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New workflows floating on the horizon


The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and e...

Submitted by Lee Sheppard - new
Published 04 April 2017

Meeting the Challenges of Media Assett Management


It's been 20 years since Microsoft founder Bill Gates uttered the words "content is king,\" and never has that statement been more true in media production environments. And yet, ask producers in any high-pressure broadcast operation to name their biggest challenges, and you can bet that managing video assets - finding them, accessing them, and usi...

Submitted by Dave Clack
Published 14 June 2016

Getting more from your MAM


by Colin Blake Issue 91 - July 2014 The value of a media asset management (MAM) system cannot be understated. The MAM system serves as the window into your archive, and a properly implemented MAM system can mean the difference between finding and repurposing assets or letting them sit idle and unmonetized. There are several choices for MAMs availab...

Submitted by Colin Blake
Published 01 August 2014

Implications of a Tapeless workflow


The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie
Published 01 November 2009

How and where to do your Post Production.


The world of professional editing and post production has changed dramatically in the last few years. The biggest of the barriers to entry – (cost), has all but disappeared with the advent of desktop editing solutions. Manufacturers like Apple and Adobe and even Avid have made this possible with products like Final Cut Studio 2 and Adobe’s CS3 Prod...

Submitted by Dennis Lennie
Published 01 December 2008