Freed from domestic distractions, cinema audiences are ideally placed to give their full attention to the images on the big screen. On Thursday 6 June 2013, the Mariinsky Ballet company in Ru...

Submitted by Tim Highmoor

Published 01 August 2013

Is film a brand

In 2000 George Lucas announced he wanted to make Episode 2 of the Star Wars Prequel Trilogy. It was going to be about 90% CGI so he wanted to shoot the live action sequences using video. It is said that as he had just had a very expensive divorce and needed some money which is why he embarked on making these prequels! Then there was no video camera...

Submitted by Will Strauss#

Published 01 January 2013

TV Bay Questions

Name & Title?James Willett, Freelance ColouristWho are you? (about yourself and who you work for)?Freelance Colourist living and working in LondonWhat do you do? What does your company do?I'm the guy that has the brilliant job of doing everything from lining up and visually matching shots to creatively stylising and achieving the Directors look for...

Submitted by Kieron Seth#

Published 01 November 2011

tv-bay Questions

Who are you?I have the pleasure of being CEO of two companies! First being the diRoom, which is boutique post-production facility for colour grading, digital intermediates and delivery masters. We are all filmmakers at diRoom, so we tailor every project workflow to be an entire picture post solution for filmmakers or a service that can fill the gap...

Submitted by Bob Pank#

Published 01 March 2011

Camp, ash, irritation and embarrassment

I am writing these words in the last days of December and you are reading them in the first days of January, so it seems like a good opportunity to look back on 2010 and see what we toilers in television have learnt. Against the odds there were some good programmes on the box. Astoundingly, ITV delivered a drama series that was just like the good o...

Submitted by Bob Pank#

Published 01 February 2011

3D Movie Making: Stereoscopic Digital Cinema from Script...

Having indulged for several years in stereo photography of the hand-held cross-your-eyes variety, I was interested to watch the broadcast industry respond to the availability of increasingly affordable flat-panel 3D displays. A critical point in the price threshold has finally been crossed: fast-refresh-rate 22 inch 3D computer monitors using circu...

Submitted by Dennis Lennie

Published 01 November 2009