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Calzaghe Fight with Input Media

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Sports production company Input Media faced a series of technical, logistical and creative challenges when they were commissioned by fast rising broadcaster Setanta Sports to cover one of the biggest live Boxing events ever staged in the UK. The main fight during the 8-hour long broadcast was the world unification fight between WBO/IBF Super Middle...

Submitted by Dennis Lennie

Published 01 July 2008

CTV OB Truck

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Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008

Guide to filming in London

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Film London aims to make filming in the capital as straight-forward a process as possible. They hold a library of over 10,000 London film locations, a comprehensive database of crew and facilities in the region, and can also provide information and advice about the filming process. Please note however that they do not provide permits for filming. T...

Submitted by Dennis Lennie

Published 01 July 2008

A hidden beauty

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The lifestyle of the Wildlife cameraman (and woman) you’d have thought, and I was hoping, was all exotic locations and beautiful scenery. Except for me the reality was a murky, water filled quarry during a very cold winter and early spring of 2006- 07. But to come face to face with a real homegrown legend I was more than ready to take the plunge. T...

Submitted by Dennis Lennie

Published 01 July 2008

The Reflecmedia Chromaflex portable chromakey system

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The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey tips and tricks.

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Chromakey is one of those slightly magical effects that can still bring out the child in all of us. Also childlike are the frustrated tantrums you throw when you have been trying for hours to get a decent key, and realise you will have to pay some compositing wizard to rescue the shot. There are now 2 distinctly different ways to shoot chromakey fo...

Submitted by Dennis Lennie

Published 01 April 2008

The Sony PMW-EX1 what can we expect?

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We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008

The Brown Stabilizer

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Garrett Brown is best known as the Oscar-winning inventor of the Steadicam®. He has shot with it on nearly 100 movies including Rocky, The Shining and Return of the Jedi. Garrett holds 50 patents worldwide for camera devices which include the new Steadicam Merlin, a miniature version for camcorders; Skycam, the robot camera that flies on wires over...

Submitted by Dennis Lennie

Published 01 March 2008