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Consumer of the shelf technology is coming


I had the privilege last week of sitting in a strategy session of the Digital Production Partnership where we were concerned with predicting the future. As Niels Bohr once famously said, "Predictions are really hard - especially when predicting the future". One of the attendees made a comment about camera technology and I instantly thought about th...

Submitted by Bruce Devlin
Published 15 March 2017

The now and how of LED Lighting


LED lighting has come a long way from the days when companies like Outsight were ridiculed by major manufacturers at trade shows because, the manufacturers asserted, technology couldn\'t be entrusted with the requirements of our industry. During this time the market has moved from that initial question, "What is LED?\" to "Is LED ready?\" and final...

Submitted by Tama Berkeljon
Published 15 March 2017

Not all power is created equal


Battery companies are quickly coming to realize that as new technologies continue to emerge, power solutions cannot be a one-size-fits-all commodity. There is no single battery for every situation, but instead a myriad of choices to accommodate even the most complex requirements. Below are five common videographer or photographer scenarios with the...

Submitted by Jose Flores
Published 15 March 2017

Outside the fixed curriculum


If you\'re wondering whether or not to do some extracurricular work outside of your timetabled course, the answer should always be yes. The more you further your experience and skills the brighter your future will look. As a third year student, studying Television and Broadcasting, I\'m lucky enough to have hands on experience with filming equipmen...

Submitted by Emma Benson
Published 15 February 2017

Challenges for MAM with varying production types


Many media asset management platforms are designed to handle the immense number of assets needed for today\'s fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ab...

Submitted by Jonathan Aroesty
Published 15 February 2017

The future of post production


Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus
Published 15 February 2017

Mr MXF thinks the future is bright


I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow....

Submitted by Bruce Devlin
Published 13 January 2017

Health and Safety gone mad


The first true broadcast television service started 80 years ago, on 2 November, 1936. Its home, famously, was Alexandra Palace, a vast and really rather run-down building on top of Muswell Hill in north London. Originally opened in 1873, and re-opened in 1875 after a catastrophic fire, it was built primarily as an entertainment venue. Indeed, it w...

Submitted by Dick Hobbs.
Published 13 January 2017

Diversify or Die


This headline of this article is a simple fact, diversify or die! It is necessary for survival as well as interest of mind to do this within business. "If a farmer can no longer produce crops because no-one wants them he must diversify or die.\" Caravans, glamping, corporate days in the country with hunting, fishing and shooting; these are just som...

Submitted by Steffan Hewitt
Published 13 January 2017

The eye in the sky


EVENT360 specialises in production and delivery of sport presentation, entertainment and stadium ceremonies, and, as such, we\'re always looking for new, interesting, and innovative crowd engagement tools. One of those engagement tools that we\'d been using for many years was a crowd-surfing ball - basically a sponsor-branded beach ball thrown into...

Submitted by Julian Marks
Published 13 January 2017

Radio cameras bring a live broadcast to life


Radio cameras bring a live broadcast to life - especially news, sports and studio shows - by their ability to roam around and move in closer to a subject. They capture a more natural spectator\'s view than a camera that is fixed at one point, and usually get the most intimate shots and the most exciting angles in a production. Today they are indisp...

Submitted by Tony Valentino
Published 13 January 2017

Rethinking standards in the media world


It\'s actually a more difficult question than you think. When I ask the majority of engineers this question, I will get a technical answer. It will be something like "to be sure we meet the specification\" or "to be sure we don\'t put bad signals on air\" or "so that I don\'t get fired for getting loudness wrong\" The reality of course is that moni...

Submitted by Bruce Devlin
Published 07 December 2016

Scopes, a creative trilogy


The purpose of color correction is to fix any problems with exposure and color, ensuring the final image looks right. Color grading is used to set the mood by adjusting the colors of the video imagery to achieve a certain look or feel. At the core of color correction is tonal range: the range of brightness from dark (black) to light (white). When t...

Submitted by Paul Issacs
Published 07 December 2016

Review: Transvideo Starlite RF


The Transvideo StarliteRF is a new lightweight wireless monitor system that ticks many boxes and satisfies new and developing monitor requirements. Rental companies are reporting a rising demand for lightweight shooting kits even for commercials and movies, increasing use of hand-held, use of Steadicam, gimbals and other body rigs which keep the ca...

Submitted by Marcus Brent-Smith
Published 07 December 2016

Blackmagic Design URSA Mini Reviewed


The yeti finally arrived earlier this year - I call it so, because for almost twelve months until BVE 2016 we\'d only seen it in pictures! So getting my hands on one in a real word environment was an absolute no brainer, when Simon Tillyer dropped me a line offering the opportunity to review the camera for KitPlus. I\'ll cut right to the chase with...

Submitted by Ben Sherriff
Published 07 December 2016