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How we lit Mick


Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie
Published 01 January 2009

New developments in mobile HD production


When widescreen HDTV was first demonstrated back in the 1980s, the pictures were great but the size and price of the kit left much to be desired. Two decades on, broadcast-quality 1080i/720p HD cameras and recorders have reached levels of compactness and affordability that would have seemed impossible in those early days. When I designed the origin...

Submitted by Dennis Lennie
Published 01 January 2009

SOOM under the Senegal sun


No power – inconceivable for Europeans, but normal for the African village Ndelle. Situated six hours from Dakar, it is attainable only by dusty, sandy fields. However the approximate 800 village inhabitants have reason for joy: The company Solar 23 is building a solar plant in Ndelle. The German cameraman Jrgen Killenberger captured this project i...

Submitted by Dennis Lennie
Published 01 January 2009

New editing essentials


I like to think of myself as a bit of a pioneer at the frontier of the new age of HD Digital Cinematography. Investigating the best of the new technology available to our industry and evaluating its possible impact. I ‘d like to explain the impact of some of the particular examples of this today starting with:-XDCam EX Tapeless HD Camcorders. One w...

Submitted by Dennis Lennie
Published 01 December 2008

The largest fibre and Ethernet video SAN network in the w...


Out of the Ashes of the old Anglian TV studios EPIC has risen like a phoenix to become not only a major broadcasting hub in Norfolk but to rival traditional studios throughout Europe. With the financial backing of Norfolk County Council and the East of England development agency, EPIC has converted the old TV studios and installed a state of the ar...

Submitted by Dennis Lennie
Published 01 December 2008

London to Capetown, by bike Part 2


Continuing Frank’s journey after leaving Nigeria….. I arrived in Cameroun at the beginning of the wet season and it had been raining constantly for a week before I got there. The road was in a horrendous state. It was a two hundred kilometre long mudbath, in some places the mudholes were two metres below the normal road height. My bike fully loaded...

Submitted by Dennis Lennie
Published 01 November 2008

Chyron interview with tv-bay


Chyron has moved into the online content creation space. What is driving this shift?The foundation for this new division is Chyron’s recent acquisition of AXIS Graphics, a unique web-based graphics system that has pioneered online graphics production. Chyron and AXIS bring innovation to graphics creation workflow and production - and most important...

Submitted by Dennis Lennie
Published 01 October 2008

London to Capetown, by bike part 1


South Africans are known for being to the point, so when I was told that I had done the whole thing ‘Arse Backwards’ I wasn’t unduly upset, but I did feel a need to justify the way I had approached this project. I had just arrived in Cape Town and was rather pleased with myself, having just completed a year long journey through some of Africa’s mos...

Submitted by Dennis Lennie
Published 01 October 2008

The Benefits of Lens Add-ons


Zoom lenses on broadcast and professional video camcorders are wonderful tools for the videographer, allowing quick and easy focal length change. But ultimately, a zoom lens is limited on both the wide and telephoto end of its zoom range. On higher-end camcorders there is generally a choice of lenses, and thus zoom range, when the camera is purchas...

Submitted by Dennis Lennie
Published 01 June 2008

The Reflecmedia Chromaflex portable chromakey system


The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie
Published 01 May 2008